Vihara in the context of "Somapura"

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⭐ Core Definition: Vihara

Vihāra generally refers to a Buddhist temple or Buddhist monastery for Buddhist renunciates, mostly in the Indian subcontinent. The concept is ancient and in early Pali texts, it meant any arrangement of space or facilities for dwellings. The term evolved into an architectural concept wherein it refers to living quarters for monks with an open shared space or courtyard, particularly in Buddhism. The term is also found in Jain monastic literature, usually referring to temporary refuge for wandering monks or nuns during the annual Indian monsoons. In modern Jainism, the monks continue to wander from town to town except during the rainy season (chaturmasya), and the term "vihara" refers to their wanderings.

Vihara or vihara hall has a more specific meaning in the architecture of India, especially ancient Indian rock-cut architecture. Here it means a central hall, with small cells connected to it, sometimes with beds carved from the stone. Some have a shrine cell set back at the centre of the back wall, containing a stupa in early examples, or a Buddha statue later. Typical large sites such as the Ajanta Caves, Aurangabad Caves, Karli Caves, and Kanheri Caves contain several viharas. Some included a chaitya or worship hall nearby. The vihara originated as a shelter for monks when it rains.

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👉 Vihara in the context of Somapura

Somapura Mahavihara (Bengali: সোমপুর মহাবিহার, romanizedSōmpur Môhābihār), also known as Paharpur Buddhist Vihara (Bengali: পাহাড়পুর বৌদ্ধবিহার, romanized: Pāhāṛpur Bôuddhôbihār), is a major Buddhist monastery (mahavihara) in Paharpur, Badalgachhi, Naogaon, Bangladesh. It is among the best known Buddhist viharas in the Indian subcontinent and is one of the most important archaeological sites in the country. It was designated as a UNESCO World Heritage Site in 1985.

It is one of the most famous examples of architecture in pre-Islamic Bengali architecture. It dates from a period to the nearby Halud Vihara and to the Sitakot Vihara in Nawabganj, Dinajpur.

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Vihara in the context of Buddhist temple

A Buddhist temple or Buddhist monastery is the place of worship for adherents of Buddhism. They include the structures called vihara, chaitya, stupa, wat, khurul and pagoda in different regions and languages. Temples in Buddhism represent the pure land or pure environment of a Buddha. Traditional Buddhist temples are designed to inspire both inner and outer peace.

Buddhist temples follow a set of architectural guides adhering to Buddhist architecture principal, with stylistic derivatives seen throughout South Asia, Southeast Asia, and East Asia.

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Vihara in the context of Guru-shishya parampara

The guru–shishya tradition, or parampara (lit.'lineage'), denotes a succession of teachers and disciples in Indian-origin religions such as Hinduism, Jainism, Sikhism and Buddhism (including Tibetan and Zen traditions). Each parampara belongs to a specific sampradaya, and may have its own gurukulas for teaching, which might be based at akharas, gompas, mathas, viharas or temples. It is the tradition of spiritual relationship and mentoring where teachings are transmitted from a guru, teacher, (Sanskrit: गुरु) or lama, to a śiṣya (Sanskrit: शिष्य, disciple), shramana (seeker), or chela (follower), after the formal diksha (initiation). Such knowledge, whether agamic, spiritual, scriptural, architectural, musical, arts or martial arts, is imparted through the developing relationship between the guru and the disciple.

It is considered that this relationship, based on the genuineness of the guru and the respect, commitment, devotion and obedience of the student, is the best way for subtle or advanced knowledge to be conveyed. The student eventually masters the knowledge that the guru embodies.

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Vihara in the context of Pagoda

A pagoda is a tiered tower with multiple eaves, common in Tibet, Thailand, Cambodia, Nepal, India, China, Japan, Korea, Myanmar, Vietnam, and other parts of Asia. Most pagodas were built to have a religious function, most often Buddhist, but sometimes Taoist or Hindu, and were often in or near viharas. The pagoda traces its origins to the stupa, while its design was developed in ancient India. Chinese pagodas (Chinese: ; pinyin: ) are a traditional part of Chinese architecture. In addition to religious use, since ancient times Chinese pagodas have been valued for the spectacular views they offer, and many classical poems attest to the joy of scaling pagodas.

The oldest and tallest pagodas were made of wood, but most that survived were made of brick or stone. Some are solid with no interior. Hollow pagodas have no higher floors or rooms, but the interior often contains an altar or a smaller pagoda, as well as a series of staircases for visitors to climb to see the view from an opening on one side of each tier. Most have between three and 13 tiers (almost always an odd number) and the classic gradual tiered eaves.

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Vihara in the context of Mahavihara

Mahavihara (Mahāvihāra) is the Sanskrit and Pali term for a great vihara (centre of learning or Buddhist monastery) and is used to describe a monastic complex of viharas.

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Vihara in the context of Gompa

A Gompa or Gönpa or Gumba (Tibetan: དགོན་པ།, Wylie: dgon pa "remote place", Sanskrit araṇya), also known as ling (Wylie: gling, "island"), is a sacred Buddhist spiritual compound where teachings may be given and lineage sādhanās may be stored. They may be compared to viharas (bihars) and to a university campus with adjacent living quarters. Those gompas associated with Tibetan Buddhism are common in Tibet, India, Nepal, Bhutan, and China. Bhutanese dzong architecture is a subset of traditional gompa design.

Gompa may also refer to a shrine room or meditation room, without the attached living quarters, where practitioners meditate and listen to teachings. Shrine rooms in urban Buddhist centres are often referred to as gompas.

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