The Académie royale de peinture et de sculpture (French: [akademi ʁwajal də pɛ̃tyʁ e də skyltyʁ]; English: "Royal Academy of Painting and Sculpture") was founded in 1648 in Paris, France. It was the premier art institution of France during the latter part of the Ancien Régime until it was abolished in 1793 during the French Revolution. It included most of the important painters and sculptors, maintained almost total control of teaching and exhibitions, and afforded its members preference in royal commissions.
>>>PUT SHARE BUTTONS HERE<<<
In this Dossier
Académie Royale de Peinture et de Sculpture in the context of Louvre
The Louvre, or the Louvre Museum (French: Musée du Louvre [myze dy luvʁ] ), is a national art museum in Paris, France, and the most visited museum in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.
The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. The palace and exhibition space was expanded in the 19th century and again in the 20th.
Académie Royale de Peinture et de Sculpture in the context of Reception piece
In art, a reception piece is a work submitted by an artist to an academy for approval as part of the requirements for admission to membership.
The piece is normally representative of the artist's work, and the organization's judgement of its skill may or may not form part of the criteria for accepting a new entrant. The work itself is usually retained by the academy, and many academies have large and valuable collections acquired in this way. Alternative terms include diploma work at the Royal Academy in London (where some 18th and 19th century examples are on display), diploma piece, and in France at the Académie royale de peinture et de sculpture, tableau de réception or morceau de réception. The term masterpiece originated in the same way under the earlier system of guilds, including those for artists.