Acrobatics in the context of "Pole dance"

A circus is a company of performers who put on diverse entertainment shows that may include clowns, acrobats, trained animals, trapeze acts, musicians, dancers, hoopers, tightrope walkers, jugglers, magicians, ventriloquists, and unicyclists as well as other object manipulation and stunt-oriented artists. The term "circus" also describes the field of performance, training, and community which has followed various formats through its 250-year modern history. Although not the inventor of the medium, Newcastle-under-Lyme born Philip Astley is credited as the father of the modern circus.

In 1768, Astley, a skilled equestrian, began performing exhibitions of trick horse riding in an open field called Ha'penny Hatch on the south side of the Thames River, England. In 1770, he hired acrobats, tightrope walkers, jugglers, and a clown to fill in the pauses between the equestrian demonstrations and thus chanced on the format which was later named a "circus". Performances developed significantly over the next 50 years, with large-scale theatrical battle reenactments becoming a significant feature. The format in which a ringmaster introduces a variety of choreographed acts set to music, often termed "traditional" or "classical" circus, developed in the latter part of the nineteenth century and remained the dominant format until the 1970s.

Street performance or busking is the act of performing in public places for gratuities. In many countries, the rewards are generally in the form of money but other gratuities such as food, drink or gifts may be given. Street performance is practiced all over the world and dates back to antiquity. People engaging in this practice are called street performers or buskers, although busker is generally not used in American English.

Performances are anything that people find entertaining, including acrobatics, animal tricks, balloon twisting, caricatures, clowning, comedy, contortions, escapology, dance, singing, fire skills, flea circus, fortune-telling, juggling, magic, mime, living statue, musical performance, one man band, puppeteering, snake charming, storytelling or reciting poetry or prose, street art such as sketching and painting, street theatre, sword swallowing, ventriloquism, weightlifting and washboarding. Buskers may be solo performers or small groups.

Variety show, also known as variety arts or variety entertainment, is entertainment made up of a variety of acts including musical performances, sketch comedy, magic, acrobatics, juggling, and ventriloquism. It is normally introduced by a compère (master of ceremonies) or host. The variety format made its way from the Victorian era stage in Britain and America to radio and then television. Variety shows were a staple of English language television from the late 1940s into the 1980s.

While the format is still widespread in some parts of the world, such as in the United Kingdom with the Royal Variety Performance, the Philippines with Eat Bulaga! and It's Showtime, and South Korea with Running Man, the proliferation of multichannel television and evolving viewer tastes have affected the popularity of variety shows in the United States. Despite this, their influence has still had a major effect on late night television whose late-night talk shows and NBC's variety series Saturday Night Live (which originally premiered in 1975) have remained popular fixtures of American television.

Circus schools are institutions that offer professional and sometimes degree-level training in various circus skills such as acrobatics, aerial arts, object manipulation, and other specialized physical skills. The rise of the circus school as a venue for the transmission of traditional circus arts and the formalized research of new acts is a relatively recent phenomenon in the history of the circus.

Lyrical dance is a dance style that embodies various aspects of ballet, jazz, acrobatics, and modern dance. The style combines ballet technique with the freedom and musicality of jazz and contemporary. According to Jennifer Fisher, lyrical dance is “strongly associated with clearly displayed emotional moods, fast-moving choreographic strategies, emphasis on virtuosic display, illustration of song lyrics, and, in group form, exact unison.” The style is usually danced at a faster pace than ballet but not as fast as jazz. Lyrical dance is a category typically found in dance competitions.

Diving is the sport of jumping or falling into water from a platform or springboard, usually while performing acrobatics. Diving is an internationally recognised sport that is part of the Olympic Games. In addition, unstructured and non-competitive diving is a recreational pastime.

Competitors possess many of the same characteristics as gymnasts and dancers, including strength, flexibility, kinaesthetic judgement and air awareness. Some professional divers were originally gymnasts or dancers as both the sports have similar characteristics to diving. Dmitri Sautin holds the record for most Olympic diving medals won, by winning eight medals in total between 1992 and 2008.

A minstrel was an entertainer, initially in medieval Europe. The term originally described any type of entertainer such as a musician, juggler, acrobat, singer or fool; later, from the sixteenth century, it came to mean a specialist entertainer who sang songs and played musical instruments.

The Blood of a Poet (French: Le Sang d'un poète, pronounced [lə sɑ̃ dœ̃ pɔɛt]) is a 1932 avant-garde film directed by Jean Cocteau, financed by Charles de Noailles and starring Enrique Riveros, a Chilean actor who had a successful career in European films. Photographer Lee Miller made her only film appearance in this movie, which features an appearance by the famed aerialist Barbette. It is the first part of The Orphic Trilogy, which is continued in Orphée (1950) and concludes with Testament of Orpheus (1960).

