Voltaire in the context of "Religious dogma"

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⭐ Core Definition: Voltaire

François-Marie Arouet (French: [fʁɑ̃swa maʁi aʁwɛ]; 21 November 1694 – 30 May 1778), known by his nom de plume Voltaire (/vɒlˈtɛər, vl-/, US also /vɔːl-/; French: [vɔltɛːʁ]), was a French Enlightenment writer, philosopher (philosophe), satirist, and historian. Famous for his wit and his criticism of Christianity (especially of the Catholic Church) and of slavery, Voltaire was an advocate of freedom of speech, freedom of religion, and separation of church and state.

Voltaire was a versatile and prolific writer, producing works in almost every literary form, including plays, poems, novels, essays, histories, and even scientific expositions. He wrote more than 20,000 letters and 2,000 books and pamphlets. Voltaire was one of the first authors to become renowned and commercially successful internationally. He was an outspoken advocate of civil liberties and was at constant risk from the strict censorship laws of the Catholic French monarchy. His polemics witheringly satirized intolerance and religious dogma, as well as the French institutions of his day. His best-known work and magnum opus, Candide, is a novella that comments on, criticizes, and ridicules many events, thinkers and philosophies of his time, most notably Gottfried Leibniz and his belief that our world is of necessity the "best of all possible worlds".

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Voltaire in the context of Historiography

Historiography is the study of the methods used by historians in developing history as an academic discipline. By extension, the term historiography is any body of historical work on a particular subject. The historiography of a specific topic covers how historians have studied that topic by using particular sources, techniques of research, and theoretical approaches to the interpretation of documentary sources. Scholars discuss historiography by topic—such as the historiography of the United Kingdom, of WWII, of the pre-Columbian Americas, of early Islam, and of China—and different approaches to the work and the genres of history, such as political history and social history. Beginning in the nineteenth century, the development of academic history produced a great corpus of historiographic literature. The extent to which historians are influenced by their own groups and loyalties—such as to their nation state—remains a debated question.

In Europe, the academic discipline of historiography was established in the 5th century BC with the Histories, by Herodotus, who thus established Greek historiography. In the 2nd century BC, the Roman statesman Cato the Elder produced the Origines, which is the first Roman historiography. In Asia, the father and son intellectuals Sima Tan and Sima Qian established Chinese historiography with the book Shiji (Records of the Grand Historian), in the time of the Han Empire in Ancient China. During the Middle Ages, medieval historiography included the works of chronicles in medieval Europe, the Ethiopian Empire in the Horn of Africa, Islamic histories by Muslim historians, and the Korean and Japanese historical writings based on the existing Chinese model. During the 18th-century Age of Enlightenment, historiography in the Western world was shaped and developed by figures such as Voltaire, David Hume, and Edward Gibbon, who among others set the foundations for the modern discipline. In the 19th century, historical studies became professionalized at universities and research centers along with a belief that history was like a science. In the 20th century, historians incorporated social science dimensions like politics, economy, and culture in their historiography.

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Voltaire in the context of World history (field)

World history or global history as a field of historical study examines history from a global perspective. It emerged centuries ago; some leading practitioners have included Voltaire (1694–1778), Hegel (1770–1831), Karl Marx (1818–1883), Oswald Spengler (1880–1936), and Arnold J. Toynbee (1889–1975). The field became much more active (in terms of university teaching, textbooks, scholarly journals, and academic associations) in the late 20th century.

It is not to be confused with comparative history, which, like world history, deals with the history of multiple cultures and nations, but does not do so on a global scale. World historians use a thematic approach, with two major focal points: integration (how processes of world history have drawn people of the world together) and difference (how patterns of world history reveal the diversity of the human experience).

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Voltaire in the context of Tragedy

A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.

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Voltaire in the context of Philosophy of history

Philosophy of history is the philosophical study of history and its discipline. The term was coined by the French philosopher Voltaire.

In contemporary philosophy a distinction has developed between the speculative philosophy of history and the critical philosophy of history, now referred to as analytic. The split between these approaches may be approximately compared, by analogy and on the strength of regional and academic influences, to the schism in commitments between analytic and continental philosophy wherein the analytic approach is pragmatic and the speculative approach attends more closely to a metaphysics (or anti-metaphysics) of determining forces like language or the phenomenology of perception at the level of background assumptions.

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Voltaire in the context of Comparative history

Comparative history is the comparison of different societies which existed during the same time period or shared similar cultural conditions.

The comparative history of societies emerged as an important specialty among intellectuals in the Enlightenment in the 18th century, as typified by Montesquieu, Voltaire, Adam Smith, and others. Sociologists and economists in the 19th century often explored comparative history, as exemplified by Alexis de Tocqueville, Karl Marx, and Max Weber.

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Voltaire in the context of John Locke

John Locke (/lɒk/; 29 August 1632 (O.S.) – 28 October 1704 (O.S.)) was an English philosopher and physician, widely regarded as one of the most influential of the Enlightenment thinkers and commonly known as the "father of liberalism". Considered one of the first of the British empiricists, following the tradition of Francis Bacon, Locke is equally important to social contract theory. His work greatly affected the development of epistemology and political philosophy.

His writings influenced Voltaire, Jean-Jacques Rousseau, and many Scottish Enlightenment thinkers, as well as the American Revolutionaries. His contributions to classical republicanism and liberal theory are reflected in the United States Declaration of Independence. Internationally, Locke's political-legal principles continue to have a profound influence on the theory and practice of limited representative government and the protection of basic rights and freedoms under the rule of law.

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Voltaire in the context of Criticism of Christianity

Criticism of Christianity has a long history that stretches back to the initial formation of the religion in the Roman Empire. Critics have challenged Christian beliefs and teachings, as well as actions taken in the name of the faith, from the Crusades to modern terrorism. The arguments against Christianity include claims that it is a faith of violence, corruption, superstition, polytheism, homophobia, bigotry, pontification, abuses of women's rights, and sectarianism.

In the early years of Christianity, the Neoplatonic philosopher Porphyry emerged as one of the major critics with his book Against the Christians, along with other writers like Celsus and Julian. Porphyry argued that Christianity was based on false prophecies that had not yet materialized. Following the adoption of Christianity by the Roman Empire, dissenting religious voices were gradually suppressed by both governmental and ecclesiastical authorities. Christianity has faced significant theological criticism from thinkers of other Abrahamic religions, particularly including Judaism and Islam. Notably, Maimonides, the renowned rabbi, Jewish philosopher, and Torah scholar of the 12th century, argued that Christian practices and doctrines constituted idolatry and deviated from the strict monotheism (shituf) of Jewish and Muslim theologies. Similarly, Islamic scholars have critiqued Christian beliefs about the Trinity and the divinity of Jesus, viewing these concepts as incompatible with the concept of monotheism. These critiques reflect deep theological disagreements rooted in their shared scriptural traditions and divergent doctrinal interpretations. A millennium later, the Protestant Reformation led to a fundamental split in European Christianity and rekindled critical voices about the Christian faith, both internally and externally. In the 18th century, deist philosophers such as Voltaire and Jean-Jacques Rousseau were critical of Christianity as a revealed religion. With the Age of Enlightenment, Christianity was criticized by major thinkers and philosophers, such as David Hume, Thomas Paine, and the Baron d'Holbach. The central theme of these critiques sought to negate the historical accuracy of the Christian Bible and focused on the perceived corruption of Christian religious authorities. Other thinkers, like Immanuel Kant, offered critiques of traditional arguments for the existence of God, while professing to defend Christian theology on novel grounds.

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