Abhimanyu in the context of "Characters in the Mahabharata"

Annulment is a legal procedure within secular and religious legal systems for declaring a marriage null and void. Unlike divorce, it is usually retroactive, meaning that an annulled marriage is considered to be invalid from the beginning almost as if it had never taken place. In legal terminology, an annulment makes a void marriage or a voidable marriage null.

Arjuna (Sanskrit: अर्जुन, IAST: Arjuna) is one of the central characters of the ancient Hindu epic Mahabharata. He is the third oldest of the five Pandava brothers and is widely recognised as the most distinguished among them. He is the son of Indra, the king of the gods, and Kunti, wife of King Pandu of Kuru dynasty—making him a divine-born hero. Arjuna is famed for his extraordinary prowess in archery and mastery over celestial weapons. Throughout the epic, Arjuna sustains a close friendship with his maternal cousin, Krishna, who serves as his spiritual guide.

Arjuna is celebrated for numerous heroic exploits throughout the epic. From an early age, he distinguishes himself as an exceptional student under the tutelage of the revered warrior-sage Drona. In his youth, Arjuna secured the hand of Draupadi, the princess of Panchala, by excelling in an archery competition. Subsequently, during a period of temporary exile prompted by a breach of a fraternal agreement, Arjuna embarked on a journey during which he entered into matrimonial alliances with three princesses: Ulupi, Chitrangada, and Subhadra. From these unions, he fathered four sons: Shrutakarma, Iravan, Babhruvahana and Abhimanyu. Arjuna plays a major role in establishing his elder brother Yudhishthira’s sovereignty, subduing numerous kingdoms and setting fire to the forest of Khandavaprastha. When the Pandavas are deceitfully exiled after being tricked into forfeiting their kingdom by their jealous cousins, the Kauravas, Arjuna vows to kill Karna—a key Kaurava ally and Arjuna's main rival who is later revealed to be his elder half-brother. During exile, Arjuna undertakes a journey to acquire divine weapons and earns the favour of the god Shiva. Beyond his martial prowess, Arjuna was also skilled in music and dance, which enabled him to disguise himself as a eunuch teacher of princess Uttarā of Matsya during his final year of exile. During this period, he also defeats the entire Kuru army.

Sasirekha Parinayam is an Indian Telugu folktale based on oral traditions popular in Telugu States. While it uses characters who appear in the Mahabharata, the story is not present in the epic. The plot concerns the marriage of Sasirekha, called Vatsala in some versions, the daughter of Balarama, to Abhimanyu, the son of Arjuna. It echoes the marriage of Arjuna to Subhadra in the Mahabharata.

The story is popular in performances, including Tholu bommalata (shadow puppets), Yakshagana, and Kuchipudi. By early 1950s, Surabhi theatre troupes made the folktale popular across Telugu-speaking regions.

Virata (Sanskrit: विराट, IAST virāṭa) was the King of Matsya, a prominent figure in the Indian epic Mahabharata, and the titular character of the epic's fourth book, Virata Parva, which recounts the Pandavas’ year of ajnatavasa—incognito exile—in his kingdom. He is best known for unknowingly sheltering the Pandavas during this period, with each of them assuming disguised roles in his court. Virata was married to Queen Sudeshna and was the father of Prince Uttara and Princess Uttarā, who married Abhimanyu, the son of Arjuna.

Subhadra (Sanskrit: सुभद्रा, romanized: Subhadrā, lit. 'auspicious') is a figure in Hindu tradition, particularly revered in Vaishnavism as the sister of the deities Krishna and Balarama. She is mentioned in ancient Hindu scriptures, including the epic Mahabharata and the Bhagavata Purana. A princess of the Vrishni clan and the daughter of Vasudeva, Subhadra married the Pandava prince Arjuna and became the mother of Abhimanyu.

Subhadra is part of the triad of deities worshipped at the Jagannath Temple at Puri, along with Krishna (as Jagannatha) and Balarama (or Balabhadra). One of the chariots in the annual Ratha Yatra is dedicated to her.

Uttarā (Sanskrit: उत्तरा, romanized: Uttarā) is a character in the ancient Hindu epic Mahabharata. She was the princess of Matsya, and the daughter of King Virata and Queen Sudeshna, at whose court the Pandavas—the central figures of the epic—spent a year in concealment during their exile. During this period, she learned music and dance from Arjuna, the third Pandava, and later married his son, Abhimanyu. Uttarā was widowed at a young age during the Kurukshetra War. Following the Pandavas' victory in the war, she and her unborn son were attacked by Ashwatthama, and were saved by the divine intervention of Krishna. Her son Parikshit saved the Kuru lineage from extinction, and became a well-known monarch celebrated in both the Mahabharata and the Bhagavata Purana.

The Padmavyūha (Sanskrit: पद्मव्यूह) or Chakravyūha (Sanskrit: चक्रव्यूह) is a military formation used to surround enemies, depicted in the Hindu epic Mahabharata. It resembles a labyrinth of multiple defensive walls.