Philip Astley (8 January 1742 – 20 October 1814) was an English equestrian, circus owner, and inventor, regarded as being the "father of the modern circus". Modern circus, as an integrated entertainment experience that includes music, domesticated animals, acrobats, and clowns, traces its heritage to Astley's Amphitheatre, a riding school that Astley founded in London following the success of trick-riding displays given by him and his wife Patty Jones in 1768. Astley's first competitor was equestrian Charles Hughes, who had previously worked with Astley. Together with Charles Dibdin, a famous author of pantomimes, Hughes opened a rival amphitheatre in London, which Dibdin called the Royal Circus and Equestrian Philharmonic Academy.

Astley and his wife Patty put on their first public show on Easter Monday, 4 April 1768. extending the equestrian performance with exhibitions of warlike sabre-work and sword-play. The initial performances were done in the open air at Ha'penny (= Halfpenny) Hatch, a field in Lambeth, London, near the present site of Waterloo railway station. The Astleys also performed at other locations in London. Astley performed his stunts in a circular arena, though Astley never used the title of 'circus' for his shows. Astley's 'Ride' (he also called it 'the Circle') was a ring 65 ft (19 metres) in diameter. Later, the size evolved to become standardised at 42 feet (13 metres) which is the size used by circuses ever since. Leasing more permanent premises at Westminster Bridge from 1769, he improved conditions for audiences with a covered stands. The performances themselves, however, were still performed in the open. In 1770 he hired acrobats, tightrope walkers, jugglers and a clown to fill in the pauses between acts. and so initiated the format which we now know as a 'circus' and which has since spread to many countries.

Contortion (sometimes contortionism) is a performance art in which performers called contortionists showcase their skills of extreme physical flexibility. Contortion acts often accompany acrobatics, circus acts, street performers and other live performing arts. Contortion acts are typically performed in front of a live audience. An act will showcase one or more artists performing a choreographed set of moves or poses, often to music, which require extreme flexibility. The physical flexibility required to perform such acts greatly exceeds that of the general population. It is the dramatic feats of seemingly inhuman flexibility that captivate audiences.

A human pyramid is an acrobatic formation of three or more people in which two or more people support a tier of higher people, who in turn may support other, higher tiers of people. People above the bottom tier may kneel or stand on the shoulders, backs or thighs of the people below them. Typically, the number of people in each tier is one greater than the tier immediately above it, resulting in a triangular structure reminiscent of the formation's namesake.

For practical reasons, lighter people are often positioned higher in the formation and stronger, heavier people are located closer to the base. Human pyramids are performed in various activities, including cheerleading and in circus acrobatics.

Locking is a style of funk dance. The name is based on the concept of locking movements, which means freezing from a fast movement and "locking" in a certain position, holding that position for a short while and then continuing at the same speed as before. It relies on fast and distinct arm and hand movements combined with more relaxed hips and legs. The movements are generally large and exaggerated, and often very rhythmic and tightly synced with the music. Locking is performance oriented, often interacting with the audience by smiling or giving them a high five, and some moves are quite comical.

Locking was originally danced to traditional funk music, such as that produced or performed by James Brown. Funk music is still commonly favored by locking dancers and used by many competitions such as the locking divisions of Juste Debout and Summer Dance Forever. Locking movements create a strong contrast towards the many fast moves that are otherwise performed quite continuously, combined with mime style performance and acting and other dancers. Locking includes many acrobatics and physically demanding moves, such as landing on one's knees and the split. These moves often require knee protection.

A diving platform or diving tower is a type of structure used for competitive diving. It consists of a vertical rigid "tower" with one or more horizontal platforms extending out over a deep pool of water. In platform diving, the diver jumps from a high stationary surface. The height of the platforms – 10 metres (33 ft), 7.5 metres (25 ft) and 5 metres (16 ft) – gives the diver enough time to perform the acrobatic movements of a particular dive. There are additional platforms set at 3 metres (9.8 ft) and 1 metre (3.3 ft). Diving platforms for FINA sanctioned meets must be at least 6 metres (20 ft) long and 2 metres (6.6 ft) wide. Most platforms are covered by some sort of matting or non-slip surface to prevent athletes from slipping.

All three levels of the platform are used in the NCAA competition. Each level offers a distinct degree of difficulty (DD) and therefore can yield different scores for divers.

Zorro (Spanish: [ˈsoro] or [ˈθoro], Spanish for "fox") is a fictional character created in 1919 by American pulp writer Johnston McCulley, appearing in works set in the Pueblo de Los Ángeles in Alta California. He is typically portrayed as a dashing masked vigilante who defends the commoners and Indigenous peoples of California against corrupt, tyrannical officials and other villains. His signature all-black costume includes a cape, a Cordovan hat (sombrero cordobés), and a mask covering the upper half of his face.

In the stories, Zorro has a high bounty on his head, but he is too skilled and cunning for the bumbling authorities to catch and he also delights in publicly humiliating them. The townspeople thus started calling him "El Zorro", because of his fox-like cunning and charm. Zorro is an acrobat and an expert in various weapons. Still, the one he employs most frequently is his rapier, which he often uses to carve the initial "Z" on his defeated foes and other objects to "sign his work". He is also an accomplished rider, his trusty steed being a black horse named Tornado.