Beat Generation in the context of "Hippie"

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⭐ Core Definition: Beat Generation

The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post–World War II and Cold War eras. The bulk of their work was published and popularized by members of the Silent Generation in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.

Allen Ginsberg's Howl (1956), William S. Burroughs' Naked Lunch (1959), and Jack Kerouac's On the Road (1957) are among the best-known examples of Beat literature. Both Howl and Naked Lunch were the focus of obscenity trials that ultimately helped to liberalize publishing in the United States. The members of the Beat Generation developed a reputation as new bohemian hedonists, who celebrated non-conformity and spontaneous creativity.

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👉 Beat Generation in the context of Hippie

A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the mid-1960s to early 1970s, originally a youth movement that began in the United States and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, Los Angeles' Laurel Canyon, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.

The origins of the terms hip and hep are uncertain. By the 1940s, both had become part of African American jive slang and meant "sophisticated; currently fashionable; fully up-to-date". The Beats adopted the term hip, and early hippies adopted the language and countercultural values of the Beat Generation. Hippies created their own communities, listened to psychedelic music, embraced the sexual revolution, and many used drugs such as marijuana and LSD to explore altered states of consciousness.

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Beat Generation in the context of Culture of New York City

New York City has been described as the cultural capital of the world. Its urban culture is reflected in its size and ethnic diversity. As many as 800 languages are spoken in New York, making it the most linguistically diverse city in the world. Many American cultural movements first emerged in the city. Large numbers of Irish, Italian, Jewish, Russian, and eventually African, Latino, and Asian Americans also migrated to New York throughout the 20th century and continuing into the 21st century, significantly influencing the city's culture and image. The city became the center of stand-up comedy in the early 20th century. The city was the top venue for jazz in the 1940s, expressionism in the 1950s and home to hip hop, punk rock, and the Beat Generation. Along with London's West End, New York City is the global center of musical theatre, often referred to as "Broadway" after the major thoroughfare in Manhattan. The Stonewall Inn in Greenwich Village, Lower Manhattan, is a designated U.S. National Historic Landmark and National Monument, as the site of the June 1969 Stonewall riots and the cradle of the modern gay rights movement.

The city is the birthplace of many cultural movements, including the Harlem Renaissance in literature and visual art; abstract expressionism (also known as the New York School) in painting; and hip hop, punk, salsa, freestyle, Tin Pan Alley, certain forms of jazz, and (along with Philadelphia) disco in music. New York has been considered the dance capital of the world. The city is also frequently the setting for novels, movies (see List of films set in New York City), and television programs. New York Fashion Week is one of the world's preeminent fashion events and is afforded extensive coverage by the media.New York has also frequently been ranked the top fashion capital of the world on the annual list compiled by the Global Language Monitor. Artists have been drawn into the city by opportunity, as the city government funds the arts with a larger annual budget than the National Endowment for the Arts, and New York is the center of the global art market, which grew up along with national and international media centers.

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Beat Generation in the context of Greenwich Village

Greenwich Village, or simply the Village, is a neighborhood on the west side of Lower Manhattan in New York City, bounded by 14th Street to the north, Broadway to the east, Houston Street to the south, and the Hudson River to the west. Greenwich Village also contains several subsections, including the West Village west of Seventh Avenue and the Meatpacking District in the northwest corner of Greenwich Village.

Its name comes from Groenwijck, Dutch for "Green District". In the 20th century, Greenwich Village was known as an artists' haven, the bohemian capital, the cradle of the modern LGBTQ movement, and the East Coast birthplace of both the Beat Generation and counterculture of the 1960s. Greenwich Village contains Washington Square Park, as well as two of New York City's private colleges, New York University (NYU) and The New School. In later years it has been associated with hipsters.

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Beat Generation in the context of William S. Burroughs

William Seward Burroughs II (/ˈbʌrz/; February 5, 1914 – August 2, 1997) was an American writer and visual artist. He is widely considered a primary figure of the Beat Generation and a major postmodern author who influenced both underground and popular culture and literature. Much of Burroughs' work is highly experimental and features unreliable narrators. Also noted as semi-autobiographical, his work often drew from his experiences with drug addiction, and featured his various places of residence as settings in much of his work. With Brion Gysin, Burroughs popularized the cut-up, an aleatory literary technique. His writing also engaged frequent mystical, occult, or otherwise magical themes, constant preoccupations in both his fiction and real life.

Born into a wealthy family in St. Louis, Missouri, Burroughs attended Harvard University, where he studied English, then anthropology as a postgraduate, and went on to medical school in Vienna. In 1942, he enlisted in the U.S. Army to serve during World War II. After being turned down by both the Office of Strategic Services and the Navy, he veered into substance abuse, beginning with morphine and developing a heroin addiction that would affect him for the rest of his life. In 1943, he befriended Allen Ginsberg and Jack Kerouac while living in New York City. This liaison would become the foundation of the Beat Generation, later a defining influence on the 1960s counterculture.

