Yayue in the context of "Aak"

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⭐ Core Definition: Yayue

Yayue (Chinese: 雅樂; lit. 'elegant music') was a form of classical music and dance performed at the royal court and temples in ancient China. The basic conventions of yayue were established in the Western Zhou. Together with law and rites, it formed the formal representation of aristocratic political power.

The word ya () was used during the Zhou dynasty to refer to a form of song-texts used in court and collected in Shijing. The term yayue itself appeared in Confucius's Analects, where yayue was considered by Confucius to be the kind of music that is good and beneficial, in contrast to the popular music originated from the state of Zheng which he judged to be decadent and corrupting. Yayue is therefore regarded in the Confucian system as the proper form of music that is refined, improving, and essential for self-cultivation, and one that can symbolize good and stable governance. It means the kind of solemn ceremonial music used in court, as well as ritual music in temples including those used in Confucian rites. In a broader sense, yayue can also mean a form of Chinese music that is distinguishable from the popular form of music termed suyue (俗樂) or "uncultivated music", and can therefore also include music of the literati such as qin music.

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👉 Yayue in the context of Aak

Aak (Korean아악; Hanja雅樂; Korean pronunciation: [a.ak̚]) is a genre of Korean court music. It is an imported form of the Chinese court music yayue, and means "elegant music". Aak was performed almost exclusively in state sacrificial rites, and in the present day it is performed in certain Confucian ceremonies.

Aak in Korea was facilitated and adapted through the gifting of instruments from a Chinese emperor to Korea in the 12th century. Due to Japanese occupation in the 20th century, performances of aak were limited to The Sacrifice to Confucius and The Sacrifice to Royal Ancestors.

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Yayue in the context of Korean court music

Korean court music (Korean궁중음악; Hanja宮中音樂) comprises three main musical genres: aak, an imported form of Chinese ritual music; a pure Korean form called hyangak; and a combination of Chinese and Korean styles called dangak.

Korean court music and its historical origins can be traced back to the Three Kingdoms Period (57 BCE–668), the Unified Silla (668–935), Goryeo (918–1392) and Joseon dynasties (1392–1910). It was partly modelled on the court music of China, known as yayue. Korean court music also shows similarities with the court music of Japan, known as gagaku and of Vietnam, known as nhã nhạc, which also are also derivative of yayue.

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Yayue in the context of History of Chinese dance

Dance in China has a long recorded history. Depictions of dancing in China appeared over 4,000 years ago. The early dances may be folk dances or ritual dances, some of which developed into court dances. The most important of the early dances served important ritual and ceremonial roles and are known as yayue, which continued to be performed at the imperial court until the Qing dynasty. A profusion of dances in popular and court entertainment as well as folk dances have been recorded in ancient texts. The art of dance in China reached a peak during the Tang dynasty (618–907 CE) when numerous dances were recorded. Dancing as an individual art form declined in the later eras when dances become incorporated into operas and female dancing also declined when footbinding became more prevalent. In more recent times dance has enjoyed a resurgence, and it is widely performed by the public and professionals alike.

There are continuous written records of Chinese dances for over two thousands years. Some forms of dancing are still performed today, for example, dancing with long sleeves has been recorded at least as early as the Zhou dynasty (c. 1045–256 BCE). Some of the best-known Chinese dances, such as the Lion dance, can also be traced to the Tang dynasty or earlier, while others may have existed in different forms in the early eras, and many were known from at least the Song era. While many Chinese dances have ancient pedigree, dance is also a continually evolving art form and modern developments in Chinese dances are continuing apace.

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