Yerma in the context of "Federico García Lorca"

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👉 Yerma in the context of Federico García Lorca

Federico del Sagrado Corazón de Jesús García Lorca (5 June 1898 – 19 August 1936) was a Spanish poet, playwright, and theatre director. García Lorca achieved international recognition as an emblematic member of the Generation of '27, a group consisting mostly of poets who introduced the tenets of European movements (such as symbolism, futurism, and surrealism) into Spanish literature.

He initially rose to fame with Romancero gitano (Gypsy Ballads, 1928), a book of poems depicting life in his native Andalusia. His poetry incorporated traditional Andalusian motifs and avant-garde styles. After a sojourn in New York City from 1929 to 1930—documented posthumously in Poeta en Nueva York (Poet in New York, 1942)—he returned to Spain and wrote his best-known plays, Blood Wedding (1932), Yerma (1934), and The House of Bernarda Alba (1936).

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Yerma in the context of Frank Langella

Frank Alexander Langella Jr. (/lænˈɛlə/; born January 1, 1938) is an American actor. He eschewed the career of a traditional film star by making the stage the focal point of his career, appearing frequently on Broadway. He has received numerous accolades, including four Tony Awards and a Screen Actors Guild Award, in addition to nominations for an Academy Award, a BAFTA Award, a Primetime Emmy Award, and two Golden Globes.

Langella made his Broadway debut in the 1966 play Yerma. He since established himself as Broadway star winning four Tony Awards, his first two for Best Featured Actor in a Play playing intellectual lizard in Edward Albee's Seascape (1975), and a wealthy and cruel landowner in Ivan Turgenev's Fortune's Fool (2002) and Best Actor in a Play for his roles as Richard Nixon in Peter Morgan's Frost/Nixon (2007), an elderly man suffering from Alzheimers in Florian Zeller's The Father (2016). He was also Tony-nominated for Dracula (1978), Match (2004), and Man and Boy (2012).

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