Vuk Karadžić in the context of "Yugoslavism"

⭐ In the context of Yugoslavism, what role did Vuk Karadžić play in the early efforts to foster a sense of shared South Slavic identity?

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⭐ Core Definition: Vuk Karadžić

Vuk Stefanović Karadžić (Serbian Cyrillic: Вук Стефановић Караџић, pronounced [ʋûːk stefǎːnoʋitɕ kâradʒitɕ]; 6 November 1787 (26 October OS) – 7 February 1864) was a Serbian philologist, anthropologist and linguist. He was one of the most important reformers of the modern Serbian language. Vuk Karadžić was a versatile scholar and the founder of several Serbian academic disciplines, with a significant contribution to historiography. For his collection and preservation of Serbian folktales, Encyclopædia Britannica labelled Karadžić "the father of Serbian folk-literature scholarship." He was also the author of the first Serbian dictionary in the new reformed language. In addition, he translated the New Testament into the reformed form of the Serbian spelling and language.

He was well known abroad and familiar to Jacob Grimm, Johann Wolfgang von Goethe and historian Leopold von Ranke. Karadžić was the primary source for Ranke's Die serbische Revolution ("The Serbian Revolution"), written in 1829.

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👉 Vuk Karadžić in the context of Yugoslavism

Yugoslavism, Yugoslavdom, or Yugoslav nationalism is an ideology supporting the notion that the South Slavs, namely the Bosniaks, Bulgarians, Croats, Macedonians, Montenegrins, Serbs, and Slovenes, belong to a single Yugoslav nation separated by diverging historical circumstances, forms of speech, and religious divides. During the interwar period, Yugoslavism became predominant in, and then the official ideology of, the Kingdom of Yugoslavia. There were two major forms of Yugoslavism in the period, the first of which is the regime-favoured integral Yugoslavism, promoting unitarism, centralisation, and unification of the country's ethnic groups into a single Yugoslav nation, by coercion if necessary. The approach was also applied to languages spoken in the Kingdom. The main alternative was federalist Yugoslavism, which advocated the autonomy of the historical lands in the form of a federation and gradual unification without outside pressure. Both agreed on the concept of National Oneness developed as an expression of the strategic alliance of South Slavs in Austria-Hungary in the early 20th century. The concept was meant as a notion that the South Slavs belong to a single "race", were of "one blood", and had shared language. It was considered neutral regarding the choice of centralism or federalism.

The Yugoslavist idea has roots in the 1830s Illyrian movement in Habsburg Croatia, where a group of intellectuals saw the unity of South Slavs within the Austrian Empire or outside of it as a protection against Germanisation and Magyarisation. Cooperative talks began with Serbian politicians and working to standardise Serbo-Croatian as a common language with orthographer Vuk Karadžić, with limited success. Following the Austro-Hungarian Compromise of 1867, the concept was rivalled by Trialism. Control of the Balkans by the Ottoman Empire and Austria-Hungary prevented practical implementation of Yugoslavist ideas until the Ottomans were pushed out of the Balkans in the 1912 First Balkan War and Austria-Hungary disintegrated in the final days of the First World War. During the war, preparations for unification began in the form of the Niš Declaration of Serbian war aims, the establishment of the Yugoslav Committee to represent South Slavs living in Austria-Hungary, and the adoption of the Corfu Declaration on principles of unification. The short-lived State of Slovenes, Croats and Serbs was proclaimed in the South Slavic lands formerly ruled by the Habsburgs at the end of the First World War. Its leadership primarily wanted unification with Serbia on a federal basis, while Serbia preferred a centralised state.

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Vuk Karadžić in the context of Serbian Cyrillic alphabet

The Serbian Cyrillic alphabet (Serbian: Српска ћирилица / Srpska ćirilica, IPA: [sr̩̂pskaː t͡ɕirǐlitsa]), also known as the Serbian script, (Српско писмо, Srpsko pismo, Serbian pronunciation: [sr̩̂psko pǐːsmo]), is a standardized variation of the Cyrillic script used to write Serbo-Croatian, namely its Serbian and Bosnian (mainly in Republika Srpska) standard varieties. It originated in medieval Serbia and was significantly reformed in the 19th century by the Serbian philologist and linguist Vuk Karadžić.

The Serbian Cyrillic alphabet is one of the two official scripts used to write modern standard Serbian, the other being Gaj's Latin alphabet. Karadžić based his reform on the earlier 18th-century Slavonic-Serbian script. Following the principle of "write as you speak and read as it is written" (piši kao što govoriš, čitaj kao što je napisano), he removed obsolete letters, eliminated redundant representations of iotated vowels, and introduced the letter ⟨J⟩ from the Latin script. He also created new letters for sounds unique to Serbian phonology. Around the same time, Ljudevit Gaj led the standardization of the Latin script for use in western South Slavic languages, applying similar phonemic principles.

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Vuk Karadžić in the context of Macedonian alphabet

The orthography of the Macedonian language includes an alphabet consisting of 31 letters (Macedonian: Македонска азбука, romanizedMakedonska azbuka), which is an adaptation of the Cyrillic script, as well as language-specific conventions of spelling and punctuation.

The Macedonian alphabet was standardized in 1945 by a commission formed in Yugoslav Macedonia after the Partisans took power at the end of World War II. The alphabet used the same phonemic principles employed by Vuk Karadžić (1787–1864) and Krste Misirkov (1874–1926).

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Vuk Karadžić in the context of Croatian Vukovians

Croatian Vukovians (Serbo-Croatian: hrvatski vukovci) refers to a group of Croatian linguists, followers of Vuk Karadžić (hence the name), that were active at the end of the 19th and the beginning of the 20th century. Their work focused on the standardization of the Croatian language. They were led by Tomislav Maretić, and the most prominent members were Franjo Iveković, Ivan Broz, Pero Budmani, Armin Pavić, Vatroslav Rožić and others.

At the period when Vukovians operated, the issue of a dialectal basis for literary Croatian was not yet settled. Vukovians supported the Neoštokavian Ijekavian dialect (Eastern Herzegovinian dialect) as recorded by Vuk Karadžić and described by Đuro Daničić. They advocated the use of phonological orthography. Through their positions at the Yugoslav Academy of Sciences and Arts and the University of Zagreb they exerted influence on the standardization of literary Croatian.

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