William H. Mumler in the context of "Spirit photography"

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⭐ Core Definition: William H. Mumler

William H. Mumler (1832–1884) was an American spirit photographer who worked in New York City and Boston. His first spirit photograph was apparently an accident—a self-portrait which, when developed, also revealed the "spirit" of his deceased cousin. Mumler then left his job as an engraver to pursue spirit photography full-time, taking advantage of the large number of people who had lost relatives in the American Civil War. His two most famous images are the photograph of Mary Todd Lincoln with the ghost of her husband Abraham Lincoln and the portrait of Master Herrod, a medium, with three spirit guides. Mumler was eventually taken to court and tried for fraud and larceny. Noted showman P. T. Barnum testified against him. He was later acquitted by a judge, and his photography career continued.

Mumler's photographs are recognized as fakes but they circulated widely during the last quarter of the 19th century and were marketed as objects of belief and visual curiosities both within and beyond the spiritualist movement. He later discovered a process, called the "Mumler Process", by which photo-electrotype plates could be produced and printed more easily.

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👉 William H. Mumler in the context of Spirit photography

Spirit photography (also called ghost photography) is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. It dates back to the late 19th century. The end of the American Civil War and the mid-19th Century Spiritualism movement contributed greatly to the popularity of spirit photography. The omnipresence of death in the Victorian period created a desire for evidence of the afterlife, and those who partook in spirit photography oftentimes hoped to receive images that depicted the likeness of a deceased relative or loved one. Photographers such as William Mumler and William Hope ran thriving businesses taking photos of people with their supposed dead relatives. Both were shown to be frauds, but "true believers", such as Sir Arthur Conan Doyle, refused to accept the evidence as proof of a hoax.

As cameras became available to the general public, ghost photographs became common due to natural camera artifacts such as flash reflecting off dust particles, a camera strap or hair close to the lens, lens flare, pareidolia, or in modern times, deceptions using smart phone applications that add ghost images to existing photographs.

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William H. Mumler in the context of Ghost photograph

Spirit photography (also called ghost photography) is a type of photography whose primary goal is to capture images of ghosts and other spiritual entities, especially in ghost hunting. It dates back to the late 19th century. The end of the American Civil War and the mid-19th Century Spiritualism movement contributed greatly to the popularity of spirit photography. The omnipresence of death in the Victorian period created a desire for evidence of the afterlife, and those who partook in spirit photography oftentimes hoped to receive images that depicted the likeness of a deceased relative or loved one. Photographers such as William Mumler and William Hope ran thriving businesses taking photos of people with their supposed dead relatives. Both were accused of fraud, but "true believers", such as Sir Arthur Conan Doyle, refused to accept the evidence as proof of a hoax. Though taken to court, Mumler was eventually acquitted of all charges. They were never able to prove his methods.

As cameras became available to the general public, ghost photographs became common due to natural camera artifacts such as flash reflecting off dust particles, a camera strap or hair close to the lens, lens flare, pareidolia, or in modern times, deceptions using smart phone applications that add ghost images to existing photographs.

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