Émile Zola in the context of "Alfred Dreyfus"

Johan August Strindberg (/ˈstrɪn(d)bɜːrɡ/; Swedish: [ˈǒːɡɵst ˈstrɪ̂nːdbærj] ; 22 January 1849 – 14 May 1912) was a Swedish playwright, novelist, poet, essayist, and painter. A prolific writer who often drew directly on his personal experience, Strindberg wrote more than 60 plays and more than 30 works of fiction, autobiography, history, cultural analysis, and politics during his career, which spanned four decades. A bold experimenter and iconoclast throughout his life, he explored a wide range of dramatic methods and purposes, from naturalistic tragedy, monodrama, and historical plays to his anticipations of expressionist and surrealist dramatic techniques. From his earliest work, Strindberg developed innovative forms of dramatic action, language, and visual composition. He is considered the "father" of modern Swedish literature and his The Red Room (1879) has frequently been described as the first modern Swedish novel. In Sweden, Strindberg is known as an essayist, painter, poet, and especially novelist and playwright, but in other countries he is known mostly as a playwright.

The Royal Theatre rejected his first major play, Master Olof, in 1872; it was not until 1881, when he was thirty-two, that its première at the New Theatre gave him his theatrical breakthrough. In his plays The Father (1887), Miss Julie (1888), and Creditors (1889), he created naturalistic dramas that – building on the established accomplishments of Henrik Ibsen's prose problem plays while rejecting their use of the structure of the well-made play – responded to the call-to-arms of Émile Zola's manifesto "Naturalism in the Theatre" (1881) and the example set by André Antoine's newly established Théâtre Libre (opened 1887). In Miss Julie, characterisation replaces plot as the predominant dramatic element (in contrast to melodrama and the well-made play) and the determining role of heredity and the environment on the "vacillating, disintegrated" characters is emphasized. Strindberg modeled his short-lived Scandinavian Experimental Theatre (1889) in Copenhagen on Antoine's theatre and he explored the theory of Naturalism in his essays "On Psychic Murder" (1887), "On Modern Drama and the Modern Theatre" (1889), and a preface to Miss Julie, the last of which is probably the best-known statement of the principles of the theatrical movement.

An open letter is a letter that is intended to be read by a wide audience, or a letter intended for an individual, but that is nonetheless widely distributed intentionally.

Open letters usually take the form of a letter addressed to an individual but are provided to the public through newspapers and other media, such as a letter to the editor or blog. Critical open letters addressed to political leaders are especially common.

The Dreyfus affair (French: affaire Dreyfus, pronounced [afɛːʁ dʁɛfys]) was a political scandal that divided the Third French Republic from 1894 until its resolution in 1906. The scandal began in December 1894 when Captain Alfred Dreyfus, a 35-year-old Alsatian French artillery officer of Jewish descent, was wrongfully convicted of treason for communicating French military secrets to the German Embassy in Paris. He was sentenced to life imprisonment and sent overseas to the penal colony on Devil's Island in French Guiana, where he spent the following five years imprisoned in very harsh conditions.

In 1896, evidence came to light—primarily through the investigations of Lieutenant Colonel Georges Picquart, head of counter-espionage—that identified the real culprit as a French Army major named Ferdinand Walsin Esterhazy. High-ranking military officials suppressed the new evidence, and a military court unanimously acquitted Esterhazy after a trial lasting only two days. The Army laid additional charges against Dreyfus, based on forged documents. Subsequently, writer Émile Zola's open letter "J'Accuse...!" in the newspaper L'Aurore stoked a growing movement of political support for Dreyfus, putting pressure on the government to reopen the case.

Naturalism is a literary movement beginning in the late nineteenth century, similar to literary realism in its rejection of Romanticism, but distinct in its embrace of determinism, detachment, scientific objectivism, and social commentary. Literary naturalism emphasizes observation and the scientific method in the fictional portrayal of reality. Naturalism includes detachment, in which the narrator maintains an impersonal tone and disinterested point of view; determinism, which is defined as the opposite of free will, in which a character's fate has been decided, even predetermined, by impersonal forces of nature beyond human control; and a sense that the universe itself is indifferent to human life. The novel would be an experiment where the author could discover and analyze the forces, or scientific laws, that influenced behavior, and these included emotion, heredity, and environment. The movement largely traces to the theories of French author Émile Zola.

"J'Accuse...!" (French pronunciation: [ʒakyz]; "I Accuse...!") is an open letter, written by Émile Zola in response to the events of the Dreyfus affair, that was published on 13 January 1898 in the newspaper L'Aurore. Zola addressed the president of France, Félix Faure, and accused his government of antisemitism and the unlawful jailing of Alfred Dreyfus, a French Army General Staff officer who was sentenced to lifelong penal servitude for espionage, and sent to the penal colony on Devil's Island in French Guiana. Zola pointed out judicial errors and lack of serious evidence during Dreyfus' trial. The letter was printed on the front page of the newspaper, and caused a stir in France and abroad. Zola was prosecuted for libel and found guilty on 23 February 1898. To avoid imprisonment, he fled to England, returning home in June 1899.

Other pamphlets proclaiming Dreyfus's innocence include Bernard Lazare's A Miscarriage of Justice: The Truth about the Dreyfus Affair (November 1896).As a result of the popularity of the letter, even in the English-speaking world, J'accuse! has become a common expression of outrage and accusation against someone powerful, whatever the merits of the accusation.

Honoré de Balzac (/ˈbæl.zæk/ BAL-zak, more commonly US: /ˈbɔːl.-/ BAWL-; French: [ɔnɔʁe d(ə) balzak]; born Honoré Balzac; 20 May 1799 – 18 August 1850) was a French novelist and playwright. The novel sequence La Comédie humaine, which presents a panorama of post-Napoleonic French life, is generally viewed as his magnum opus.

Owing to his keen observation of detail and unfiltered representation of society, Balzac is regarded as one of the founders of realism in European literature. He is renowned for his multi-faceted characters; even his lesser characters are complex, morally ambiguous and fully human. Inanimate objects are imbued with character as well; the city of Paris, a backdrop for much of his writing, takes on many human qualities. His writing influenced many famous writers, including the novelists Émile Zola, Charles Dickens, Marcel Proust, Gustave Flaubert, Henry James and Fyodor Dostoevsky, and filmmakers François Truffaut and Jacques Rivette. Many of Balzac's works have been made into films and continue to inspire other writers. James called him "really the father of us all."