War memorial in the context of "Ville Haute"

⭐ In the context of Ville-Haute, a district of Luxembourg City, a prominent war memorial is considered


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⭐ Core Definition: War memorial

A war memorial is a building, monument, statue, or other edifice to celebrate a war or victory, or (predominating in modern times) to commemorate those who died or were injured in a war.

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👉 War memorial in the context of Ville Haute

The Ville-Haute (French pronunciation: [vil ot]; Luxembourgish: Uewerstad, pronounced [ˈuÌŻÉ™vɐʃtaːt] ; German: Oberstadt, pronounced [ˈoːbɐʃtat]; all lit. 'High City') is a district in central Luxembourg City, in southern Luxembourg. It is the historic center of Luxembourg City and is involved in its UNESCO World Heritage Site status. As of 31 December 2024, the Ville Haute has a population of 3,449 inhabitants.

The Ville Haute is home to prestigious squares, buildings and monuments such as Place Guillaume II, Place d'Armes, Notre-Dame Cathedral and Grand Ducal Palace, as well as many government institutions. The Gëlle Fra Monument of Remembrance war memorial is situated on Place de la Constitution.

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War memorial in the context of Church monument

Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living.

The deposit of objects with an apparent aesthetic intention is found in almost all cultures – Hindu culture, which has little, is a notable exception. Many of the best-known artistic creations of past cultures – from the Egyptian pyramids and the Tutankhamun treasure, to the Terracotta Army surrounding the tomb of Qin Shi Huang, the Mausoleum of Halicarnassus, the Sutton Hoo ship burial and the Taj Mahal – are tombs or objects found in and around them. In most instances, specialized funeral art was produced for the powerful and wealthy, although the burials of ordinary people might include simple monuments and grave goods, usually from their possessions.

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War memorial in the context of Tomb of the Unknown Soldier (Italy)

The Tomb of the Unknown Soldier (Italian: Tomba del Milite Ignoto) is a war memorial located in Rome under the statue of the goddess Roma at the Altare della Patria. It is a sacellum dedicated to the Italian soldiers killed and missing during war.

It is the scene of official ceremonies that take place annually on the occasion of the Italian Liberation Day (April 25), the Italian Republic Day (June 2) and the National Unity and Armed Forces Day (November 4), during which the President of the Italian Republic and the highest offices of the State pay homage to the shrine of the Unknown Soldier with the deposition of a laurel wreath in memory of the fallen and missing Italians in the wars.

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War memorial in the context of Gëlle Fra

49°36â€Č34″N 06°07â€Č44″Eï»ż / ï»ż49.60944°N 6.12889°Eï»ż / 49.60944; 6.12889

The Monument of Remembrance (French: Monument du souvenir), usually known by the nickname of the Gëlle Fra (Luxembourgish for 'Golden Lady'), is a war memorial in Luxembourg City. It is dedicated to the thousands of Luxembourgers who volunteered for service in the armed forces of the Allied Powers during both World Wars and the Korean War as well as the Luxembourgers who volunteered in the International Brigades during the Spanish Civil War.

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War memorial in the context of Sir Edwin Lutyens

Sir Edwin Landseer Lutyens OM KCIE PRA FRIBA (/ˈlʌtjənz/ LUT-yənz; 29 March 1869 – 1 January 1944) was an English architect known for imaginatively adapting traditional architectural styles to the requirements of his era. He designed many English country houses, war memorials and public buildings. In his biography, the writer Christopher Hussey wrote, "In his lifetime (Lutyens) was widely held to be our greatest architect since Wren if not, as many maintained, his superior". The architectural historian Gavin Stamp described him as "surely the greatest British architect of the twentieth (or of any other) century".

Lutyens played an instrumental role in the construction of New Delhi, which would later on serve as the seat of the Government of India. In recognition of his contribution, a part of New Delhi is known as "Lutyens' Delhi". In collaboration with Sir Herbert Baker, he was also the main architect of several monuments in New Delhi such as the India Gate; he also designed the Viceroy's House, which is now known as the Rashtrapati Bhavan.Many of his works were inspired by Indian architecture. He was elected Master of the Art Workers' Guild in 1933.

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War memorial in the context of Claus Cito

Nicolas Joseph 'Claus' Cito (26 May 1882 – 10 October 1965) was a Luxembourgish sculptor educated at the AcadĂ©mie Royale des Beaux-Arts in Brussels.

He is most notable for having created the original Gëlle Fra war memorial, though his work can also be found at the Notre-Dame Cathedral, Luxembourg. Along with Emile Hulten and Charles Kohl, he worked on the bas-reliefs of the National Resistance Museum in Esch-sur-Alzette, Luxembourg.

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War memorial in the context of Westerplatte Monument

The Westerplatte Monument, also known as the Monument to the Defenders of the Coast (Polish: Pomnik ObroƄcĂłw WybrzeĆŒa) is a war memorial located in GdaƄsk, Poland, on the Westerplatte Peninsula in the GdaƄsk harbour channel constructed between 1964–1966 to commemorate the Polish defenders of the Military Transit Depot (Wojskowa SkƂadnica Tranzytowa, or WST) in the Battle of Westerplatte, one of the first battles in Germany's invasion of Poland, which marked the outbreak of World War II in Europe.

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