Wood carving in the context of "Tracery"

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⭐ Core Definition: Wood carving

Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.

The making of sculpture in wood has been extremely widely practised, but does not survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and other regions. Wood is light and can take very fine detail so it is highly suitable for masks and other sculpture intended to be worn or carried. It is also much easier to work on than stone and can be carved more thinly and precisely due to its fibrous strength.

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Wood carving in the context of Relief carving

In wood carving, relief carving is a type in which figures or patterns are carved in a flat panel of wood; the same term is also used for carving in stone, ivory carving and various other materials. The figures project only slightly from the background rather than standing freely. Depending on the degree of projection, reliefs may also be classified as high or medium relief.

Relief carving can be described as "carving pictures in wood". The process of relief carving involves removing wood from a flat wood panel in such a way that an object appears to rise out of the wood. Relief carving begins with a design idea, usually put to paper in the form of a master pattern which is then transferred to the wood surface. Most relief carving is done with hand tools, chisels and gouges, which often require a mallet to drive them through the wood.

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Wood carving in the context of Triptych

A triptych (/ˈtrɪptɪk/ TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and flanked by two smaller related works, although there are triptychs of equal-sized panels. The form can also be used for pendant jewelry.

Beyond its usual meaning in the visual arts, the term is sometimes used as a title or descriptive term in other arts media such as music or the performing arts for works with three parts.

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Wood carving in the context of Culture of Iceland

The culture of Iceland is largely characterized by its literary heritage that began during the 12th century but also traditional arts such as weaving, silversmithing, and wood carving. The Reykjavík area hosts several professional theaters, art galleries, bookstores, cinemas and museums. There are four active folk dance ensembles in Iceland. Iceland's literacy rate is among the highest in the world.

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Wood carving in the context of Pocketknife

A pocketknife (also spelled as pocket knife) is a knife with one or more blades that fold into the handle. It is also known as a jackknife, or a folding knife. It may be referred to as a penknife, though a penknife may also be a specific kind of pocketknife. A typical blade length is 5 to 15 centimetres (2 to 6 in).

Pocketknives are versatile tools, and may be used for anything from whittling and woodcarving, to butchering small game, gutting and filleting small fish, aiding in the preparation of tinder and kindling for fires, boring holes in soft material, to opening an envelope, cutting twine, slicing fruits and vegetables or as a means of self-defense.

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Wood carving in the context of Aboriginal art

Indigenous Australian art includes art made by Aboriginal Australians and Torres Strait Islanders, including collaborations with others. It includes works in a wide range of media including painting on leaves, bark painting, wood carving, rock carving, watercolour painting, sculpting, ceremonial clothing and sandpainting. The traditional visual symbols vary widely among the differing peoples' traditions, despite the common mistaken perception that dot painting is representative of all Aboriginal art.

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Wood carving in the context of Hida Minzoku Mura Folk Village

Hida Folk Village, Hida no Sato (飛騨民俗村, 飛騨の里, Hida Minzoku Mura, Hida no Sato) is an open-air museum of close to 30 old farmhouses illustrating the traditional architectural styles of the mountainous regions of Japan. Of particular interest are the thatched and shingled roofs, such as the gasshō-zukuri-styled buildings. Many of the buildings were brought from their original sites to preserve them. The village is picturesquely situated on a hillside overlooking the Takayama Valley and surrounding a large pond. It is in the city of Takayama, Gifu Prefecture, Japan, about 2.5 km (1.6 mi) southwest of the train station.

The structures range from 100 to 500 years in age. Many are open to perusal and are filled with artifacts from their respective periods, including spindles, silk worm raising artifacts, cooking utensils, and clothing. There is a workshop illustrating how many of Japan's famous handicrafts are made, including wood carving, tie-dyeing, weaving, and lacquer work. Sometimes it is referred to as "the village hidden in the leaf".

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Wood carving in the context of Woodworking

Woodworking is the skill of making items from wood, and includes cabinetry, furniture making, wood carving, joinery, carpentry, and woodturning.

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Wood carving in the context of Jayuya, Puerto Rico

Jayuya (Spanish pronunciation: [xaˈʝuʝa]) is a town and municipality of Puerto Rico located in the mountainous center region of the island, north of Ponce; east of Utuado; and west of Ciales. Jayuya is spread over 10 barrios and Jayuya Pueblo (the downtown and administrative center of the city). It is the principal city of the Jayuya Micropolitan Statistical Area.

Named after the Taíno tribal leader, Hayuya, Jayuya is known for its skilled wood carvers. Among its monuments are the statue of Nemesio Canales and the bust of Hayuya, both by the Puerto Rican sculptor Tomás Batista.

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Wood carving in the context of Sharpening stone

Sharpening stones, or whetstones, are used to sharpen the edges of steel tools such as knives through grinding and honing.

Such stones come in a wide range of shapes, sizes, and material compositions. They may be flat, for working flat edges, or shaped for more complex edges, such as those associated with some wood carving or woodturning tools. They may be composed of natural quarried material or from man-made material. They come in various grades, which refer to the grit size of the abrasive particles in the stone. (Grit size is given as a number, which indicates the spatial density of the particles; a higher number denotes a higher density and therefore smaller particles, which give a finer finish to the surface of the sharpened object.) Stones intended for use on a workbench are called bench stones, while small, portable ones, whose size makes it hard to draw large blades uniformly over them, especially "in the field", are called pocket stones.

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