İznik pottery in the context of "Ceramic glaze"

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⭐ Core Definition: İznik pottery

Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. The Ottoman Turkish motivation for creating İznik ware was to imitate the prestige and symbolic value of Chinese porcelain, not its specific decorative designs. While their conceptual origin lies in Chinese blue-and-white porcelain, their decorative design is a distinct Ottoman adaptation of the International Timurid style. This adaptation is marked by a transformation from the prototype's languid quality to a more forceful and contained design, distinguished by its intensity and three-dimensional feel. Technologically, these wares are unique, differing from the methods used for contemporary Iranian pottery and Ottoman architectural tilework. This distinct manufacturing process is thought to be an invention of Anatolian potters.

İznik was an established centre for the production of simple earthenware pottery with an underglaze decoration when, in the last quarter of the 15th century, craftsmen in the town began to manufacture high quality pottery with a fritware body painted with cobalt blue under a colourless transparent lead glaze. The change was almost certainly a result of active intervention and patronage by the recently established Ottoman court in Istanbul who greatly valued Chinese blue-and-white porcelain.

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İznik pottery in the context of Ceramic art

Ceramic art is art made from ceramic materials, including clay that serves as a cultural, professional, and historical representation of individuals and groups across centuries of art. It may take varied forms, such as artistic pottery, tableware, tiles, figurines and other sculpture. As one of the plastic arts, ceramic art is a visual art. While some ceramics are considered fine art, such as pottery or sculpture, most are considered to be decorative, industrial or applied art objects. Ceramic art can be created by one person or by a group, in a pottery or a ceramic factory.

In Britain and the United States, modern ceramics as an art took its inspiration in the early twentieth century from the Arts and Crafts movement, leading to the revival of pottery considered as a specifically modern craft. Such crafts emphasized traditional non-industrial production techniques, faithfulness to the material, the skills of the individual maker, attention to utility, and an absence of excessive decoration that was typical to the Victorian era.

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İznik pottery in the context of Fritware

Fritware, also known as stone-paste, is a type of pottery in which ground glass (frit) is added to clay to reduce its fusion temperature. The mixture may include quartz or other siliceous material. An organic compound such as gum or glue may be added for binding. The resulting mixture can be fired at a lower temperature than clay alone. A glaze is then applied on the surface.

Fritware was invented to give a strong white body, which, combined with tin-glazing of the surface, allowed it to approximate the result of Chinese porcelain. Porcelain was not manufactured in the Islamic world until modern times, and most fine Islamic pottery was made of fritware. Frit was also a significant component in some early European porcelains.

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