Found object in the context of "Collage"

Assemblage is an artistic form or medium usually created on a defined substrate that consists of three-dimensional elements projecting out of or from the substrate. It is similar to collage, a two-dimensional medium. It is part of the visual arts and it typically uses found objects, but is not limited to these materials. The term also may be applied to free-standing works that have been assembled.

The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art". By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art.

Duchamp was not interested in what he called "retinal art"—art that was only visual—and sought other methods of expression. As an antidote to retinal art he began creating readymades in 1914, when the term was commonly used in the United States to describe manufactured items to distinguish them from handmade goods.

L.H.O.O.Q. (French pronunciation: [ɛl aʃ o o ky]) is a work of art by Marcel Duchamp. First conceived in 1919, the work is one of what Duchamp referred to as readymades, or more specifically a rectified ready-made. The readymade involves taking mundane, often utilitarian objects not generally considered to be art and transforming them, by adding to them, changing them, or (as in the case of his work Fountain) simply renaming and reorienting them and placing them in an appropriate setting. In L.H.O.O.Q. the found object (objet trouvé) is a cheap postcard reproduction of Leonardo da Vinci's early 16th-century painting Mona Lisa onto which Duchamp drew a moustache and beard in pencil and appended the title.

Louise Nevelson (September 23, 1899 – April 17, 1988) was an American sculptor known for her monumental, monochromatic, wooden wall pieces and outdoor sculptures. Born in the Poltava Governorate of the Russian Empire, she emigrated with her family to the United States in 1905. Nevelson learned English at school, as she spoke Yiddish at home.

By the early 1930s she was attending art classes at the Art Students League of New York, and in 1941 she had her first solo exhibition. Nevelson experimented with early conceptual art using found objects, and experimented with painting and printing before dedicating her lifework to sculpture. Usually created out of wood, her sculptures appear puzzle-like, with multiple intricately cut pieces placed into wall sculptures or independently standing pieces, often 3-D. The sculptures are typically painted in monochromatic black or white.

David McKean (born 29 December 1963) is an English artist. His work incorporates drawing, painting, photography, collage, found objects, digital art, and sculpture. McKean has illustrated works by authors such as S.F. Said, Neil Gaiman, Grant Morrison, Heston Blumenthal, Ray Bradbury and Stephen King. He has also directed three feature films.

Process art is an artistic movement where the end product of art and craft, the objet d’art (work of art/found object), is not the principal focus; the process of its making is one of the most relevant aspects if not the most important one: the gathering, sorting, collating, associating, patterning, and moreover the initiation of actions and proceedings. Process artists saw art as humans partnering with intrinsic material expression. Process art is primarily interested in demonstrating forces on matter and defends the idea that the process of creating the work of art can be an art piece itself. Artist Robert Morris refers to the artistic approach as “anti-form”, meaning there is no inherent relation to the physical object.