Archaic Greek in the context of Classical Greece

Neoclassicism, also spelled Neo-classicism, emerged as a Western cultural movement in the decorative and visual arts, literature, theatre, music, and architecture that drew inspiration from the art and culture of classical antiquity. Neoclassicism was born in Rome, largely due to the writings of Johann Joachim Winckelmann during the rediscovery of Pompeii and Herculaneum. Its popularity expanded throughout Europe as a generation of European art students finished their Grand Tour and returned from Italy to their home countries with newly rediscovered Greco-Roman ideals. The main Neoclassical movement emerged from the 18th-century Age of Enlightenment, and reached its peak in the early-to-mid-19th century, eventually competing with Romanticism. In architecture, the style endured throughout the 19th, 20th, and into the 21st century.

European Neoclassicism in the visual arts began c. 1760 in opposition to the then-dominant Rococo style. Rococo architecture emphasizes grace, ornamentation and asymmetry; Neoclassical architecture is based on the principles of simplicity and symmetry, which were seen as virtues of the arts of Ancient Rome and Ancient Greece, and drawn directly from 16th-century Renaissance Classicism. Each "neo"-classicism movement selects some models among the range of possible classics that are available to it, and ignores others. Between 1765 and 1830, Neoclassical proponents—writers, speakers, patrons, collectors, artists and sculptors—paid homage to an idea of the artistic generation associated with Phidias, but sculpture examples they actually embraced were more likely to be Roman copies of Hellenistic sculptures. They ignored both Archaic Greek art and the works of late antiquity. The discovery of ancient Palmyra's "Rococo" art through engravings in Robert Wood's The Ruins of Palmyra came as a revelation. With Greece largely unexplored and considered a dangerous territory of the Ottoman Empire, Neoclassicists' appreciation of Greek architecture was predominantly mediated through drawings and engravings which were subtly smoothed and regularized, "corrected" and "restored" monuments of Greece, not always consciously.

Phi (/ˈfaɪ, ˈfiː/ FY, FEE; uppercase Φ, lowercase φ or ϕ; Ancient Greek: ϕεῖ pheî [pʰéî̯]; Modern Greek: φι fi [fi]) is the twenty-first letter of the Greek alphabet.

In Archaic and Classical Greek (c. 9th to 4th century BC), it represented an aspirated voiceless bilabial plosive ([pʰ]), which was the origin of its usual romanization as ⟨ph⟩. During the later part of Classical Antiquity, in Koine Greek (c. 4th century BC to 4th century AD), its pronunciation shifted to a voiceless bilabial fricative ([ɸ]), and by the Byzantine Greek period (c. 4th century AD to 15th century AD) it developed its modern pronunciation as a voiceless labiodental fricative ([f]).The romanization of the Modern Greek phoneme is therefore usually ⟨f⟩.

37°58′17″N 23°43′36″E / 37.9715°N 23.7267°E / 37.9715; 23.7267

The Old Temple of Athena or the Archaios Neos (Greek: Ἀρχαῖος Νεώς) was an archaic Greek limestone Doric temple on the Acropolis of Athens probably built in the second half of the sixth-century BCE, and which housed the xoanon of Athena Polias. The existence of an archaic temple to Athena had long been conjectured from literary references until the discovery of substantial building foundations under the raised terrace between the Erechtheion and Parthenon in 1886 confirmed it. While it is uncontroversial that a temple stood on the central acropolis terrace in the late archaic period and was burnt down in the Persian invasion of 480 BC, nevertheless questions of its nature, name, reconstruction and duration remain unresolved.