Zosimus of Panopolis in the context of "Magnum opus (alchemy)"

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⭐ Core Definition: Zosimus of Panopolis

Zosimos of Panopolis (Greek: Ζώσιμος ὁ Πανοπολίτης; also known by the Latin name Zosimus Alchemista, i.e. "Zosimus the Alchemist") was an alchemist and Gnostic mystic. He was born in Panopolis (present day Akhmim, in the south of Roman Egypt), and likely flourished ca. 300 AD. He wrote the oldest known books on alchemy, which he called "Cheirokmeta," using the Greek word for "things made by hand." Pieces of this work survive in the original Greek language and in translations into Syriac or Arabic. He is one of about 40 authors represented in a compendium of alchemical writings that was probably put together in Constantinople in the 7th or 8th century AD, copies of which exist in manuscripts in Venice and Paris. His fellow Egyptian alchemist Stephen of Alexandria is another.

Arabic translations of texts by Zosimos were discovered in 1995 in a copy of the book Keys of Mercy and Secrets of Wisdom by Ibn Al-Hassan Ibn Ali Al-Tughra'i', a Persian alchemist. The translations were incomplete and seemingly non-verbatim. The famous index of Arabic books, Kitab al-Fihrist by Ibn Al-Nadim, mentions earlier translations of four books by Zosimos, but due to inconsistency in transliteration, these texts were attributed to names "Thosimos", "Dosimos" and "Rimos"; also it is possible that two of them are translations of the same book.Fuat Sezgin, a historian of Islamic science, found 15 manuscripts of Zosimos in six libraries, at Tehran, Cairo, Istanbul, Gotha, Dublin and Rampur. Michèle Mertens analyzed what is known about those manuscripts in her translation of Zosimos, concluding that the Arabic tradition seems extremely rich and promising, and regretting the difficulty of access to these materials until translated editions are available.

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👉 Zosimus of Panopolis in the context of Magnum opus (alchemy)

In alchemy, the Magnum Opus or Great Work is a term for the process of working with the prima materia to create the philosopher's stone. It has been used to describe personal and spiritual transmutation in the Hermetic tradition, attached to laboratory processes and chemical color changes, used as a model for the individuation process, and as a device in art and literature. The magnum opus has been carried forward in New Age and neo-Hermetic movements which sometimes attached new symbolism and significance to the processes. The original process philosophy has four stages:

  • nigredo, the blackening or melanosis
  • albedo, the whitening or leucosis
  • citrinitas, the yellowing or xanthosis
  • rubedo, the reddening, purpling, or iosis

The origin of these four phases can be traced at least as far back as the first century. Zosimus of Panopolis wrote that it was known to Mary the Jewess. The development of black, white, yellow, and red can also be found in the Physika kai Mystika of Pseudo-Democritus, which is often considered to be one of the oldest books on alchemy. After the 15th century, many writers tended to compress citrinitas into rubedo and consider only three stages. Other color stages are sometimes mentioned, most notably the cauda pavonis (peacock's tail) in which an array of colors appear.

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Zosimus of Panopolis in the context of Chrysopoeia

In alchemy, the term chrysopoeia (from Ancient Greek χρυσοποιία (khrusopoiía) 'gold-making') refers to the artificial production of gold, most commonly by the alleged transmutation of base metals such as lead.

A related term is argyropoeia (from Ancient Greek ἀργυροποιία (arguropoiía) 'silver-making'), referring to the artificial production of silver, often by transmuting copper. Although alchemists pursued many different goals, the making of gold and silver remained one of the defining ambitions of alchemy throughout its history, from Zosimus of Panopolis (c. 300) to Robert Boyle (1627–1691).

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