Evelyn De Morgan (30 August 1855 – 2 May 1919) was an English painter associated early in her career with the later phase of the Pre-Raphaelite Movement, and working in a range of styles including Aestheticism and Symbolism. Her paintings are figural, foregrounding the female body through the use of spiritual, mythological, and allegorical themes. They rely on a range of metaphors (such as light and darkness, transformation, and bondage) to express what several scholars have identified as spiritualist and feminist content. Her later works also dealt with the themes of war from a pacifist perspective, engaging with conflicts such as the Second Boer War and World War I.
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In this Dossier
Evelyn De Morgan in the context of Dryad
A dryad (/ˈdraɪ.æd/; Greek: Δρυάδες, sing. Δρυάς) is an oak tree nymph or oak tree spirit in Greek mythology; Drys (δρῦς) means "tree", and more specifically "oak" in Greek. Today the term is often used to refer to tree nymphs in general.
Evelyn De Morgan in the context of Personal gain
Greed (or avarice, Latin: avaritia) is an insatiable desire for material gain (be it food, money, land, or animate/inanimate possessions) or social value, such as status or power.
Evelyn De Morgan in the context of Mammon
Mammon (Aramaic: מָמוֹנָא, māmōnā) in the New Testament is commonly thought to mean money, material wealth, or any entity that promises wealth, and is associated with the greedy pursuit of gain. The Gospel of Matthew and the Gospel of Luke both quote Jesus using the word in a phrase often rendered in English as "You cannot serve both God and mammon."
In the Middle Ages, it was often personified and sometimes included in the seven princes of Hell, depicting greed.Mammon in Hebrew (ממון) means 'money'. The word was adopted to modern Hebrew to mean wealth.