Watercolours in the context of "Turner Bequest"

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⭐ Core Definition: Watercolours

Watercolor (American English) or watercolour (Commonwealth English; see spelling differences), also aquarelle (French: [akwaʁɛl]; from Italian diminutive of Latin aqua 'water'), is a painting method in which the paints are made of pigments suspended in a water-based solution. Watercolor refers to both the medium and the resulting artwork.

The conventional and most common support—material to which the paint is applied—for watercolor paintings is paper, usually special types of watercolor paper. Other supports or substrates include stone, ivory, silk, reed, papyrus, bark papers, plastics, vellum, leather, fabric, wood, and watercolor canvas (coated with a gesso that is specially formulated for use with watercolors). Watercolor paper is often made entirely or partially with cotton. This gives the surface the appropriate texture and minimizes distortion when wet. Watercolor papers are usually cold-pressed papers that provide better texture and appearance. Transparency is the main characteristic of watercolors. "It consists of a mixture of pigments, binders such as gum arabic and humectants such as glycerin, which together with other components, allow the color pigment to join and form the paint paste, which we know as watercolor. With regard to the colors, the quality of the pigments and their degree of concentration, it is what determines how good the watercolor is and also its price. A paint that has a high concentration of pigment, professional type, allows us to use it with a large amount of water without losing the intensity of color." Watercolors can also be made opaque by adding Chinese white. In the 19th century this could be controversial, and not regarded as "true watercolor" in the English tradition, but by about 1880 this dispute was over.

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👉 Watercolours in the context of Turner Bequest

The Turner Bequest was a large bequest by the British artist Joseph Mallord William Turner. It came into effect on Turner's death in December 1851 with the artist leaving all his artistic legacy still in his possession, including oil paintings, watercolours and sketches, to the nation.

Elected at the age of twenty seven to full membership Royal Academy of Arts in 1802, Turner was a strong supporter of both the Academy and the promotion of British art in general. While many of his works had been sold throughout his profitable career, Turner kept a large number of them in his own possession sometimes even buying them back from owners. Turner rejected a major offer for one of them to be placed on the newly-created National Gallery only to later gift it as part of the Bequest.

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Watercolours in the context of Royal Watercolour Society

The Royal Watercolour Society is a British institution of painters working in watercolours. The Society is a centre of excellence for water-based media on paper, which allows for a diverse and interesting range of approaches to the medium of watercolour. Its members, or associates, use the post-nominal initials RWS and ARWS (associate member). They are elected by the membership, with typically half a dozen new associates joining the Society each year.

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