Alexander Pushkin in the context of "Tsarskoye Selo"

Russian literature refers to the literature of Russia, its émigrés, and to Russian-language literature. Major contributors to Russian literature, as well as English for instance, are authors of different ethnic origins, including bilingual writers, such as Kyrgyz novelist Chinghiz Aitmatov. At the same time, Russian-language literature does not include works by authors from the Russian Federation who write exclusively or primarily in the native languages of the indigenous non-Russian ethnic groups in Russia, thus the famous Dagestani poet Rasul Gamzatov is omitted.

The roots of Russian literature can be traced to the Early Middle Ages when Old Church Slavonic was introduced as a liturgical language and became used as a literary language. The native Russian vernacular remained the use within oral literature as well as written for decrees, laws, messages, chronicles, military tales, and so on. By the Age of Enlightenment, literature had grown in importance, and from the early 1830s, Russian literature underwent an astounding "Golden Age" in poetry, prose and drama. The Romantic movement contributed to a flowering of literary talent: poet Vasily Zhukovsky and later his protégé Alexander Pushkin came to the fore. Mikhail Lermontov was one of the most important poets and novelists. Nikolai Gogol and Ivan Turgenev wrote masterful short stories and novels. Fyodor Dostoevsky and Leo Tolstoy became internationally renowned. Other important figures were Ivan Goncharov, Mikhail Saltykov-Shchedrin and Nikolai Leskov. In the second half of the century Anton Chekhov excelled in short stories and became a leading dramatist. The end of the 19th century and the beginning of the 20th century is sometimes called the Silver Age of Russian poetry. The poets most often associated with the "Silver Age" are Konstantin Balmont, Valery Bryusov, Alexander Blok, Anna Akhmatova, Nikolay Gumilyov, Sergei Yesenin, Vladimir Mayakovsky, and Marina Tsvetaeva. This era produced novelists and short-story writers, such as Aleksandr Kuprin, Nobel Prize winner Ivan Bunin, Leonid Andreyev, Fyodor Sologub, Yevgeny Zamyatin, Alexander Belyaev, Andrei Bely and Maxim Gorky.

Literary realism is a movement and genre of literature that attempts to represent mundane and ordinary subject-matter in a faithful and straightforward way, avoiding grandiose or exotic subject-matter, exaggerated portrayals, and speculative elements such as supernatural events and alternative worlds. It encompasses both fiction (realistic fiction) and nonfiction writing. Literary realism is a subset of the broader realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature (Alexander Pushkin). It attempts to represent familiar things, including everyday activities and experiences, as they truly are.

Russian symbolism was an intellectual, literary and artistic movement predominant at the end of the 19th and beginning of the 20th century. It arose separately from West European symbolism, and emphasized defamiliarization and the mysticism of Sophiology.

Poor Folk (Russian: Бедные люди, Bednye lyudi), sometimes translated as Poor People, is the first novel by Fyodor Dostoevsky, written over the span of nine months between 1844 and 1845. Dostoevsky was in financial difficulty because of his extravagant lifestyle and his developing gambling addiction; although he had produced some translations of foreign novels, they had little success, and he decided to write a novel of his own to try to raise funds.

Inspired by the works of Gogol, Pushkin and Karamzin, as well as English and French authors, Poor Folk is written in the form of letters between the two main characters, Makar Devushkin and Varvara Dobroselova, who are poor third cousins twice removed. The novel showcases the life of poor people, their relationship with rich people, and poverty in general, all common themes of literary naturalism. A deep but odd friendship develops between them until Dobroselova loses her interest in literature, and later in communicating with Devushkin after a rich widower Mr. Bykov proposes to her. Devushkin, a prototype of the clerk found in many works of naturalistic literature at that time, retains his sentimental characteristics; Dobroselova abandons art, while Devushkin cannot live without literature.

Mikhail Yuryevich Lermontov (/ˈlɛərməntɒf/ LAIR-mən-tof, US also /-tɔːf/ -⁠tawf; Russian: Михаи́л Ю́рьевич Ле́рмонтов, IPA: [mʲɪxɐˈil ˈjʉrʲjɪvʲɪtɕ ˈlʲerməntəf]; 15 October [O.S. 3 October] 1814 – 27 July [O.S. 15 July] 1841) was a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", the most important Russian poet after Alexander Pushkin's death in 1837 and the greatest figure in Russian Romanticism. His influence on Russian literature is felt in modern times, through his poetry, but also his prose, which founded the tradition of the Russian psychological novel.

Lermontov grew up in Tarkhany and received excellent home education from his grandmother, nurturing his talents in languages, music, and painting. However, his health was fragile, and he suffered from scrofula and rickets. His grandmother's strict control caused him emotional turmoil, leading to his development as a lonely and introspective individual. In 1827, Lermontov moved to Moscow with his grandmother and joined the Moscow University's boarding school. He excelled academically and started to write poetry. By 1829, Lermontov had written notable poems. His literary career began to take shape, with his early works reflecting the influences of Alexander Pushkin and Lord Byron. Lermontov's early education included extensive travel to the Caucasus for his health, which greatly impressed him and influenced his work.

Eugene Onegin (Russian: Евгений Онегин, romanized: Yevgény Onégin, IPA: [jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn] ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky. The libretto, organised by the composer himself, very closely follows certain passages in Alexander Pushkin's 1825–1832 novel in verse, retaining much of his poetry. Tchaikovsky's friend Konstantin Shilovsky contributed M. Triquet's verses in Act 2, Scene 1, while Tchaikovsky himself arranged the text for Lensky's arioso in Act 1, Scene 1, and almost all of Prince Gremin's aria in Act 3, Scene 1.

Eugene Onegin is a well-known example of lyric opera, to which Tchaikovsky added music of a dramatic nature. The story concerns a selfish hero who lives to regret his blasé rejection of a young woman's love and his careless incitement of a fatal duel with his best friend.

44°54′51″N 35°14′5″E / 44.91417°N 35.23472°E / 44.91417; 35.23472

The Devil's Gate (Crimean Tatar: şeytan qapu) or Golden Gate (Altın Qapı) is an arch-like cliff near the Kara Dag Mountain in the Crimea. The cliff was supposed to have marked a gateway to hell. It is popular with tourists and carnelian hunters. Alexander Pushkin is thought to have been the first to depict the cliff, on the margins of his verse novel Eugene Onegin.

Orthographic transcription is a transcription method that employs the standard spelling system of each target language.

Examples of orthographic transcription are "Pushkin" and "Pouchkine", respectively the English and French orthographic transcriptions of the surname "Пу́шкин" in the name Алекса́ндр Пу́шкин (Alexander Pushkin). Thus, each target language (English and French) transcribes the surname according to its own orthography.