Alexandros of Antioch (Greek: Ἀλέξανδρος) (2nd – 1st century BC) was a Greek sculptor of the Hellenistic age. He is thought to be the sculptor of the famous Venus de Milo statue.
Alexandros of Antioch (Greek: Ἀλέξανδρος) (2nd – 1st century BC) was a Greek sculptor of the Hellenistic age. He is thought to be the sculptor of the famous Venus de Milo statue.
Antioch on the Maeander or Antiochia on the Maeander (Greek: Ἀντιόχεια τοῦ Μαιάνδρου; Latin: Antiochia ad Maeandrum), earlier Pythopolis, was a city of ancient Caria, in Anatolia, in modern-day Turkey. The city was situated between the Maeander and Orsinus rivers near their confluence. Though it was the site of a bridge over the Maeander, it had "little or no individual history". The scanty ruins are located on a hill (named, in Turkish, Yenişer) a few kilometers southeast of Kuyucak in Turkey's Aydın Province, near the modern city of Başaran, or the village of Aliağaçiftliği. The city already existed when Antiochus I enlarged and renamed it. It was home to the sophist Diotrephes.
The Venus de Milo is believed to have been sculpted by a citizen of Antioch named [...]andros (possibly Alexandros).
The Venus de Milo or Aphrodite of Melos is an ancient Greek marble sculpture that was created during the Hellenistic period. Its exact dating is uncertain, but the modern consensus places it in the 2nd century BC, perhaps between 160 and 110 BC. It was discovered in 1820 on the island of Milos, Greece, and has been displayed at the Louvre Museum since 1821. Since the statue's discovery, it has become one of the most famous works of ancient Greek sculpture in the world.
The Venus de Milo is believed to depict Aphrodite, the Greek goddess of love, whose Roman counterpart was Venus. Made of Parian marble, the statue is larger than life size, standing over 2 metres (6 ft 7 in) high. The statue is missing both arms. The original position of these missing arms is uncertain. The sculpture was originally identified as depicting Aphrodite holding the apple of discord as a marble hand holding an apple was found alongside it; recent scientific analysis supports the identification of this hand as part of the sculpture. On the basis of a now-lost inscription found near the sculpture, it has been attributed to Alexandros from Antioch on the Maeander, though the name on the inscription is uncertain and its connection to the Venus is disputed.