Aestheticism in the context of "Evelyn De Morgan"

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⭐ Core Definition: Aestheticism

Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music, fonts, and the arts over their functions. According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson, create a parallel, or perform another didactic purpose, a sentiment expressed in the slogan "art for art's sake." Aestheticism flourished, in the 1870s and 1880s, gaining prominence and the support of notable writers, such as Walter Pater and Oscar Wilde.

Aestheticism challenged the values of mainstream Victorian culture, as many Victorians believed that literature and art fulfilled important ethical roles. Writing in The Guardian, Fiona McCarthy states that "the aesthetic movement stood, in stark and sometimes shocking contrast, to the crass materialism of Britain, in the 19th century."

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👉 Aestheticism in the context of Evelyn De Morgan

Evelyn De Morgan (30 August 1855 – 2 May 1919) was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content. Her later works also dealt with the themes of war from a pacifist perspective, engaging with conflicts such as the Second Boer War and World War I.

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Aestheticism in the context of Gabriele D'Annunzio

General Gabriele D'Annunzio, Prince of Montenevoso OMS CMG MVM (UK: /dæˈnʊntsi/, US: /dɑːˈnn-/; Italian: [ɡabriˈɛːle danˈnuntsjo]; 12 March 1863 – 1 March 1938), sometimes written d'Annunzio as he used to sign himself, was an Italian poet, playwright, orator, journalist, aristocrat, and Royal Italian Army officer during World War I. He occupied a prominent place in Italian literature from 1889 to 1910 and in its political life from 1914 to 1924. He had the epithets il Profeta (The Prophet) and il Vate (The Poet): vate stems from the Latin vates, meaning a prophetic, divinatory, or inspirational poet.

D'Annunzio was associated with the Decadent movement in his literary works, which interplayed closely with French symbolism and British aestheticism. Such works represented a turn against the naturalism of the preceding romantics and was both sensuous and mystical. He came under the influence of Friedrich Nietzsche, which would find outlets in his literary and later political contributions. His affairs with several women, including Eleonora Duse and Luisa Casati, received public attention. In his politics, which evolved many times, he associated himself with socialism and the progressivist views of the political left, responding to the illiberal and reactionary policies of Luigi Pelloux, as well as with the Historical Far Left.

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Aestheticism in the context of Louis Comfort Tiffany

Louis Comfort Tiffany (February 18, 1848 – January 17, 1933) was an American artist and designer who worked in the decorative arts and is best known for his work in stained glass. He is associated with the art nouveau and aesthetic art movements. He was affiliated with a prestigious collaborative of designers known as the Associated Artists, which included Lockwood de Forest, Candace Wheeler, and Samuel Colman. Tiffany designed stained glass windows and lamps, glass mosaics, blown glass, ceramics, jewelry, enamels, and metalwork. He was the first design director at his family company, Tiffany & Co., founded by his father Charles Lewis Tiffany.

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Aestheticism in the context of Oscar Wilde

Oscar Fingal O'Fflahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish author, poet and playwright. After writing in different literary styles throughout the 1880s, he became one of the most popular and influential dramatists in London in the early 1890s. He was a key figure in the emerging Aestheticism movement of the late 19th century and is regarded by many as the greatest playwright of the Victorian era. Wilde is best known for his Gothic novel The Picture of Dorian Gray (1890), his epigrams, plays and bedtime stories for children, as well as his criminal conviction in 1895 for gross indecency for homosexual acts.

Wilde's parents were Anglo-Irish intellectuals in Dublin. In his youth, Wilde learned to speak fluent French and German. At university, he read Greats; he demonstrated himself to be an exceptional classicist, first at Trinity College Dublin, then at Magdalen College, Oxford. He became associated with the emerging philosophy of aestheticism during this time, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde moved to London into fashionable cultural and social circles.

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Aestheticism in the context of Aubrey Beardsley

Aubrey Vincent Beardsley (/ˈbɪərdzli/ BEERDZ-lee; 21 August 1872 – 16 March 1898) was an English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. He was a leading figure in the aesthetic movement which also included Oscar Wilde and James McNeill Whistler. Beardsley's contribution to the development of the Art Nouveau and poster styles was significant despite his early death from tuberculosis. He is one of the important Modern Style figures.

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Aestheticism in the context of Modernismo

Modernismo is a literary movement that took place primarily during the end of the nineteenth and early 20th century in the Spanish-speaking world, best exemplified by Rubén Darío, who is known as the father of modernismo. The term modernismo specifically refers to the literary movement that took place primarily in poetry. This literary movement began in 1888 after the publication of Rubén Darío's Azul.... It gave modernismo a new meaning. The movement died out around 1920, four years after the death of Rubén Darío. In Aspects of Spanish-American Literature, Arturo Torres-Ríoseco writes (1963),

Other notable exponents are Leopoldo Lugones, Manuel Gutiérrez Nájera, José Asunción Silva, Julio Herrera y Reissig, Julián del Casal, Manuel González Prada, Aurora Cáceres, Delmira Agustini, Manuel Díaz Rodríguez and José Martí. It is a recapitulation and blending of three European currents: Romanticism, Symbolism and especially Parnassianism. Inner passions, visions, harmonies and rhythms are expressed in a rich, highly stylized verbal music. This movement was of great influence in the whole Hispanic world (including the Philippines), finding a temporary vogue also among the Generation of '98 in Spain, which posited various reactions to its perceived aestheticism.

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Aestheticism in the context of Walter Pater

Walter Horatio Pater (4 August 1839 – 30 July 1894) was an English essayist, art and literary critic, and fiction writer, regarded as one of the great stylists. His first and most often reprinted book, Studies in the History of the Renaissance (1873), revised as The Renaissance: Studies in Art and Poetry (1877), in which he outlined his approach to art and advocated an ideal of the intense inner life, was taken by many as a manifesto (whether stimulating or subversive) of Aestheticism.

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Aestheticism in the context of Patience (opera)

Patience; or, Bunthorne's Bride, is a comic opera in two acts with music by Arthur Sullivan and libretto by W. S. Gilbert. The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster.

First performed at the Opera Comique, London, on 23 April 1881, Patience moved to the 1,292-seat Savoy Theatre on 10 October 1881, where it was the first theatrical production in the world to be lit entirely by electric light. Henceforth, the Gilbert and Sullivan comic operas would be known as the Savoy Operas, and both fans and performers of Gilbert and Sullivan would come to be known as "Savoyards."

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