Vignetting in the context of "Point-and-shoot camera"

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⭐ Core Definition: Vignetting

In photography and optics, vignetting (/vɪnˈjɛtɪŋ/ vin-YET-ing) is a reduction of an image's brightness or saturation toward the periphery compared to the image center. The word vignette, from the same root as vine, originally referred to a decorative border in a book. Later, the word came to be used for a photographic portrait that is clear at the center and fades off toward the edges. A similar effect is visible in photographs of projected images or videos off a projection screen, resulting in a so-called "hotspot" effect.

Vignetting is often an unintended and undesired effect caused by camera settings or lens limitations. However, it is sometimes deliberately introduced for creative effect, such as to draw attention to the center of the frame. A photographer may deliberately choose a lens that is known to produce vignetting to obtain the effect, or it may be introduced with the use of special filters or post-processing procedures.

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Vignetting in the context of Aperture

In optics, the aperture of an optical system (including a system consisting of a single lens) is the hole or opening that primarily limits light propagated through the system. The aperture defines a bundle of rays from each point on an object that will come to a focus in the image plane.

An optical system typically has many structures that limit ray bundles (ray bundles are also known as pencils of light). These structures may be the edge of a lens or mirror, or a ring or other fixture that holds an optical element in place or may be a special element such as a diaphragm placed in the optical path to limit the light admitted by the system. These structures are called stops, and the aperture stop is the stop that primarily determines the cone of rays that an optical system accepts (see entrance pupil). As a result, it also determines the ray cone angle and brightness at the image point (see exit pupil). Optical systems are typically designed for a particular stop to be the aperture stop, but it is possible for different stops to serve as the aperture stop for objects at different distances. Some rays from object points away from the optical axis may clip on surfaces other than the aperture stop. This is called vignetting. The aperture stop is not necessarily the smallest stop in the system. Magnification and demagnification by lenses and other elements can cause a relatively large stop to be the aperture stop for the system.

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Vignetting in the context of Angle of view

In photography, angle of view (AOV) describes the angular extent of a given scene that is imaged by a camera. It is used interchangeably with the more general term field of view.

It is important to distinguish the angle of view from the angle of coverage, which describes the angle at which the lens projects the image circle onto the image plane (the plane where the film or image sensor is located). In other words, while the angle of coverage is determined by the lens and the image plane, the angle of view (AOV) is also determined by the film's image size or image sensor format. The image circle (giving the angle of coverage) produced by a lens on a given image plane is typically large enough to completely cover a film or sensor at the plane, possibly including some vignetting toward the edge. If the angle of coverage of the lens does not fill the sensor, the image circle will be visible, typically with strong vignetting toward the edge, and the effective angle of view will be limited to the angle of coverage.

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Vignetting in the context of Toy camera

A toy camera is a simple, inexpensive film camera. Despite the name, toy cameras are fully functional and capable of taking photographs, though with optical aberrations due to the limitations of their simple lenses. From the 1960s onward, there has been interest in the artistic use of such cameras or recreation of this style, both with cameras originally designed for children, and others originally intended as mass-market consumer cameras.

Many professional photographers have used toy cameras and exploited the vignetting, blur, light leaks, and other distortionsof their inexpensive lenses for artistic effect to take award-winning pictures.Toy camera photography has been widely exhibited at many popular art shows, such as the annual "Krappy Kamera" show at the Soho Photo Gallery in the Tribeca neighborhood of New York City. Various publications such as Popular Photography magazine have extolled the virtues of the Diana camera in its own right as an "art" producing image maker. Several books have also featured the work of toy cameras such as The Friends of Photography's The Diana Show, Iowa by Nancy Rexroth, and Angels at the Arno by Eric Lindbloom.

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Vignetting in the context of Holga

The Holga is a medium format 120 film camera, made in Hong Kong, known for its low-fidelity aesthetic.

The Holga's low-cost construction and simple meniscus lens often yields pictures that display vignetting, blur, light leaks and other distortions. The camera's limitations have brought it a cult following among some photographers, and Holga photos have won awards and competitions in art and news photography. As of July 2017, the camera was in production after being unavailable for two years.

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