Assumption of Mary in the context of "Virgin Mary"

⭐ In the context of Christianity, the Assumption of Mary is primarily understood as a belief concerning…

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⭐ Core Definition: Assumption of Mary

The Assumption of Mary is one of the four Marian dogmas of the Catholic Church. Pope Pius XII defined it on 1 November 1950 in his apostolic constitution Munificentissimus Deus as the assumption of Mary, body and soul, into heaven. It is celebrated on 15 August.

It leaves open the question of whether Mary died or whether she was raised to eternal life without bodily death.

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👉 Assumption of Mary in the context of Virgin Mary

Mary was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is an important figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Catholic, Evangelical Lutheran, Reformed, Anglican, Methodist and Baptist churches believe that Mary, as mother of Jesus, is the Mother of God. The Church of the East historically regarded her as Christotokos, a term still used in Assyrian Church of the East liturgy. She has the highest position in Islam among all women and is mentioned numerous times in the Quran, including in a chapter named after her. She is also revered in the Baháʼí Faith and the Druze Faith.

The synoptic Gospels name Mary as the mother of Jesus. The gospels of Matthew and Luke describe Mary as a virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she and her husband Joseph raised him in the city of Nazareth in Galilee, and she was in Jerusalem at his crucifixion and with the apostles after his ascension. Although her later life is not accounted in the Bible; Catholic, Eastern Orthodox, and some Protestant traditions believe that her body was raised into heaven at the end of her earthly life, which is known in Western Christianity as the Assumption of Mary and in Eastern Christianity as the Dormition of the Mother of God.

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Assumption of Mary in the context of Notre-Dame de la Garde

Notre-Dame de la Garde (French: [nɔtʁ(ə) dam d(ə) la ɡaʁd]; Occitan: Nòstra Dòna de la Gàrdia, lit.'Our Lady of the Guard'), known to local citizens as la Bonne Mère (Occitan: la Bòna Maire, lit.'the Good Mother'), is a Catholic basilica in Marseille, France, and the city's best-known symbol. The site of a popular Assumption Day pilgrimage, it is the most visited site in Marseille. It was built on the foundations of an ancient fort at the highest natural point in the city, a 149 m (489 ft) limestone outcropping on the south side of the Old Port of Marseille.

Construction of the basilica began in 1853 and lasted for over 40 years. It was originally an enlargement of a medieval chapel but was transformed into a new structure at the request of Father Bernard, the chaplain. The plans were made and developed by the architect Henri-Jacques Espérandieu. It was consecrated while still unfinished on 5 June 1864. The basilica consists of a lower church or crypt in the Romanesque style, carved from the rock, and an upper church of Neo-Byzantine style decorated with mosaics. A square 41 m (135 ft) bell tower topped by a 12.5 m (41 ft) belfry supports a monumental 11.2 m (37 ft) statue of the Madonna and Child, made of copper gilded with gold leaf.

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Assumption of Mary in the context of Heaven in Christianity

In Christianity, heaven is traditionally the location of the throne of God and the angels of God, and in most forms of Christianity it is the abode of the righteous dead in the afterlife. In some Christian denominations it is understood as a temporary stage before the resurrection of the dead and the saints' return to the New Earth.

In the Book of Acts, the resurrected Jesus ascends to heaven where, as the Nicene Creed states, he now sits at the right hand of God and will return to earth in the Second Coming. According to Catholic, Eastern Orthodox, and Oriental Orthodox teaching, Mary, mother of Jesus, is said to have been assumed into heaven without the corruption of her earthly body; she is venerated as Queen of Heaven.

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Assumption of Mary in the context of Dormition of the Mother of God

The Dormition of the Mother of God is a Great Feast of the Eastern Orthodox, Oriental Orthodox, and Eastern Catholic Churches (except the East Syriac churches). It celebrates the "falling asleep" (death) of Mary the Theotokos ("Mother of God", literally translated as God-bearer), and her being taken up into heaven. The Feast of the Dormition is observed on August 15, which for the churches using the Julian calendar corresponds to August 28 on the Gregorian calendar. The Armenian Apostolic Church celebrates the Dormition not on a fixed date, but on the Sunday nearest 15 August. In Western Churches the corresponding feast is known as the Assumption of Mary, with the exception of the Scottish Episcopal Church, which has traditionally celebrated the Falling Asleep of the Blessed Virgin Mary on August 15.

Christian canonical scriptures do not record the death or Dormition of Mary. Hippolytus of Thebes, a 7th- or 8th-century author, writes in his partially preserved chronology of the New Testament that Mary lived for 11 years after the death of Jesus, dying in AD 41.

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Assumption of Mary in the context of Sistine Chapel

The Sistine Chapel (/ˈsɪstn/ SIST-een; Latin: Sacellum Sixtinum; Italian: Cappella Sistina [kapˈpɛlla siˈstiːna]) is a chapel in the Apostolic Palace, the pope's official residence in Vatican City. Originally known as the Cappella Magna ('Great Chapel'), it takes its name from Pope Sixtus IV, who had it built between 1473 and 1481. Since that time, it has served as a place of both religious and functionary papal activity. Today, it is the site of the papal conclave, the process by which a new pope is selected. The chapel's fame lies mainly in the frescoes that decorate its interior, most particularly the Sistine Chapel ceiling and The Last Judgment, both by Michelangelo.

During the reign of Sixtus IV, a team of Renaissance painters including Sandro Botticelli, Pietro Perugino, Pinturicchio, Domenico Ghirlandaio and Cosimo Rosselli, created a series of frescoes depicting the Life of Moses and the Life of Christ, offset by papal portraits above and trompe-l'œil drapery below. They were completed in 1482, and on 15 August 1483 Sixtus IV celebrated the first mass in the Sistine Chapel for the Feast of the Assumption, during which the chapel was consecrated and dedicated to the Virgin Mary.

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