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Beat Generation in the context of Beatnik

Beatniks were members of a social movement in the mid-20th century, who subscribed to an anti-materialistic lifestyle. They rejected the conformity and consumerism of mainstream American culture and expressed themselves through various forms of art, such as literature, poetry, music, and painting. They also experimented with spirituality, drugs, sexuality, and travel. The term "beatnik" was coined by San Francisco Chronicle columnist Herb Caen in 1958, as a derogatory label for the followers of the Beat Generation, a group of influential writers and artists who emerged during the era of the Silent Generation's maturing, from as early as 1946, to as late as 1963, but the subculture was at its most prevalent in the 1950s. This lifestyle of anti-consumerism may have been influenced by their generation living in extreme poverty in the Great Depression during their formative years, seeing slightly older people serve in WWII and being influenced by the rise of left-wing politics and the spread of Communism. The name was inspired by the Russian suffix "-nik", which was used to denote members of various political or social groups. The term "beat" originally was used by Jack Kerouac in 1948 to describe his social circle of friends and fellow writers, such as Allen Ginsberg, William S. Burroughs, and Neal Cassady. Kerouac said that "beat" had multiple meanings, such as "beaten down", "beatific", "beat up", and "beat out". He also associated it with the musical term "beat", which referred to the rhythmic patterns of jazz, a genre that influenced many beatniks.

Beatniks often were stereotyped as wearing black clothing, berets, sunglasses, and goatees, and speaking in hip slang that incorporated words like "cool", "dig", "groovy", and "square". They frequented coffeehouses, bookstores, bars, and clubs, where they listened to jazz, read poetry, discussed philosophy, and engaged in political activism. Some of the most famous beatnik venues were the Six Gallery in San Francisco, where Ginsberg first read his poem "Howl" in 1955; the Gaslight Cafe in New York City, where many poets performed; and the City Lights Bookstore, also in San Francisco, where Kerouac's novel On the Road was published in 1957. Beatniks also traveled across the country and abroad, seeking new experiences and inspiration. Some of their destinations included Mexico, Morocco, India, Japan, and France.

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Beat Generation in the context of Allen Ginsberg

Irwin Allen Ginsberg (/ˈɡɪnzbɜːrɡ/; June 3, 1926 – April 5, 1997) was an American poet and writer. As a student at Columbia University in the 1940s, he began friendships with Lucien Carr, William S. Burroughs and Jack Kerouac, forming the core of the Beat Generation. He vigorously opposed militarism, economic materialism and sexual repression and he embodied various aspects of this counterculture with his views on drugs, sex, multiculturalism, hostility to bureaucracy and openness to Eastern religions.

Best known for his poem "Howl", Ginsberg denounced what he saw as the destructive forces of capitalism and conformity in the United States. San Francisco police and US Customs seized copies of "Howl" in 1956 and a subsequent obscenity trial in 1957 attracted widespread publicity due to the poem's language and descriptions of heterosexual and homosexual sex at a time when sodomy laws made male homosexual acts a crime in every state. The poem reflected Ginsberg's own sexuality and his relationships with a number of men, including Peter Orlovsky, his lifelong partner. Judge Clayton W. Horn ruled that "Howl" was not obscene, asking: "Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?".

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Beat Generation in the context of Jack Kerouac

Jean-Louis Lebris de Kérouac (/ˈkɛru.æk/; March 12, 1922 – October 21, 1969), known as Jack Kerouac, was an American novelist and poet who, alongside William S. Burroughs and Allen Ginsberg, was a pioneer of the Beat Generation.

Of French-Canadian parentage, Kerouac was raised in a French-speaking home in Lowell, Massachusetts. He "learned English at age six and spoke with a marked accent into his late teens." During World War II, he served as a United States Merchant Mariner; he completed his first novel at the time, which was published more than 40 years after his death. His first published book was The Town and the City (1950), and he achieved widespread fame and notoriety with his second, On the Road, in 1957. It made him a beat icon, and he went on to publish 12 more novels and numerous poetry volumes.

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Beat Generation in the context of On the Road

On the Road is a 1957 novel by American writer Jack Kerouac, based on the travels of Kerouac and his friends across the United States. It is considered a defining work of the postwar Beat and Counterculture generations, with its protagonists living life against a backdrop of jazz, poetry, and drug use. The novel is a roman à clef, with many key figures of the Beat movement represented by characters in the book, including Kerouac himself as the narrator, Sal Paradise. The idea for the book formed during the late 1940s in a series of notebooks and was then typed out on a continuous reel of paper during three weeks in April 1951. It was first published by Viking Press.

The New York Times hailed the book's appearance as "the most beautifully executed, the clearest, and the most important utterance yet made by the generation Kerouac, himself, named years ago as 'beat,' and whose principal avatar he is." In 1998, the Modern Library ranked On the Road 55th on its list of the 100 best English-language novels of the 20th century. The novel was chosen by Time magazine as one of the 100 best English-language novels from 1923 to 2005.

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