African-American in the context of "Chicago Freedom Movement"

Identity politics is politics based on a particular identity, such as ethnicity, race, nationality, religion, denomination, gender, sexual orientation, social background, political affiliation, caste, age, education, disability, opinion, intelligence, and social class. The term encompasses various often-populist political phenomena and rhetoric, such as governmental migration policies that regulate mobility and opportunity based on identities, left-wing agendas involving intersectional politics or class reductionism, and right-wing nationalist agendas of exclusion of national or ethnic "others".

The term identity politics dates to the late twentieth century, although it had precursors in the writings of individuals such as Mary Wollstonecraft and Frantz Fanon. Many contemporary advocates of identity politics take an intersectional perspective, which they argue accounts for a range of interacting systems of oppression that may affect a person's life and originate from their various identities. To these advocates, identity politics helps center the experiences of those they view as facing systemic oppression so that society can better understand the interplay of different forms of demographic-based oppression and ensure that no one group is disproportionately affected by political actions. Contemporary identity labels—such as people of specific race, ethnicity, sex, gender identity, sexual orientation, age—are not mutually exclusive but are, in many cases, compounded into one when describing hyper-specific groups. An example is that of African-American homosexual women, who can constitute a particular hyper-specific identity class.

Marxist historiography, or historical materialist historiography, is an influential school of historiography. The chief tenets of Marxist historiography include the centrality of social class, social relations of production in class-divided societies that struggle against each other, and economic constraints in determining historical outcomes (historical materialism). Marxist historians follow the tenets of the development of class-divided societies, especially modern capitalist ones.

Marxist historiography has developed in varied ways across different regional and political contexts. It has had unique trajectories of development in the West, the Soviet Union, and in India, as well as in the pan-Africanist and African-American traditions, adapting to these specific regional and political conditions in different ways. Marxist historiography has made contributions to the history of the working class, and the methodology of a history from below.

Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street on the north; Fifth Avenue on the east; and 110th Street on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King Jr. Boulevard, Central Park, and East 96th Street.

Originally a Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish and Italian Americans in the late 19th century, while African-American residents began to arrive in large numbers during the Great Migration in the early 20th century. In the 1920s and 1930s, Central and West Harlem were the center of the Harlem Renaissance, a major African-American cultural movement. With job losses during the Great Depression of the 1930s and the deindustrialization of New York City after World War II, rates of crime and poverty increased significantly. In the 21st century, crime rates decreased significantly, and Harlem started to gentrify.

Peonage is any form of wage labor, financial exploitation, coercive economic practice, or policy in which the victim or a laborer (peon) has little control over employment or economic conditions. A Peon (English /ˈpiːɒn/, from the Spanish peón Spanish pronunciation: [peˈon]) is anyone subject to peonage. Peon and peonage existed both the colonial period and post-colonial period of Latin America, as well as the period after the end of slavery in the United States, when "Black Codes" were passed to retain African-American freedmen as labor through other means.

In Bolivia indigenous populations were subject to the Mit'a system during the rule of the Inca and Spanish empires. Later this was replaced by a peonage known as pongaje that lasted until the mid-20th century. In Chile peonage took the local form of inquilinaje and lasted until the Chilean land reform in the 1960s. In Ecuador a similar practise was that of the huasipungos.

Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Early funk, specifically James Brown, fused jazz and blues, and added a syncopated drum groove.

Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first beat of every measure ("The One"), and the application of swung 16th notes and syncopation on all basslines, drum patterns, and guitar riffs. Rock- and psychedelia-influenced musicians Sly and the Family Stone and Parliament-Funkadelic fostered more eclectic examples of the genre beginning in the late 1960s. Other musical groups developed Brown's innovations during the 1970s and the 1980s, including Kool and the Gang, Ohio Players, Fatback Band, Jimmy Castor Bunch, Bootsy Collins, Earth, Wind & Fire, B.T. Express, Hamilton Bohannon, One Way, Lakeside, Dazz Band, The Gap Band, Slave, Aurra, Roger Troutman & Zapp, Con Funk Shun, Cameo, Bar-Kays and Chic.

Slavery among Native Americans in the United States includes slavery by and enslavement of Native Americans roughly within what is currently the United States of America.

Tribal territories and the slave trade ranged over present-day borders. Some Native American tribes held war captives as slaves prior to and during European colonization. Some Native Americans were captured and sold by others into slavery to Europeans, while others were captured and sold by Europeans themselves. In the late 18th and 19th centuries, a small number of tribes, such as the five so-called "civilized tribes", began increasing their holding of African-American slaves.

Convict leasing was a system of forced penal labor that was practiced in the Southern United States, where private individuals and corporations could lease labor from the state in the form of incarcerated people, nearly all of whom were Black.

The state of Louisiana leased out convicted people as early as 1844. The system expanded throughout most of the South with the emancipation of enslaved people at the end of the American Civil War in 1865. The practice peaked about 1880 and persisted in various forms until gradually phased out following Francis Biddle's "Circular No. 3591" of December 12, 1941. Whilst not having been explicitly abolished, the practice became politically untenable. As a result other forms of prison labour remain legal in the United States, under the Thirteenth Amendment's penal exemption clause.

Aaron Douglas (May 26, 1899 – February 2, 1979) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. Douglas set the stage for young, African-American artists to enter the public-arts realm through his involvement with the Harlem Artists Guild. In 1944, he concluded his art career by founding the Art Department at Fisk University in Nashville, Tennessee. He taught visual art classes at Fisk University until his retirement in 1966. Douglas is known as a prominent leader in modern African-American art whose work influenced artists for years to come.

The Thurgood Marshall Federal Judiciary Building (TMFJB) at the crossroads of the Capitol Hill and NoMA neighborhoods in Washington, D.C., houses offices that support the work of the United States Courts, including the Administrative Office of the United States Courts, the Federal Judicial Center, the United States Sentencing Commission, and the Office of the Clerk of the Judicial Panel on Multidistrict Litigation.

The building was named after Thurgood Marshall, the first African-American justice of the Supreme Court; and is part of the United States Capitol Complex under the Architect of the Capitol's Supreme Court Building and Grounds jurisdiction which it shares in common with the United States Supreme Court Building that houses the Supreme Court of the United States.