A liberty bond or liberty loan was a war bond that was sold in the United States to support the Allied cause in World War I. Subscribing to the bonds became a symbol of patriotic duty in the United States and introduced the idea of financial securities to many citizens for the first time.
The 1946 U.S. Women's Open was a golf tournament contested from August 26 to September 1 at Spokane Country Club, north of Spokane, Washington. It was the first edition of the U.S. Women's Open, and only one to have been played in match play competition. The field of 39 women was reduced to the 32-player match play field by a 36-hole qualifier on Monday and Tuesday. Six professionals and 26 amateurs advanced to match play. The format was 18-hole matches through the quarterfinals, and 36 holes for the semifinals and finals.
Professionals Patty Berg and Betty Jameson reached the Sunday final. Jameson led by three after seven holes, but Berg evened the match and they finished the first 18 holes all square. After lunch, Berg needed only fourteen holes in the afternoon to close out the match at 5 & 4. Berg won $5,600 and Jameson $3,100, all in war bonds. This win was later recognized as Berg's sixth major championship. The winner's share at the U.S. Women's Open was substantially less in succeeding years and was not exceeded until 1972, 26 years later.
Willie Gillis, Jr. (more commonly simply Willie Gillis) is a fictional character created by Norman Rockwell for a series of World War II paintings that appeared on the covers of 11 issues of The Saturday Evening Post between 1941 and 1946. Gillis was an everyman with the rank of private whose career was tracked on the cover of the Post from induction through discharge without being depicted in battle. He and his girlfriend were modeled by two of Rockwell's acquaintances.
Gillis was not exclusively used on Post covers, but the Willie Gillis series of covers was a hallmark of Rockwell's wartime work. Rockwell was in his prime, and the Post was at the peak of its popularity with a subscribership of four million; many of those subscribers believed that Gillis was a real person. Rockwell's wartime art contributed to the success of the wartime bond sales efforts, including Willie Gillis, the Four Freedoms, and Rosie the Riveter.
The Four Freedoms is a series of four oil paintings made in 1943 by the American artist Norman Rockwell. The paintings—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—are each approximately 45.75 by 35.5 inches (116.2 by 90.2 cm), and are now in the Norman Rockwell Museum in Stockbridge, Massachusetts. The four freedoms refer to President Franklin D. Roosevelt's January 1941 Four Freedoms State of the Union address, in which he identified essential human rights that should be universally protected. The theme was incorporated into the Atlantic Charter, and became part of the Charter of the United Nations. The paintings were reproduced in The Saturday Evening Post over four consecutive weeks in 1943, alongside essays by prominent thinkers of the day. They became the highlight of a touring exhibition sponsored by The Post and the U.S. Department of the Treasury. The exhibition and accompanying sales drives of war bonds raised over $132 million.
This series has been the cornerstone of retrospective art exhibits presenting the career of Rockwell, who was the most widely known and popular commercial artist of the mid-20th century, but did not achieve critical acclaim. These are among his best-known works, and by some accounts became his most widely distributed paintings. At one time they were commonly displayed in post offices, schools, clubs, railroad stations, and a variety of public and semi-public buildings.