African sculpture in the context of "Wood carving"

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⭐ Core Definition: African sculpture

Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas. Masks have been important elements in the cultural traditions of many peoples, along with human figures, often highly stylized. There is a vast variety of styles, often varying within the same context of origin and depending on the use of the object. Wider regional trends are apparent, and sculpture is most common among "groups of settled cultivators in the areas drained by the Niger and Congo rivers" in West Africa.

Direct images of African deities are relatively infrequent, but masks in particular are or were often made for traditional African religious ceremonies. Since the latter half of the 20th century, there are also several styles of modern African sculpture, while many sculptures are made for tourists. African masks were an influence on European Modernist art, which was inspired by their lack of concern for naturalistic depiction.

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👉 African sculpture in the context of Wood carving

Wood carving (or woodcarving) is a form of woodworking by means of a cutting tool (knife) in one hand or a chisel by two hands or with one hand on a chisel and one hand on a mallet, resulting in a wooden figure or figurine, or in the sculptural ornamentation of a wooden object. The phrase may also refer to the finished product, from individual sculptures to hand-worked mouldings composing part of a tracery.

The making of sculpture in wood has been extremely widely practised, but does not survive undamaged as well as the other main materials like stone and bronze, as it is vulnerable to decay, insect damage, and fire. Therefore, it forms an important hidden element in the art history of many cultures. Outdoor wood sculptures do not last long in most parts of the world, so it is still unknown how the totem pole tradition developed. Many of the most important sculptures of China and Japan, in particular, are in wood, and so are the great majority of African sculpture and that of Oceania and other regions. Wood is light and can take very fine detail so it is highly suitable for masks and other sculpture intended to be worn or carried. It is also much easier to work on than stone and can be carved more thinly and precisely due to its fibrous strength.

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African sculpture in the context of Picasso's African Period

Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian sculpture, and the art of Paul Cézanne and El Greco. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. Picasso collected and drew inspiration from African art during this period, but also for many years after it.

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African sculpture in the context of Yale University Art Gallery

The Yale University Art Gallery (YUAG) is an art museum in New Haven, Connecticut. It houses a major encyclopedic collection of art in several interconnected buildings on the campus of Yale University. Although it embraces all cultures and periods, the gallery emphasizes early Italian Renaissance painting, African sculpture, and modern art. It is the oldest university art museum in the Western Hemisphere.

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