16th note in the context of "Funk"

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⭐ Core Definition: 16th note

In music, a 1/16, sixteenth note (American) or semiquaver (British) is a note played for half the duration of an eighth note (quaver), hence the names. It is the equivalent of the semifusa in mensural notation, first found in 15th-century notation.

Sixteenth notes are notated with an oval, filled-in note head and a straight note stem with two flags (see Figure 1). A single sixteenth note is always stemmed with flags, while two or more are usually beamed in groups. A corresponding symbol is the sixteenth rest (or semiquaver rest), which denotes a silence for the same duration. As with all notes with stems, sixteenth notes are drawn with stems to the right of the notehead, facing up, when they are below the middle line of the musical staff (or on the middle line, in vocal music). When they are on the middle line (in instrumental music) or above it, they are drawn with stems on the left of the note head, facing down. Flags are always on the right side of the stem, and curve to the right. On stems facing up, the flags start at the top and curve down; for downward facing stems, the flags start at the bottom of the stem and curve up. When multiple sixteenth notes or eighth notes (or thirty-second notes, etc.) are next to each other, the flags may be connected with a beam, like the notes in Figure 2. Note the similarities in notating sixteenth notes and eighth notes. Similar rules apply to smaller divisions such as thirty-second notes (demisemiquavers) and sixty-fourth notes (hemidemisemiquavers).

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πŸ‘‰ 16th note in the context of Funk

Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Early funk, specifically James Brown, fused jazz and blues, and added a syncopated drum groove.

Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeatβ€”with a heavy emphasis on the first beat of every measure ("The One"), and the application of swung 16th notes and syncopation on all basslines, drum patterns, and guitar riffs. Rock- and psychedelia-influenced musicians Sly and the Family Stone and Parliament-Funkadelic fostered more eclectic examples of the genre beginning in the late 1960s. Other musical groups developed Brown's innovations during the 1970s and the 1980s, including Kool and the Gang, Ohio Players, Fatback Band, Jimmy Castor Bunch, Bootsy Collins, Earth, Wind & Fire, B.T. Express, Hamilton Bohannon, One Way, Lakeside, Dazz Band, The Gap Band, Slave, Aurra, Roger Troutman & Zapp, Con Funk Shun, Cameo, Bar-Kays and Chic.

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