Zarathustra in the context of Plato


Zarathustra in the context of Plato

⭐ Core Definition: Zarathustra

Zarathushtra Spitama, more commonly known as Zoroaster or Zarathustra, was an Iranian religious reformer who challenged the tenets of the contemporary Ancient Iranian religion, becoming the spiritual founder of Zoroastrianism. In the oldest Zoroastrian scriptures, the Gathas, which he is traditionally believed to have authored, he is described as a preacher and a poet-prophet. Some have claimed, with much scholarly controversy, to find his influence in Heraclitus, Plato, Pythagoras, and, perhaps less controversially, in the Abrahamic religions, including Judaism, Christianity, and Islam, particularly through concepts of cosmic dualism and personal morality.

He spoke an Eastern Iranian language, named Avestan by scholars after the corpus of Zoroastrian religious texts written in that language. Based on this, it is tentative to place his homeland somewhere in the eastern regions of Greater Iran (perhaps in modern-day Afghanistan or Tajikistan), but his exact birthplace is uncertain. His life is traditionally dated to sometime around the 7th and 6th centuries BC; though most scholars, using linguistic and socio-cultural evidence, suggest a dating to somewhere in the second millennium BC.

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Zarathustra in the context of The School of Athens

The School of Athens (Italian: Scuola di Atene) is a fresco by the Italian Renaissance artist Raphael. It was painted between 1509 and 1511 as part of a commission by Pope Julius II to decorate the rooms now called the Stanze di Raffaello in the Apostolic Palace in Vatican City.

The fresco depicts a congregation of ancient mathematicians, philosophers, and scientists, with Plato and Aristotle featured in the center. The identities of most figures are ambiguous or discernable only through subtle details or allusions; among those commonly identified are Socrates, Pythagoras, Archimedes, Heraclitus, Averroes, and Zarathustra. Additionally, Italian artists Leonardo da Vinci and Michelangelo are believed to be portrayed through Plato and Heraclitus, respectively. Raphael included a self-portrait beside Ptolemy. Hypatia is the only notable character who is looking directly at the viewer in the artwork.

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Zarathustra in the context of Iranian philosophy

Iranian philosophy (Persian: فلسفه ایرانی) or Persian philosophy can be traced back as far as to Old Iranian philosophical traditions and thoughts which originated in ancient Indo-Iranian roots and were considerably influenced by Zarathustra's teachings. According to the Oxford Dictionary of Philosophy, the chronology of the subject and science of philosophy starts with the Indo-Iranians, dating this event to 1500 BC. The Oxford dictionary also states, "Zarathustra's philosophy entered to influence Western tradition through Judaism, and therefore on Middle Platonism."

Throughout Iranian history and due to remarkable political and social changes such as the Arab and Mongol invasions of Persia, a wide spectrum of schools of thoughts showed a variety of views on philosophical questions extending from Old Iranian and mainly Zoroastrianism-related traditions, to schools appearing in the late pre-Islamic era such as Manicheism and Mazdakism as well as various post-Islamic schools. Iranian philosophy after the Muslim conquest of Persia, is characterized by different interactions with the Old Iranian philosophy, the Greek philosophy and with the development of Islamic philosophy. The Illumination School and the Transcendent Philosophy are regarded as two of the main philosophical traditions of that era in Persia.

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Zarathustra in the context of Airyanem Vaejah

Airyanem Vaejah (Avestan: 𐬀𐬌𐬭𐬌𐬌𐬀𐬥𐬆𐬨⸱𐬬𐬀𐬉𐬘𐬀𐬵, romanized: airiianəm vaējah; Middle Persian: Ērān-wēz; Persian: Irānwēj; Parthian: Aryānwēžan, 'the Arya Expanse') is considered in Zoroastrianism to be the homeland of the early Iranians and the place where Zarathustra received the religion from Ahura Mazda. The Avesta also names it as the first of the "sixteen perfect lands" that Ahura Mazda created for the Iranians.

Based on these descriptions, modern scholarship initially focused on Airyanem Vaejah in an attempt to determine the homeland of the Iranians or Indo-Iranians in general. Among these early attempts, the region of Khwarezm emerged as a likely locale. More recent scholarship, however, no longer agrees as to where Airyanem Vaejah might have been located or to what extent it is a mythological rather than a specific historical place.

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