Russian literature in the context of "Alexander Pushkin"

Adam Bernard Mickiewicz (24 December 1798 – 26 November 1855) was a Polish poet, dramatist, essayist, publicist, translator and political activist. He is regarded as national poet in Poland, Lithuania and Belarus. He also largely influenced Ukrainian literature and affected Russian literature. A principal figure in Polish Romanticism, he is one of Poland's "Three Bards" (Polish: trzej wieszcze) and is widely regarded as Poland's greatest poet. He is also considered one of the greatest Slavic and European poets and has been dubbed a "Slavic bard". A leading Romantic dramatist, he has been compared in Poland and Europe to Byron and Goethe.

He is known chiefly for the poetic drama Dziady (Forefathers' Eve) and the national epic poem Pan Tadeusz. His other influential works include Konrad Wallenrod and Grażyna. All these served as inspiration for uprisings against the three imperial powers that had partitioned the Polish–Lithuanian Commonwealth out of existence.

Fyodor Mikhailovich Dostoevsky (11 November [O.S. 30 October] 1821 – 9 February [O.S. 28 January] 1881) was a Russian novelist, short story writer, essayist and journalist. He is regarded as one of the greatest novelists in both Russian and world literature, and many of his works are considered highly influential masterpieces. Dostoevsky's literary works explore the human condition in the troubled political, social and spiritual atmospheres of 19th-century Russia, and engage with a variety of philosophical and religious themes. His most acclaimed novels include Crime and Punishment (1866), The Idiot (1869), Demons (1872), The Adolescent (1875) and The Brothers Karamazov (1880). His Notes from Underground, a novella published in 1864, is considered one of the first works of existentialist literature.

Born in Moscow in 1821, Dostoevsky was introduced to literature at an early age through fairy tales and legends and through books by Russian and foreign authors. His mother died of tuberculosis on 27 February 1837, when he was 15, and around the same time, he left school to enter the Nikolayev Military Engineering Institute (later renamed the Military Engineering-Technical University). After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s, he wrote his first novel, Poor Folk, which gained him entry into Saint Petersburg's literary circles. However, he was arrested in 1849 for belonging to a literary group, the Petrashevsky Circle, that discussed banned books critical of Tsarist Russia. Dostoevsky was sentenced to death, but the sentence was commuted at the last moment. He spent four years in a Siberian prison camp, followed by six years of compulsory military service in exile. In the following years, Dostoevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around Western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers.

Avvakum Petrov (Russian: Аввакум Петров; 20 November 1620/1621 – 14 April 1682; also spelled Awakum) was a Russian Old Believer and protopope of the Kazan Cathedral on Red Square who led the opposition to Patriarch Nikon's reforms of the Russian Orthodox Church. His autobiography and letters to the tsar and other Old Believers such as Feodosia Morozova are considered masterpieces of 17th-century Russian literature.

Russian culture (Russian: Культура России, romanized: Kul'tura Rossii, IPA: [kʊlʲˈturə rɐˈsʲiɪ]) has been formed by the nation's history, its geographical location and its vast expanse, religious and social traditions, and both Eastern and Western influence. Cultural scientists believe that the influence of the East was fairly insignificant, since the Mongols did not coexist with the Russians during conquest, and the indigenous peoples were subjected to reverse cultural assimilation. Unlike the Scandinavian and more western neighbors, which have become the main reason for the formation of modern culture among Russians. Russian writers and philosophers have played an important role in the development of European thought. The Russians have also greatly influenced classical music, ballet, theatre, painting, cinema and sport, The nation has also made pioneering contributions to science and technology and space exploration.

Alexander Ivanovich Herzen (Russian: Алекса́ндр Ива́нович Ге́рцен, romanized: Aleksándr Ivánovich Gértsen; 6 April [O.S. 25 March] 1812 – 21 January [O.S. 9 January] 1870) was a Russian writer and thinker known as the precursor of Russian socialism and one of the main precursors of agrarian populism (being an ideological ancestor of the Narodniki, Socialist-Revolutionaries, Trudoviks and the agrarian American Populist Party). With his writings, many composed while exiled in London, he attempted to influence the situation in Russia, contributing to a political climate that led to the emancipation of the serfs in 1861. He published the important social novel Who is to Blame? (1845–46). His autobiography, My Past and Thoughts (written 1852–1870), is often considered one of the best examples of that genre in Russian literature.

A dream vision or visio is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic of early medieval Europe. In both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation.

This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an allegory. The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The ‘vision’ addresses these waking concerns through the possibilities of the imaginative landscapes offered by the dream-state. In the course of the dream, the narrator, often with the aid of a guide, is offered perspectives that provide potential resolutions to their waking concerns. The poem concludes with the narrator waking, determined to record the dream – thus producing the poem. The dream-vision convention was widely used in European, Old Russian, medieval Latin, Muslim, Gnostic, Hebrew, and other literatures.

Literary realism is a movement and genre of literature that attempts to represent mundane and ordinary subject-matter in a faithful and straightforward way, avoiding grandiose or exotic subject-matter, exaggerated portrayals, and speculative elements such as supernatural events and alternative worlds. It encompasses both fiction (realistic fiction) and nonfiction writing. Literary realism is a subset of the broader realist art movement that began with mid-nineteenth-century French literature (Stendhal) and Russian literature (Alexander Pushkin). It attempts to represent familiar things, including everyday activities and experiences, as they truly are.

Robert Bresson (French: [ʁɔbɛʁ bʁɛsɔ̃]; 25 September 1901 – 18 December 1999) was a French filmmaker. Known for his ascetic approach, Bresson made a notable contribution to the art of cinema; his non-professional actors, ellipses, and sparse use of scoring have led his works to be regarded as preeminent examples of minimalist film. Much of his work is known for being tragic in story and nature.

Bresson is among the most highly regarded filmmakers of all time. He has the highest number of films (seven) that made the 2012 Sight and Sound critics' poll of the Greatest Films of All Time. His works A Man Escaped (1956), Pickpocket (1959) and Au hasard Balthazar (1966) were ranked among the top 100, and other films like Mouchette (1967) and L'Argent (1983) also received many votes. Jean-Luc Godard once wrote, "He is the French cinema, as Dostoevsky is the Russian novel and Mozart is German music."