Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials. The term also may be applied to free-standing works that have been assembled.
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👉 Assemblage (art) in the context of Picasso
Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.
Beginning his formal training under his father José Ruiz y Blasco aged seven, Picasso demonstrated extraordinary artistic talent from a young age, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.
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Assemblage (art) in the context of Collage
Collage (/kəˈlɑːʒ/, from the French: coller, "to glue" or "to stick together") is a technique of art creation, primarily used in the visual arts, by which art results from an assembly of different forms, thus creating a new whole. Collage may refer to the technique as a whole, or more specifically to a two-dimensional work, assembled from flat pieces on a flat substrate, whereas assemblage typically refers to a three-dimensional equivalent.
A collage may sometimes include magazine and newspaper clippings, ribbons, paint, bits of colored or handmade papers, portions of other artwork or texts, photographs and other found objects, glued to a piece of paper or canvas. The origins of collage can be traced back hundreds of years, but this technique made a dramatic reappearance in the early 20th century as an art form of novelty.
Assemblage (art) in the context of Niki de Saint Phalle
Niki de Saint Phalle (French: [niki d(ə) sɛ̃ fal]; born Catherine Marie-Agnès Fal de Saint Phalle; 29 October 1930 – 21 May 2002) was a French sculptor, painter, filmmaker, and author of colorful hand-illustrated books. Widely noted as one of the few female monumental sculptors, Saint Phalle was also known for her social commitment and work.
She had a difficult and traumatic childhood and a much-disrupted education, which she wrote about many decades later. After an early marriage and two children, she began creating art in a naïve, experimental style. She first received worldwide attention for angry, violent assemblages which had been shot by firearms. These evolved into Nanas, light-hearted, whimsical, colorful, large-scale sculptures of animals, monsters, and female figures. Her most comprehensive work was the Tarot Garden, a large sculpture garden containing numerous works ranging up to house-sized creations.
Assemblage (art) in the context of Jeff Wassmann
Jeff Wassmann (born April 2, 1958) is an American artist, writer and theorist, currently living in Melbourne, Australia. His first novel, The Buzzard, was released in October 2012. Wassmann's art work incorporates assemblage, photography, web-based new media and aspects of culture jamming.