Early medieval Europe in the context of "Dream vision"

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⭐ Core Definition: Early medieval Europe

The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages, is typically regarded by historians as lasting from the late 5th to the 10th century. They marked the start of the Middle Ages of European history, following the decline of the Western Roman Empire, and preceding the High Middle Ages (c. 11th to 14th centuries). The alternative term late antiquity, for the early part of the period, emphasizes elements of continuity with the Roman Empire, while Early Middle Ages is used to emphasize developments characteristic of the earlier medieval period.

The period saw a continuation of trends evident since late classical antiquity, including population decline, especially in urban centres, a decline of trade, a small rise in average temperatures in the North Atlantic region and increased migration. In the 19th century the Early Middle Ages were often labelled the Dark Ages, a characterization based on the relative scarcity of literary and cultural output from this time. The term is rarely used by academics today. The Eastern Roman Empire, or Byzantine Empire, survived, though in the 7th century the Rashidun Caliphate and the Umayyad Caliphate conquered the southern part of the Roman territory.

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πŸ‘‰ Early medieval Europe in the context of Dream vision

A dream vision or visio is a literary device in which a dream or vision is recounted as having revealed knowledge or a truth that is not available to the dreamer or visionary in a normal waking state. While dreams occur frequently throughout the history of literature, visionary literature as a genre began to flourish suddenly, and is especially characteristic of early medieval Europe. In both its ancient and medieval form, the dream vision is often felt to be of divine origin. The genre reemerged in the era of Romanticism, when dreams were regarded as creative gateways to imaginative possibilities beyond rational calculation.

This genre typically follows a structure whereby a narrator recounts their experience of falling asleep, dreaming, and waking, with the story often an allegory. The dream, which forms the subject of the poem, is prompted by events in their waking life that are referred to early in the poem. The β€˜vision’ addresses these waking concerns through the possibilities of the imaginative landscapes offered by the dream-state. In the course of the dream, the narrator, often with the aid of a guide, is offered perspectives that provide potential resolutions to their waking concerns. The poem concludes with the narrator waking, determined to record the dream – thus producing the poem. The dream-vision convention was widely used in European, Old Russian, medieval Latin, Muslim, Gnostic, Hebrew, and other literatures.

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