African-American culture in the context of "Blues"

Soul music is a popular music genre that originated in African American communities throughout the United States in the late 1950s and early 1960s. Catchy rhythms, stressed by handclaps and extemporaneous body movements, are an important hallmark of soul. Other characteristics are a call and response between the lead and backing vocalists, an especially tense vocal sound, and occasional improvisational additions, twirls, and auxiliary sounds. Soul music is known for reflecting African American identity and stressing the importance of African American culture.

Soul has its roots in African-American gospel music and rhythm and blues, and primarily combines elements of gospel, R&B and jazz. The genre emerged from the power struggle to increase black Americans' awareness of their African ancestry, as a newfound consciousness led to the creation of music that boasted pride in being black. Soul music became popular for dancing and listening, and American record labels such as Motown, Atlantic and Stax were influential in its proliferation during the civil rights movement. Soul also became popular worldwide, directly influencing rock music and the music of Africa. It had a resurgence in the mid-to late 1990s with the subgenre neo soul, which incorporated modern production elements and hip-hop influences.

Black pride is a movement that encourages black people to celebrate their respective cultures and embrace their African heritage.

In the United States, it initially developed for African-American culture and was a direct response to white racism, especially during the civil rights movement. Stemming from the idea of black power, this movement emphasizes racial pride, economic empowerment, and the creation of political and cultural institutions. Related movements include black power, black nationalism, and Afrocentrism.

Blues is a music genre and musical form that originated among African Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern, the blues scale, and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove.

Blues music is characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern, consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over the last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African Americans. By this time, the blues has coalesced into an important aspect of African American culture, expressing the hardships and culture of Black communities.

A hippie, also spelled hippy, especially in British English, is someone associated with the counterculture of the mid-1960s to early 1970s, originally a youth movement that began in the United States and spread to different countries around the world. The word hippie came from hipster and was used to describe beatniks who moved into New York City's Greenwich Village, San Francisco's Haight-Ashbury district, Los Angeles' Laurel Canyon, and Chicago's Old Town community. The term hippie was used in print by San Francisco writer Michael Fallon, helping popularize use of the term in the media, although the tag was seen elsewhere earlier.

The origins of the terms hip and hep are uncertain. By the 1940s, both had become part of African American jive slang and meant "sophisticated; currently fashionable; fully up-to-date". The Beats adopted the term hip, and early hippies adopted the language and countercultural values of the Beat Generation. Hippies created their own communities, listened to psychedelic music, embraced the sexual revolution, and many used drugs such as marijuana and LSD to explore altered states of consciousness.

African-American neighborhoods or black neighborhoods are types of ethnic enclaves found in many cities in the United States. Generally, an African American neighborhood is one where the majority of the people who live there are African American. Some of the earliest African-American neighborhoods were in New Orleans, Mobile, Atlanta, and other cities throughout the American South, as well as in New York City. In 1830, there were 14,000 "Free negroes" living in New York City.

The formation of black neighborhoods is closely linked to the history of segregation in the United States, either through formal laws or as a product of social norms. Black neighborhoods have played an important role in the development of African-American culture. Some neighborhoods endured violent attacks.

African-American music is a broad term covering a diverse range of musical genres largely developed by African Americans and their culture. Its origins lie in musical forms that developed as a result of the enslavement of African Americans prior to the American Civil War. It has been said that "every genre that is born from America has black roots."

White slave owners subjugated their slaves physically, mentally, and spiritually through brutal and demeaning acts. Some White Americans considered African Americans separate and unequal for centuries, going to extraordinary lengths to keep them oppressed. African-American slaves created a distinctive type of music that played an important role in the era of enslavement. Slave songs, commonly known as work songs, were used to combat the hardships of the physical labor. Work songs were also used to communicate with other slaves without the slave owner hearing. The song "Wade in the Water" was sung by slaves to warn others trying to leave to use the water to obscure their trail. Following the Civil War, African Americans employed playing European music in military bands developed a new style called ragtime that gradually evolved into jazz. Jazz incorporated the sophisticated polyrhythmic structure of dance and folk music of peoples from western and Sub-Saharan Africa. These musical forms had a wide-ranging influence on the development of music within the United States and around the world during the 20th century.