El Greco in the context of "The Old Guitarist"

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⭐ Core Definition: El Greco

Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), most widely known as El Greco (Spanish pronunciation: [el ˈɡɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance, regarded as one of the greatest artists of all time. El Greco was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters often adding the word Κρής (Krḗs), which means "Cretan" in Ancient Greek.

El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done. In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tintoretto and Titian. In 1577, he moved to Toledo, Spain, where he lived and worked until his death. In Toledo, El Greco received several major commissions and produced his best-known paintings, such as View of Toledo and Opening of the Fifth Seal.

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El Greco in the context of Crown of Thorns

According to the New Testament, a woven crown of thorns (Ancient Greek: στέφανος ἐξ ἀκανθῶν, romanizedstephanos ex akanthōn or ἀκάνθινος στέφανος, akanthinos stephanos) was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew (Matthew 27:29), Mark (Mark 15:17) and John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter.

Since around 400 AD, a relic has been venerated as the crown of thorns. Louis IX acquired it in 1239 from the emperor Baldwin Il, who was financially in debt due to heavy military expenses. Louis IX built the Sainte-Chapelle as a monumental reliquary to house the relic. Transferred to the French National Library during the Revolution of the 18th century, the crown of thorns has been displayed at Notre-Dame de Paris since 1804. The crown is made of reeds, formed into a circle and attached with reed fasteners. On 15 April 2019, it was rescued from a fire and moved to the Louvre Museum. In December of 2024, a ceremony marking the relic's return to Notre Dame Cathedral was led by a procession attended by members of the Equestrian Order of the Holy Sepulchre. Veneration of the crown of thorns takes place every first Friday of the month from 3 pm to 5 pm.

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El Greco in the context of Spanish Golden Age

The Spanish Golden Age (Spanish: Siglo de Oro Spanish pronunciation: [ˈsiɣlo ðe ˈoɾo], "Golden Century") was a period that coincided with the political rise of the Catholic Monarchs of Spain and the Spanish Habsburgs, during which arts and literature flourished in Spain. It is associated with the reigns of Isabella I, Ferdinand II, Charles V, Philip II, Philip III, and Philip IV. The Golden Age is generally considered to begin in 1492, marked by the end of the Reconquista, Christopher Columbus’s voyages, and the publication of Antonio de Nebrija's Grammar of the Castilian Language. It ended around 1659 with the Treaty of the Pyrenees, though some extend it to 1681, after the death of Pedro Calderón de la Barca.

The period of cultural flourishing saw major patrons, with El Escorial attracting leading artists including El Greco, contributing to a distinct Spanish style, and also includes the Plateresque/Renaissance and early Spanish Baroque styles, with major figures like Miguel de Cervantes, Lope de Vega, Luis de Góngora, Diego Velázquez, and composers such as Tomás Luis de Victoria and Francisco Guerrero.

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El Greco in the context of Prado Museum

The Museo del Prado (/ˈprɑːd/ PRAH-doh; Spanish pronunciation: [muˈseo ðel ˈpɾaðo]), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.

The collection currently comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures, in addition to many other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the main buildings, while around 3,100 works were on temporary loan to various museums and official institutions. The remainder were in storage.

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El Greco in the context of Cleansing of the Temple

In all four canonical gospels of the Christian New Testament, the cleansing of the Temple narrative tells of Jesus expelling the merchants and the money changers from the Temple in Jerusalem.

In this account Jesus and his disciples travel to Jerusalem for Passover, where Jesus expels the merchants and consumers from the temple, accusing them of turning it into "a den of thieves" (in the synoptic Gospels) and "a market" (in the Gospel of John) through their commercial activities.

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El Greco in the context of Religious order (Catholic)

In the Catholic Church, a religious order is a community of consecrated life with members who profess solemn vows. They are classed as a type of religious institute.

Subcategories of religious orders are:

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El Greco in the context of Mosaic Law

The Law of Moses (Hebrew: תֹּורַת מֹשֶׁה Torat Moshe), also called the Mosaic Law, is the law said to have been revealed to Moses by God. The term primarily refers to the Torah or the first five books of the Hebrew Bible.

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