John Carpenter in the context of "Horror Western"

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👉 John Carpenter in the context of Horror Western

The horror Western is a crossgenre of both the horror and Western genres. It has it roots in films such as Curse of the Undead (1959), featuring Michael Pate as a vampire gunfighter; and Billy the Kid vs. Dracula (1966), which depicts the real-life outlaw Billy the Kid fighting against the fictional vampire Dracula.

Newer examples include Near Dark (1987) directed by Kathryn Bigelow, which tells the story about a human falling in love with a vampire. From Dusk till Dawn (1996) by Robert Rodriguez deals with outlaws battling vampires. Vampires (1998), by John Carpenter, is about a group of vampires and vampire hunters looking for an ancient relic in the modern West. Ravenous (1999) concerns cannibalism at a remote United States Army outpost and The Burrowers (2008) is about a band of trackers who are stalked by the titular creatures. Abraham Lincoln: Vampire Hunter (2012) depicts Abraham Lincoln's life as a secret vampire hunter. Bone Tomahawk (2015), one of the most recent entries in the genre, received wide critical acclaim for its tale of cannibalism, but like many other films in the genre, it was not a commercial success.

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John Carpenter in the context of Synthwave

Synthwave (also called retrowave, or futuresynth) is an electronic music microgenre that is based predominantly on the music associated with the soundtracks of action, science fiction, and horror films of the 1970s and 1980s. Other influences are drawn from the decade's art and video games. Synthwave musicians often espouse nostalgia for 1980s culture and attempt to capture the era's atmosphere and celebrate it.

The genre developed in the mid-to late 2000s through French house producers, as well as younger artists who were inspired by the 2002 video game Grand Theft Auto: Vice City. Other reference points included composers John Carpenter, Jean-Michel Jarre, Vangelis (especially his score for the 1982 film Blade Runner), and Tangerine Dream. Synthwave reached wider popularity after being featured in the soundtracks of the 2011 film Drive (which included some of the genre's best-known songs), the 2012 video game Hotline Miami as well as its 2015 sequel, the 2017 film Thor: Ragnarok, and the Netflix series Stranger Things.

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John Carpenter in the context of Dark Star (film)

Dark Star is a 1974 American independent science fiction comedy film produced, scored and directed by John Carpenter and co-written with Dan O'Bannon. It follows the crew of the deteriorating starship Dark Star, twenty years into their mission to destroy unstable planets that might threaten future colonization of other planets.

Beginning as a University of Southern California (USC) student film produced from 1970 to 1972, it was gradually expanded with reshoots in 1973, eventually appearing in its current feature-length form at Filmex in March 1974, and subsequently received a limited theatrical release in 1975. Its final budget is estimated at $60,000. While initially unsuccessful with audiences, it was relatively well received by critics, and continued to be shown in theaters as late as 1980. The home video revolution of the early 1980s helped the movie achieve "cult classic" status. O'Bannon collaborated with home video distributor VCI in the production of releases on VHS, LaserDisc, DVD, and eventually Blu-ray.

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