Art Institute of Chicago in the context of "İznik pottery"

Landscape with Saint John on Patmos (French: Paysage avec saint Jean à Patmos) is a 1640 neoclassical painting by Nicolas Poussin, now in the Art Institute of Chicago. The painting features Saint John, banished to Patmos, writing the Book of Revelation amidst a classical landscape background.

Eurydice (/jʊəˈrɪdɪsiː/ ; Ancient Greek: Εὐρυδίκη 'wide justice', classical pronunciation: [eu̯.ry.dí.kɛː]) was a character in Greek mythology and the wife of Orpheus, whom Orpheus tried to bring back from the dead with his enchanting music.

Grant Park is a large urban park in the Loop community area of Chicago, Illinois. Located within the city's central business district, the 319-acre (1.29 km) park's features include Millennium Park, Buckingham Fountain, the Art Institute of Chicago, and the Museum Campus.

Originally known as Lake Park, and dating from the city's founding, it was renamed in 1901 to honor U.S. president Ulysses S. Grant. The park's area has been expanded several times through land reclamation, and was the focus of several disputes in the late 19th century and early 20th century over open space use. It is bordered on the north by Randolph Street, on the south by Roosevelt Road and McFetridge Drive, on the west by Michigan Avenue and on the east by Lake Michigan. The park contains performance venues, gardens, art work, sporting, and harbor facilities. It hosts public gatherings and several large annual events.

The Art Institute of Chicago Building (initial 1893 main-structure built as the World's Congress Auxiliary Building) houses the Art Institute of Chicago, and is part of the Chicago Landmark Historic Michigan Boulevard District in the Loop community area of Chicago, Illinois. The building is located in Grant Park on the east side of Michigan Avenue, and marks the third address for the Art Institute. The main building was built for the joint purpose of providing an additional facility for the 1893 World's Columbian Exposition, and subsequently the Art Institute. The core of the current complex, located opposite Adams Street, officially opened to the public on December 8, 1893, and was renamed the Allerton Building in 1968.

There have been numerous building additions over the years, as the museum has built over the sunken former Illinois Central line and further into the park. The most recent addition is the Modern Wing funded in part by Pat Ryan. This new building increases gallery space by 33% and accommodates new educational facilities. It opened to the public on May 16, 2009.

A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat's most famous work. A leading example of pointillist technique, executed on a large canvas, it is a founding work of the neo-impressionist movement. Seurat's composition includes a number of Parisians at a park on the banks of the River Seine. It is held in the collection of the Art Institute of Chicago.

The Old Guitarist is an oil painting by Pablo Picasso, which he created in late 1903 and early 1904. It depicts an elderly musician, a haggard man with threadbare clothing, who is hunched over his guitar while playing in the streets of Barcelona, Spain. It is on display at the Art Institute of Chicago as part of the Helen Birch Bartlett Memorial Collection.

At the time of The Old Guitarist's creation, Modernism, Impressionism, Post-Impressionism, and Symbolism had greatly influenced Picasso's style. Furthermore, El Greco, Picasso's poor standard of living, and the suicide of a dear friend influenced Picasso's style at the time which came to be known as his Blue Period. Several x-rays, infrared images and examinations by curators revealed three different figures hidden behind the old guitarist.

Nighthawks is a 1942 oil on canvas painting by the American artist Edward Hopper that portrays four people in a downtown diner late at night as viewed through the diner's large glass window. The light coming from the diner illuminates a darkened and deserted urban streetscape.

The painting has been described as Hopper's best-known work and is one of the most recognizable paintings in American art. Classified as part of the American Realism movement, within months of its completion, it was sold to the Art Institute of Chicago for $3,000 (equivalent to $57,730 in 2024).