War photography involves photographing armed conflict and its effects on people and places. Photographers who participate in this genre may find themselves placed in harm's way, and are sometimes killed trying to get their pictures out of the war arena.
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👉 War photography in the context of Documentary
A documentary film (often described simply as a documentary) is a nonfiction, motion picture intended to "document reality, primarily for instruction, education or maintaining a historical record". The American author and media analyst Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception [that remains] a practice without clear boundaries".
Research into information gathering, as a behavior, and the sharing of knowledge, as a concept, has noted how documentary movies were preceded by the notable practice of documentary photography. This has involved the use of singular photographs to detail the complex attributes of historical events and continues to a certain degree to this day, with an example being the conflict-related photography achieved by popular figures such as Mathew Brady during the American Civil War. Documentary movies evolved from the creation of singular images in order to convey particular types of information in depth, using film as a medium.
In this Dossier
War photography in the context of Felice Beato
Felice Beato (c. 1832 – 29 January 1909), also known as Felix Beato, was an Italian–British photographer. He was one of the first people to take photographs in East Asia and one of the first war photographers as well as a pioneer of travel photography. He is noted for his genre works, portraits, and views and panoramas of the architecture and landscapes of Asia and the Mediterranean region. Beato's travels gave him opportunities to create images of countries, people, and events unfamiliar and remote to most people in Europe and North America. His works provide images of such events as the Indian Rebellion of 1857 and the Second Opium War, and represent the first substantial body of photojournalism. He influenced other photographers; and his impact in Japan, where he taught and worked with numerous other photographers and artists, was particularly deep and lasting.
War photography in the context of Photojournalism
Photojournalism is journalism that uses images to tell a news story. It usually only refers to still images, but can also refer to video used in broadcast journalism. Photojournalism is distinguished from other close branches of photography (such as documentary photography, social documentary photography, war photography, street photography and celebrity photography) by having a rigid ethical framework which demands an honest and impartial approach that tells a story in strictly journalistic terms. Photojournalists contribute to the news media, and help communities connect with one other. They must be well-informed and knowledgeable, and are able to deliver news in a creative manner that is both informative and entertaining.
Similar to a writer, a photojournalist is a reporter, but they must often make decisions instantly and carry photographic equipment, often while exposed to significant obstacles, among them immediate physical danger, bad weather, large crowds, and limited physical access to their subjects.
War photography in the context of Mathew Brady
Mathew B. Brady (c. May 18, 1822 – January 15, 1896) was an American photographer. Known as one of the earliest and most famous photographers in American history, he is best known for his scenes of the American Civil War. He studied under inventor Samuel Morse, who pioneered the daguerreotype technique in America. Brady opened his own studio in New York City in 1844, and went on to photograph U.S. presidents John Quincy Adams, Abraham Lincoln, Millard Fillmore, Martin Van Buren, and other public figures.
When the Civil War began, Brady's use of a mobile studio and darkroom enabled thousands of vivid battlefield photographs to bring home the reality of war to the public. He also photographed generals and politicians on both sides of the conflict, though most of these were taken by his assistants rather than by Brady himself.
War photography in the context of Ernest Brooks (photographer)
Ernest Brooks (23 February 1876 – 1957) was a British photographer, best known for his war photography from the First World War. He was the first official photographer to be appointed by the British military, and produced several thousand images between 1915 and 1918, more than a tenth of all British official photographs taken during the war. His work was often posed and formal, but several of his less conventional images are marked by a distinctive use of silhouette. Before and immediately after the war he worked as an official photographer to the Royal Family, but was dismissed from this appointment and stripped of his official honours in 1925, for reasons that were not officially made public.