1970s in the context of "Desegregation busing in the United States"

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⭐ Core Definition: 1970s

The 1970s (pronounced "nineteen-seventies"; commonly shortened to the "Seventies" or the "'70s") was the decade that began on January 1, 1970, and ended on December 31, 1979.

In the 21st century, historians have increasingly portrayed the 1970s as a "pivot of change" in world history, focusing especially on the economic upheavals that followed the end of the postwar economic boom. On a global scale, it was characterized by frequent coups, domestic conflicts and civil wars, and various political upheavals and armed conflicts which arose from or were related to decolonization, and the global struggle between NATO, the Warsaw Pact, and the Non-Aligned Movement. Many regions had periods of high-intensity conflict, notably Southeast Asia, the Middle East, Latin America, and Africa.

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👉 1970s in the context of Desegregation busing in the United States

Desegregation busing (also known as integrated busing, forced busing, or simply busing) was a civil rights measure in the United States that came to national prominence in the 1970s. The goal of desegregation busing was to diversify the racial make-up of public schools by transporting students to more distant areas with less diverse student populations. Typically, this involved the busing of black students to schools out of district that were majority white. However, busing also occurred vice versa with the busing of white students to majority black schools.

While the 1954 U.S. Supreme Court landmark decision in Brown v. Board of Education declared racial segregation in public schools unconstitutional, many American schools continued to remain racially homogeneous. In an effort to address the ongoing de facto segregation in schools, the 1971 Supreme Court decision, Swann v. Charlotte-Mecklenburg Board of Education, ruled that the federal courts could use busing as a further integration tool to achieve racial balance.

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1970s in the context of Thomas Jefferson Building

The Thomas Jefferson Building, also known as the Main Library, is the oldest of the Library of Congress buildings in Washington, D.C. Built between 1890 and 1897, it was initially known as the Library of Congress Building. In 1980, the building was named in honor of Thomas Jefferson (1743–1826), a Founding Father, the principal author of the Declaration of Independence, and the third U.S. president. In 1815, the purchase of Jefferson's book collection formed a core foundation for the library's collection.

The building is located on First Street, S.E. between Independence Avenue and East Capitol Street in the federal national capital city of Washington, D.C., across from the United States Capitol on Capitol Hill. It is adjacent to the library's additional buildings in the Library of Congress complex, the John Adams Building (built in the 1930s) across Second Street, and the James Madison Memorial Building (built in the 1970s) across Independence Avenue to the south.

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1970s in the context of Hippie movement

The hippie subculture (also known as the flower people) began its development as a teenager and youth movement in the United States from the mid-1960s to early 1970s and then developed around the world.

Its origins may be traced to European social movements in the 19th and early 20th century such as Bohemians, with influence from Eastern religion and spirituality. It is directly influenced and inspired by the Beat Generation, and American involvement in the Vietnam War. From around 1967, its fundamental ethos — including harmony with nature, communal living, artistic experimentation particularly in music, sexual experimentation, and the widespread use of recreational drugs — spread around the world during the counterculture of the 1960s and 1970s, which has become closely associated with the subculture.

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1970s in the context of Psychedelic art

Psychedelic art (also known as psychedelia) is art, graphics or visual displays related to or inspired by psychedelic experiences and hallucinations known to follow the ingestion of psychedelic drugs such as LSD, psilocybin, and DMT. Coined by British psychologist Humphry Osmond, the term "psychedelic" means "mind revealing". By that definition, all artistic efforts to depict the inner world of the psyche may be considered "psychedelic".

In common parlance "psychedelic art" refers above all to the art movement of the late 1960s counterculture and early 1970s counterculture. Featuring highly distorted or surreal visuals, bright colors and full spectrums and animation (including cartoons) to evoke, convey, or enhance psychedelic experiences.

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