Art Nouveau in the context of "Odesa"

Paris is the capital and largest city of France, with an estimated city population of 2,048,472 in an area of 105.4 km (40.7 sq mi), and a metropolitan population of 13,171,056 as of January 2025. Located on the river Seine in the centre of the Île-de-France region, it is the largest metropolitan area and fourth-most populous city in the European Union (EU). Nicknamed the City of Light, partly because of its role in the Age of Enlightenment, Paris has been one of the world's major centres of finance, diplomacy, commerce, culture, fashion, and gastronomy since the 17th century.

Administratively, Paris is divided into twenty arrondissements (districts), each having their own cultural identity. Haussmann's renovation of Paris, which created new boulevards, parks, and public works, gave birth to a modern city known as the "capital of the 19th century". Paris is a major railway, motorway, and air-transport hub; in 2024 Charles de Gaulle Airport was the EU's busiest airport. Paris has one of the most sustainable transportation systems and is one of only two cities in the world that has received the Sustainable Transport Award twice. Its Art Nouveau-decorated Métro has become a symbol of the city. Paris is known for its museums and architectural landmarks: the Musée d'Orsay, Musée Marmottan Monet, and Musée de l'Orangerie are noted for their collections of French Impressionist art, while the Musée National d'Art Moderne, Musée Rodin, and Musée Picasso are noted for their collections of modern and contemporary art. Parts of the city along the Seine have been designated as a UNESCO World Heritage Site since 1991.

The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles and subsequently spread across the British Empire and to the rest of Europe and North America.

Initiated in reaction against the perceived impoverishment of the decorative arts and the conditions in which they were produced, the movement flourished in Europe and North America between about 1880 and 1920. Some consider that it is the root of the Modern Style, a British expression of what later came to be called the Art Nouveau movement. Others consider that it is the incarnation of Art Nouveau in England.

Tbilisi (/təbɪˈliːsi, təˈbɪlɪsi/ tə-bil-EE-see, tə-BIL-iss-ee; Georgian: თბილისი, pronounced [ˈtʰbilisi] ), Georgian: ტფილისი, romanized: t'pilisi [tʼpʰilisi]) is the capital and largest city of Georgia, located on the banks of the Kura River. With more than 1.3 million inhabitants, it contains almost one third of the country's population. Tbilisi was founded in the fifth century AD by Vakhtang I of Iberia and has since served as the capital of various Georgian kingdoms and republics. Between 1801 and 1917, then part of the Russian Empire, it was the seat of the Caucasus Viceroyalty, governing both the northern and the southern sides of the Caucasus.

Because of its location at the crossroads between Europe and Asia, and its proximity to the lucrative Silk Road, throughout history, Tbilisi has been a point of contention among various global powers. To this day, the city's location ensures its position as an important transit route for energy and trade projects. Tbilisi's history is reflected in its architecture, which is a mix of medieval, neoclassical, Beaux Arts, Art Nouveau, Stalinist, and Modern structures.

The Paris Métro, short for Métropolitain, is a rapid transit system serving the Paris metropolitan area in France. A symbol of the city, it is known for its density within the capital's territorial limits, as well as its uniform architecture and historical entrances influenced by Art Nouveau. The system is 245.6 kilometres (152.6 mi) long, mostly underground, as well as its 321 stations of which 61 allow the riders to transfer between the sixteen lines (with an additional four under construction and one in project), all numbered 1 to 14, with two extra branches, 3bis and 7bis, named such as they are former parts of Lines 3 and 7 respectively. Three of these lines (1, 4 and 14) are fully automated, and the additional four are also planned as such. Lines are identified on maps by an individual number and an associated specific colour, all part of an official palette, with the traveling direction indicated by the terminus, the last stop on each line. All trains travel from one end of the line to the other, serving every station along the way. The Paris Métro is operated by the Régie autonome des transports parisiens (RATP), which also operates part of the RER (commuter standard train) network, most of the Francilian light rail lines and many bus routes around and within Paris itself.

It is the second-busiest metro system in Europe, as well as the twelfth-busiest in the world. It carried 1.476 billion passengers in 2024, roughly 4.04 million passengers a day, which makes it the most used public transport system in Paris. It is one of the densest metro systems in the world, with 244 stations within the 105.4 km (41 sq mi) of the City of Paris. Châtelet–Les Halles, with five Métro and three RER commuter rail lines, is one of the world's largest metro stations. The system generally has poor accessibility due to its old age (established 125 years ago) and because most of the current infrastructure was built before accessibility standards emerged, with few stations retrofitted since. On the flip side, all new infrastructure and rolling stock meets current accessiblity standards, including extensions of historic lines.

The Royal Dramatic Theatre (Swedish: Kungliga Dramatiska Teatern, colloquially Dramaten) is Sweden's national stage for "spoken drama", founded in 1788. Around one thousand shows are put on annually on the theatre's five running stages.

The theatre has been at its present location in the Art Nouveau building at Nybroplan, Stockholm, since 1908. The theatre was built by the architect Fredrik Lilljekvist. Famous artists like Carl Milles and Carl Larsson were involved in making the decorations, and some of the interior decorations were made by Prince Eugen.

The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. The Modern Style provided the base and intellectual background for the Art Nouveau movement and was adapted by other countries, giving birth to local variants such as Jugendstil and the Vienna Secession. It was cultivated and disseminated through the Liberty department store and The Studio magazine.

The most important person in the field of design in general, and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the "Mackintosh rose" or "Glasgow rose". The Glasgow School circle was also of tremendous importance, particularly the group closely associated with Mackintosh known as "The Four". The Liberty store's nurturing of style gave birth to two metalware lines, Cymric and Tudric, designed by Archibald Knox. In the field of ceramic and glass Christopher Dresser is a standout figure: not only did he work with the most prominent ceramic manufacturers but became a crucial person behind James Couper & Sons' trademarking of Clutha glass, inspired by ancient Rome, in 1888.

Eclecticism in architecture is a 19th and 20th century architectural style in which a single piece of work incorporates eclecticism, a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value.

The term is also used of the many architects of the 19th and early 20th centuries who designed buildings in a variety of styles according to the wishes of their clients, or their own. The styles were typically revivalist, and each building might be mostly or entirely consistent within the style selected, or itself an eclectic mixture. Gothic Revival architecture, especially in churches, was most likely to strive for a relatively "pure" revival style from a particular medieval period and region, while other revived styles such as Neoclassical, Baroque, Palazzo style, Jacobethan, Romanesque and many others were likely to be treated more freely.