Angle of view in the context of Wide-angle lens


Angle of view in the context of Wide-angle lens

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⭐ Core Definition: Angle of view

In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

It is important to distinguish the angle of view from the angle of coverage, which describes the angle at which the lens projects the image circle onto the image plane (the plane where the film or image sensor is located). In other words, while the angle of coverage is determined by the lens and the image plane, the angle of view (AOV) is also determined by the film's image size or image sensor format. The image circle (giving the angle of coverage) produced by a lens on a given image plane is typically large enough to completely cover a film or sensor at the plane, possibly including some vignetting toward the edge. If the angle of coverage of the lens does not fill the sensor, the image circle will be visible, typically with strong vignetting toward the edge, and the effective angle of view will be limited to the angle of coverage.

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👉 Angle of view in the context of Wide-angle lens

In photography and cinematography, a wide-angle lens is a lens covering a large angle of view. Conversely, its focal length is substantially smaller than that of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior, and landscape photography where the photographer may not be able to move farther from the scene to photograph it.

Another use is where the photographer wishes to emphasize the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away.

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Angle of view in the context of Zoom lens

A zoom lens is a system of camera lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens (prime lens).

A true zoom lens or optical zoom lens is a type of parfocal lens, one that maintains focus when its focal length changes. Most consumer zoom lenses do not maintain perfect focus, but are still nearly parfocal. Most camera phones that are advertised as having optical zoom actually use a few cameras of different but fixed focal length, combined with digital zoom to make a hybrid system.

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Angle of view in the context of Focal length

The focal length of an optical system is a measure of how strongly the system converges or diverges light; it is the inverse of the system's optical power. A positive focal length indicates that a system converges light, while a negative focal length indicates that the system diverges light. A system with a shorter focal length bends the rays more sharply, bringing them to a focus in a shorter distance or diverging them more quickly. For the special case of a thin lens in air, a positive focal length is the distance over which initially collimated (parallel) rays are brought to a focus, or alternatively a negative focal length indicates how far in front of the lens a point source must be located to form a collimated beam. For more general optical systems, the focal length has no intuitive meaning; it is simply the inverse of the system's optical power.

In most photography and all telescopy, where the subject is essentially infinitely far away, longer focal length (lower optical power) leads to higher magnification and a narrower angle of view; conversely, shorter focal length or higher optical power is associated with lower magnification and a wider angle of view. On the other hand, in applications such as microscopy in which magnification is achieved by bringing the object close to the lens, a shorter focal length (higher optical power) leads to higher magnification because the subject can be brought closer to the center of projection.

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Angle of view in the context of Field of view

The field of view (FOV) is the angular extent of the observable world that is seen at any given moment. In the case of optical instruments or sensors, it is a solid angle through which a detector is sensitive to electromagnetic radiation. It is further relevant in photography.

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Angle of view in the context of Fisheye lens

A fisheye lens is an ultra wide-angle lens that produces strong visual distortion intended to create a wide panoramic or hemispherical image. Fisheye lenses achieve extremely wide angles of view, well beyond any rectilinear lens. Instead of producing images with straight lines of perspective (rectilinear images), fisheye lenses use a special mapping ("distortion"; for example: equisolid angle, see below), which gives images a characteristic convex non-rectilinear appearance.

The term fisheye was coined in 1906 by American physicist and inventor Robert W. Wood based on how a fish would see an ultrawide hemispherical view from beneath the water (a phenomenon known as Snell's window). Their first practical use was in the 1920s for use in meteorology to study cloud formation giving them the name whole-sky lenses. The angle of view of a fisheye lens is usually between 100 and 180 degrees, although lenses covering up to 280 degrees exist (see below). Their focal lengths depend on the film format they are designed for.

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Angle of view in the context of Digital zoom

Digital zoom is a method of decreasing the precise angle of view of a digital photograph or video image. It is accomplished by cropping an image down to an area with the same aspect ratio as the original, and scaling the image up to the dimensions of the original. The camera's optics are not adjusted. It is accomplished electronically, so no optical resolution is gained. Digital zooming may be enhanced by computationally expensive algorithms which sometimes involves artificial intelligence.

In cameras that perform lossy compression, digital zoom is preferred to enlargement in post-processing, as the zooming may be applied before detail is lost to compression. In cameras that save in a lossless format, resizing in post-production yields results equal or superior to digital zoom.

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Angle of view in the context of Telephoto lens

A telephoto lens, also known as telelens, is a specific type of a long-focus lens used in photography and cinematography, in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a telephoto group that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as telephoto lenses, although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group.

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Angle of view in the context of Fujifilm X100

The Fujifilm X100 is a series of digital compact cameras with a fixed prime lens. Originally part of the FinePix line, then becoming a member of the X series from Fujifilm, the X100 series includes the FinePix X100, X100S, X100T, X100F, X100V, and X100VI. They each have a large image sensor and a 23 mm lens (35 mm equivalent angle of view in full frame format). All six cameras have received generally positive reviews.

The Fujifilm FinePix X100 was initially shown at the Photokina show in September 2010 and was subsequently introduced in February 2011. It was the first model in the Fujifilm X-series of cameras and has since been joined by numerous models. It is superseded by the Fujifilm X100S.

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