Weimar culture in the context of "Persecution of homosexuals in Nazi Germany"

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⭐ Core Definition: Weimar culture

Weimar culture was the emergence of the arts and sciences that happened in Germany during the Weimar Republic, the latter during that part of the interwar period between Germany's defeat in World War I in 1918 and Hitler's rise to power in 1933. 1920s Berlin was at the hectic center of the Weimar culture. Although not part of the Weimar Republic, German-speaking Austria, and particularly Vienna, is also sometimes included as part of Weimar culture.

Germany, and Berlin in particular, was fertile ground for intellectuals, artists, and innovators from many fields during the Weimar Republic years. The social environment was chaotic, and politics were passionate. German university faculties became universally open to Jewish scholars in 1918. Leading Jewish intellectuals on university faculties included physicist Albert Einstein; sociologists Karl Mannheim, Erich Fromm, Theodor Adorno, Max Horkheimer, and Herbert Marcuse; philosophers Ernst Cassirer and Edmund Husserl; political theorists Arthur Rosenberg and Gustav Meyer; and many others. Nine German citizens were awarded Nobel Prizes during the Weimar Republic, five of whom were Jewish scientists, including two in medicine. Jewish intellectuals and creative professionals were among the prominent figures in many areas of Weimar culture.

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👉 Weimar culture in the context of Persecution of homosexuals in Nazi Germany

Before 1933, male homosexual acts were illegal in Germany under Paragraph 175 of the German Criminal Code. The law was not consistently enforced, however, and a thriving gay culture existed in major German cities. After the Nazi takeover in 1933, the first homosexual movement's infrastructure of clubs, organizations, and publications was shut down. After the Röhm purge in 1934, persecuting homosexuals became a priority of the Nazi police state. A 1935 revision of Paragraph 175 made it easier to bring criminal charges for homosexual acts, leading to a large increase in arrests and convictions. Persecution peaked in the years prior to World War II and was extended to areas annexed by Germany, including Austria, the Czech lands, and Alsace–Lorraine.

The Nazi regime considered the elimination of all manifestations of homosexuality in Germany one of its goals, claiming it was a Jewish conspiracy to undermine the German people. Men were often arrested after denunciation, police raids, and through information uncovered during interrogations of other homosexuals. Those arrested were presumed guilty, and subjected to harsh interrogation and torture to elicit a confession. Between 1933 and 1945, an estimated 100,000 men were arrested as homosexuals; around 50,000 of these were sentenced by civilian courts, 6,400 to 7,000 by military courts [de], and an unknown number by special courts. Most of these men served time in regular prisons, and between 5,000 and 6,000 were imprisoned in concentration camps. The death rate of these prisoners has been estimated at 60 percent, a higher rate than those of other prisoner groups. A smaller number of men were sentenced to death or killed at Nazi euthanasia centres. Nazi Germany's persecution of homosexuals is considered to be the most severe episode in a long history of discrimination and violence targeting sexual minorities.

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Weimar culture in the context of Expressionism

Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaning of emotional experience rather than physical reality.

Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic, particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. Paris became a gathering place for a group of Expressionist artists, many of Jewish origin, dubbed the School of Paris. After World War II, figurative expressionism influenced artists and styles around the world.

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Weimar culture in the context of Paul Klee Notebooks

Paul Klee Notebooks is a two-volume work by the Swiss-born artist Paul Klee that collects his lectures at the Bauhaus schools in 1920s Germany and his other main essays on modern art. These works are considered so important for understanding modern art that they are compared to the importance that Leonardo's A Treatise on Painting had for Renaissance art. Herbert Read called the collection "the most complete presentation of the principles of design ever made by a modern artist – it constitutes the Principia Aesthetica of a new era of art, in which Klee occupies a position comparable to Newton's in the realm of physics."

The final work was edited by Swiss artist Jürg Spiller and Marcel Franciscono criticized Spiller's collection of Klee's notes as "extensive but drastically rearranged", and added that the lectures "are interspersed with later notes and in part rearranged. Despite Spiller's notation of their sources in Klee's manuscripts, it is not always possible to determine from his arrangement where a lecture leaves off and an interpolation begins."

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LINKED FROM (PARENTS)
← Expressionism ← Expressionist ← Persecution of homosexuals in Nazi Germany ← Paul Klee Notebooks
LINKS TO (CHILDREN)
Walter Gropius → Modern architecture → Weimar Republic → Interwar Period → 1920s Berlin → First Austrian Republic → Vienna → Albert Einstein → Karl Mannheim → Erich Fromm → Theodor Adorno → Max Horkheimer → Herbert Marcuse → Ernst Cassirer → Edmund Husserl → Arthur Rosenberg → Gustav Meyer → Nobel Prize →