In Chinese philosophy, wuji (simplified Chinese: 无极; traditional Chinese: 無極; lit. 'without roof/ridgepole', meaning 'without limit') originally referred to infinity. In Neo-Confucian cosmology, it came to mean the "primordial universe" prior to the "Supreme Ultimate" state of being.
___Zhou_Dunyi_q.jpg)
>>>PUT SHARE BUTTONS HERE<<<
👉 Wuji (philosophy) in the context of Zhou Dunyi
Zhou Dunyi (Chinese: 周敦頤; Wade–Giles: Chou Tun-i; 1017–1073) was a Chinese cosmologist, philosopher, and writer during the Song dynasty. He conceptualized the Neo-Confucian cosmology of the day, explaining the relationship between human conduct and universal forces. In this way, he emphasizes that humans can master their qi ("spirit") in order to accord with nature. He was a major influence to Zhu Xi, who was the architect of Neo-Confucianism. Zhou Dunyi was mainly concerned with Taiji (supreme polarity) and Wuji (limitless potential), the yin and yang, and the wu xing (the five phases).
In this Dossier
Wuji (philosophy) in the context of The Void (philosophy)
The concept of "The Void" in philosophy encompasses the ideas of nothingness and emptiness, a notion that has been interpreted and debated across various schools of metaphysics. In ancient Greek philosophy, the Void was discussed by thinkers like Democritus, who saw it as a necessary space for atoms to move, thereby enabling the existence of matter. Contrasting this, Aristotle famously denied the existence of a true Void, arguing that nature inherently avoids a vacuum.
In Eastern philosophical traditions, the Void takes on significant spiritual and metaphysical meanings. In Buddhism, Śūnyatā refers to the emptiness inherent in all things, a fundamental concept in understanding the nature of reality. In Taoism, the Void is represented by Wuji, the undifferentiated state from which all existence emerges, embodying both the potential for creation and the absence of form.
Wuji (philosophy) in the context of Taijitu
In Chinese philosophy, a taijitu (Chinese: 太極圖; pinyin: tàijítú; Wade–Giles: tʻai⁴chi²tʻu²) is a symbol or diagram (圖; tú) representing taiji (太極; tàijí; 'utmost extreme') in both its monist (wuji) and its dualist (yin and yang) forms. A taijitu in application provides a deductive and inductive theoretical model. Such a diagram was first introduced by Neo-Confucian philosopher Zhou Dunyi of the Song Dynasty in his Taijitu shuo (太極圖說).
The Fourth Daozang, a Taoist canon compiled in the 1440s CE during the Ming dynasty,has at least half a dozen variants of the taijitu. The two most similar are the Taiji Xiantiandao and wujitu (無極圖; wújítú) diagrams, both of which have been extensively studied since the Qing period for their possible connection with Zhou Dunyi's taijitu.