Stream of consciousness in the context of "Modernist"

Samuel Barclay Beckett (/ˈbɛkɪt/ ; 13 April 1906 – 22 December 1989) was an Irish playwright, poet, novelist, and literary critic. Writing in both English and French, his literary and theatrical works feature bleak, impersonal, and tragicomic episodes of life, coupled with black comedy and literary nonsense. Beckett is widely regarded as one of the most influential and important writers of the 20th century, credited with transforming modern theatre. As a major figure of Irish literature, he is best known for his tragicomedy play Waiting for Godot (1953). For his foundational contribution to both literature and theatre, Beckett received the 1969 Nobel Prize in Literature, "for his writing, which—in new forms for the novel and drama—in the destitution of modern man acquires its elevation."

During his early career, Beckett worked as a literary critic and commentator, and in 1930 he took up a role as a lecturer in Dublin. He wrote his first novel Dream of Fair to Middling Women in 1932, which influenced many of his later works, but it was not published until after his death. Around this time, Beckett also began studying artistic expressions and art history, particularly of paintings displayed at the National Gallery of Ireland. He maintained a close friendship with Irish writer James Joyce throughout his life, and cited him as a major inspiration for his works. As a resident of Paris for most of his adult life, Beckett wrote in both French and English, sometimes under the pseudonym Andrew Belis. His later literary works, especially his plays, became increasingly austere and minimalistic as his career progressed, involving more aesthetic and linguistic experimentation, with techniques of stream of consciousness repetition and self-reference. During the Second World War, Beckett became a member of the French Resistance group Gloria SMH (Réseau Gloria) and was awarded the Croix de Guerre in 1949.

Modernism was an early 20th-century movement in literature, visual arts, performing arts, and music that emphasized experimentation, abstraction, and subjective experience. Philosophy, politics, architecture, and social issues were all aspects of this movement. Modernism centered around beliefs in a "growing alienation" from prevailing "morality, optimism, and convention" and a desire to change how "human beings in a society interact and live together".

The modernist movement emerged during the late 19th century in response to significant changes in Western culture, including secularization and the growing influence of science. It is characterized by a self-conscious rejection of tradition and the search for newer means of cultural expression. Modernism was influenced by widespread technological innovation, industrialization, and urbanization, as well as the cultural and geopolitical shifts that occurred after World War I. Artistic movements and techniques associated with modernism include abstract art, literary stream-of-consciousness, cinematic montage, musical atonality and twelve-tonality, modern dance, modernist architecture, and urban planning.

Adeline Virginia Woolf (/wʊlf/; née Stephen; 25 January 1882 – 28 March 1941) was an English writer and one of the most influential 20th-century modernist authors. She helped to pioneer the use of stream of consciousness narration as a literary device.

Virginia Woolf was born in South Kensington, London, into an affluent and intellectual family as the seventh child of Julia Prinsep Jackson and Leslie Stephen. She grew up in a blended household of eight children, including her sister, the painter Vanessa Bell. Educated at home in English classics and Victorian literature, Woolf later attended King’s College London, where she studied classics and history and encountered early advocates for women’s rights and education.

James Augustine Aloysius Joyce (born James Augusta Joyce; 2 February 1882 – 13 January 1941) was an Irish novelist, poet, and literary critic. He contributed to the modernist movement and is regarded among the most influential and important writers of the 20th century. Joyce's novel Ulysses (1922) is a landmark in which the episodes of Homer's Odyssey are paralleled in a variety of literary styles, particularly stream of consciousness. Other well-known works are the short-story collection Dubliners (1914) and the novels A Portrait of the Artist as a Young Man (1916) and Finnegans Wake (1939). His other writings include three books of poetry, a play, letters, and occasional journalism.

Born in Dublin into a middle-class family, Joyce attended the Jesuit Clongowes Wood College in County Kildare, then, briefly, the Christian Brothers–run O'Connell School. Despite the chaotic family life imposed by his father's unpredictable finances, he excelled at the Jesuit Belvedere College and graduated from University College Dublin in 1902. In 1904, he met his future wife, Nora Barnacle, and they moved to mainland Europe. He briefly worked in Pola (now in Croatia) and then moved to Trieste in Austria-Hungary, working as an English instructor. Except for an eight-month stay in Rome working as a correspondence clerk and three visits to Dublin, Joyce lived there until 1915. In Trieste, he published his book of poems Chamber Music and his short-story collection Dubliners, and began serially publishing A Portrait of the Artist as a Young Man in the English magazine The Egoist. During most of World War I, Joyce lived in Zurich, Switzerland, and worked on Ulysses. After the war, he briefly returned to Trieste and in 1920 moved to Paris, which was his primary residence until 1940.

Henry Valentine Miller (December 26, 1891 – June 7, 1980) was an American novelist, short story writer and essayist. He broke with existing literary forms and developed a new type of semi-autobiographical novel that blends character study, social criticism, philosophical reflection, stream of consciousness, explicit language, sex, surrealist free association, and mysticism. His most characteristic works of this kind are Tropic of Cancer, Black Spring, Tropic of Capricorn, and the trilogy The Rosy Crucifixion, which are based on his experiences in New York City and Paris, and all of which were banned in the United States until 1961. He also wrote travel memoirs and literary criticism and painted watercolors.

In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. Psychological realism is achieved with deep explorations and explanations of the mental states of the character's inner person, usually through narrative modes such as stream of consciousness and flashbacks.

Monty Python, also known as the Pythons, were a British comedy troupe formed in 1969 consisting of Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones and Michael Palin. The group initially came to prominence in the UK for the sketch comedy television series Monty Python's Flying Circus, which aired on the BBC from 1969 to 1974. Their work then developed into a larger collection that included live shows, films, albums, books, and musicals; their influence on comedy has been compared to the Beatles' influence on music. Their sketch show has been called "an important moment in the evolution of television comedy".

Monty Python's Flying Circus was loosely structured as a sketch show, but its innovative stream of consciousness approach and Gilliam's animation skills pushed the boundaries of what was acceptable in style and content. A self-contained comedy unit, the Pythons had creative control that allowed them to experiment with form and content, discarding rules of television comedy. They followed their television work by making the films Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983). Their influence on British comedy has been apparent for years, while it has coloured the work of the early editions of Saturday Night Live through to absurdist trends in television comedy.

"The Love Song of J. Alfred Prufrock" is the first professionally published poem by the American-born British poet T. S. Eliot (1888–1965). It relates the varying thoughts of its title character in a stream of consciousness. Eliot began writing it in February 1910, and it was first published in the June 1915 issue of Poetry: A Magazine of Verse at the instigation of his fellow American expatriate the poet Ezra Pound. It was later printed as part of a twelve-poem chapbook entitled Prufrock and Other Observations in 1917. At the time of its publication, the poem was considered outlandish, but it is now seen as heralding a paradigmatic shift in poetry from late-19th-century Romanticism and Georgian lyrics to Modernism.

Its structure was heavily influenced by Eliot's extensive reading of Dante Alighieri and makes several references to the Bible and other literary works—including William Shakespeare's plays Henry IV Part II, Twelfth Night and Hamlet; the works of Andrew Marvell, a 17th-century metaphysical poet; and the 19th-century French Symbolists. Eliot narrates the experience of Prufrock using the stream of consciousness technique developed by his fellow Modernist writers. The poem, described as a "drama of literary anguish", is a dramatic interior monologue of an urban man stricken with feelings of isolation and an incapability for decisive action that is said "to epitomize [the] frustration and impotence of the modern individual" and "represent thwarted desires and modern disillusionment".