Beauty and the Beast (1991 film) in the context of "Jo Anne Worley"

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⭐ Core Definition: Beauty and the Beast (1991 film)

Beauty and the Beast is a 1991 American animated musical romantic fantasy film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. Based on the French fairy tale, it was directed by Gary Trousdale and Kirk Wise from a screenplay written by Linda Woolverton, and produced by Don Hahn. The film stars Paige O'Hara, Robby Benson, Richard White, Jerry Orbach, David Ogden Stiers, Angela Lansbury, Rex Everhart, Jesse Corti, and Jo Anne Worley. Set in 18th-century France, an enchantress transforms a selfish prince into a monster as punishment for his cruelty. Years later, a young woman, Belle, offers the Beast her own freedom in exchange for her father's. To break the spell, the Beast must earn Belle's love before the last petal falls from his enchanted rose, lest he remain a monster forever.

Walt Disney unsuccessfully attempted to adapt "Beauty and the Beast" into an animated film during the 1930s and 1950s. Inspired by the success of The Little Mermaid (1989), Disney enlisted Richard Purdum to adapt the fairy tale, which he originally conceived as a non-musical period drama. Dissatisfied with Purdum's efforts, Disney executive Jeffrey Katzenberg ordered that the entire film be reworked into a musical with original songs by The Little Mermaid's songwriting team, lyricist Howard Ashman and composer Alan Menken. First-time directors Trousdale and Wise replaced Purdum, and Woolverton's involvement made Beauty and the Beast Disney's first animated film to utilize a completed screenplay prior to storyboarding. The film was the second to use Computer Animation Production System (CAPS), which enabled seamless blending of traditional and computer animation, particularly during its ballroom scene. Beauty and the Beast is dedicated to Ashman, who died from AIDS eight months before the film's release.

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Beauty and the Beast (1991 film) in the context of Michael Eisner

Michael Dammann Eisner (/ˈznər/ EYEZ-nər; born March 7, 1942) is an American businessman and media proprietor who served as chairman and chief executive officer (CEO) of the Walt Disney Company from September 1984 to September 2005. Prior to Disney, Eisner was president of rival film studio Paramount Pictures from 1976 to 1984, and had brief stints at the major television networks NBC, CBS, and ABC.

Eisner's 21-year stint at Disney saw the revitalization of the company's poorly performing animation studios with successful films such as The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and The Lion King (1994), a period known as the Disney Renaissance. Eisner additionally broadened the company's media portfolio by leading the acquisitions of ABC, most of ESPN and The Muppets franchise. Eisner also led major investments and expansion of the company's theme parks both domestically and globally, including the openings of Disney-MGM Studios (now Disney's Hollywood Studios) in 1989, Euro Disney (now Disneyland Paris) in 1992, Disney's Animal Kingdom in 1998, Disney's California Adventure Park and Tokyo DisneySea in 2001, Walt Disney Studios Park in 2002 and Hong Kong Disneyland in 2005.

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Beauty and the Beast (1991 film) in the context of Disney Renaissance

The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing commercially and/or critically successful animated films. The ten feature films associated with this period are The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

The films were mostly musical adaptations of well-known stories, similar to the films produced by Walt Disney from the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits.

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Beauty and the Beast (1991 film) in the context of The Lion King

The Lion King is a 1994 American animated musical drama film directed by Roger Allers and Rob Minkoff, produced by Don Hahn, and written by Irene Mecchi, Jonathan Roberts, and Linda Woolverton. It was produced by Walt Disney Feature Animation, and features an ensemble voice cast consisting of Matthew Broderick, James Earl Jones, Jeremy Irons, Jonathan Taylor Thomas, Moira Kelly, Niketa Calame, Nathan Lane, Ernie Sabella, Whoopi Goldberg, Cheech Marin, Rowan Atkinson, and Robert Guillaume. The story follows a young lion prince named Simba, who is exiled from his kingdom after his father Mufasa is murdered by his uncle Scar to seize the throne. As he grows up, Simba must decide whether to return home to confront Scar and reclaim his place as king.

The Lion King was conceived during conversations among various Disney executives, to whom several writers submitted early treatments. Original director George Scribner had envisioned The Lion King as a nature documentary-style film, with Allers joining as co-director after having worked in the story departments of several successful animated Disney films. The Lion King's plot draws inspiration from several sources, notably William Shakespeare's play Hamlet. Woolverton, screenwriter for Disney's Beauty and the Beast (1991), drafted early versions of The Lion King's script, which Mecchi and Roberts were hired to revise once Woolverton left to prioritize other projects. Scribner departed due to disagreements over the studio's decision to reimagine the film as a musical, with original songs by Elton John and Tim Rice, and Minkoff was hired to replace him in April 1992. Throughout production, the creative team visited Kenya for research and inspiration.

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