Bhagavatism in the context of "Narayana"

Krishnaism is a term used in scholarly circles to describe large group of independent Hindu traditions—sampradayas related to Vaishnavism—that center on the devotion to Krishna as Svayam Bhagavan, Ishvara, Para Brahman, who is the source of all reality, not simply an avatar of Vishnu. This is its difference from such Vaishnavite groupings as Sri Vaishnavism, Sadh Vaishnavism, Ramaism, Radhaism, Sitaism etc. There is also a personal Krishnaism, that is devotion to Krishna outside of any tradition and community, as in the case of the saint-poet Mirabai. Leading scholars do not define Krishnaism as a suborder or offshoot of Vaishnavism, considering it at least a parallel and no less ancient current of Hinduism.

The teachings of the Bhagavad Gita can be considered as the first Krishnaite system of theology. Krishnaism originated in the late centuries BCE from the followers of the heroic Vāsudeva Krishna, which amalgamated several centuries later, in the early centuries CE, with the worshipers of the "divine child" Bala Krishna and the Gopala-Krishna traditions of monotheistic Bhagavatism. These non-Vedic traditions in Mahabharata canon affiliate itself with ritualistic Vedism in order to become acceptable to the orthodox establishment. Krishnaism becomes associated with bhakti movement and bhakti yoga in the Medieval period.

Gopala Krishna (Sanskrit: गोपालकृष्ण, romanized: Gopālakṛṣṇa, lit. 'cow-protector Krishna') refers to a form of the Hindu deity Krishna, as featured in the Harivamsha and the Puranas. The narratives of Gopala Krishna are set in the cowherd settlement of the Vraja region called Gokulam, where he is raised by his foster-parents, Nanda and Yashoda.

Historically one of the earliest forms of worship in Krishnaism, it is believed to be a key element of the early history of the worship of Krishna. This tradition is considered separate from the associated traditions of Bala Krishna and Radha Krishna, that led to amalgamation under Bhagavatism at a later stage of historical development.

Srimanta Sankardev (/ˈsrɪˌmæntəˈsænkərˌdeɪv/, Assamese pronunciation: [sɹimɔntɔ xɔŋkɔɹdeβ]; 1449–1568) was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of the Bhakti movement in Assam. He is credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance (Ankia Naat, Bhaona), dance (Sattriya), literary language (Brajavali). Besides, he has left a literary oeuvre of trans-created scriptures (Bhagavat of Sankardev), poetry and theological works written in Sanskrit, Assamese and Brajavali. The Bhagavatic religious movement he started, Ekasarana Dharma and also called Neo-Vaishnavite movement, influenced two medieval kingdoms – Koch and the Ahom kingdom – and the assembly of devotees he initiated evolved over time into monastic centers called Sattras, which continue to be important socio-religious institutions in Assam and to a lesser extent in North Bengal.

His literary and artistic contributions are living traditions in Assam today. The religion he preached is practised by a large population, and Sattras (monasteries) that he and his followers established continue to flourish and sustain his legacy.