120 is a film format for still photography introduced by Kodak for their Brownie No. 2 in 1901. It was originally intended for amateur photography but was later superseded in this role by 135 film. 120 film survives to this day as the only medium format film that is readily available to both professionals and amateur enthusiasts.
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👉 120 film in the context of Holga
The Holga is a medium format 120 film camera, made in Hong Kong, known for its low-fidelity aesthetic.
The Holga's low-cost construction and simple meniscus lens often yields pictures that display vignetting, blur, light leaks and other distortions. The camera's limitations have brought it a cult following among some photographers, and Holga photos have won awards and competitions in art and news photography. As of July 2017, the camera was in production after being unavailable for two years.
In this Dossier
120 film in the context of 35mm format
135 film, more popularly referred to as 35 mm film or 35 mm, is a format of photographic film with a film gauge of 35 mm (1.4 in) loaded into a standardized type of magazine (also referred to as a cassette or cartridge) for use in 135 film cameras.
The term 135 was introduced by Kodak in 1934 as a designation for 35 mm film specifically for still photography, perforated with Kodak Standard perforations. It quickly grew in popularity, surpassing 120 film by the late 1960s to become the most popular photographic film size. Despite competition from formats such as 120, 828, 126, 110, and APS, it remains the most popular film size today.
120 film in the context of Digital camera back
A digital camera back is a device that attaches to the back of a camera in place of the traditional negative film holder and contains an electronic image sensor. This allows cameras that were designed to use film to take digital photographs. These camera backs are generally expensive by consumer standards (US$5,000 and up) and are primarily built to be attached on medium- and large-format cameras used by professional photographers.
120 film in the context of 828 film
828 is a film format for still photography. Kodak introduced it in 1935, only a year after 135 film. 828 film was introduced with the Kodak Bantam, a consumer-level camera.
The 828 format uses the same basic film stock as 135 film (standard 35mm film), but the film lacks the sprocket holes of 135. The standard image format is 40 × 28 mm. This provides a 30% larger image compared to 135's standard 24 × 36 mm, yet on the same film stock. Because Kodak targeted 828 at a lower-end consumer market, the film was much shorter, at a standard 8 exposures per roll. 828 film originally had one perforation per frame, much like 126 film. Unlike 135 (a single-spool cartridge film) or 126 (a dual-spool cartridge film), 828 is a roll film format, like 120 film. Like 120, it has a backing paper and frames are registered through a colored window on the back of the camera (except on the original folding Bantams, where images were registered with an index hole).
120 film in the context of Toy camera
A toy camera is a simple, inexpensive film camera. Despite the name, toy cameras are fully functional and capable of taking photographs, though with optical aberrations due to the limitations of their simple lenses. From the 1960s onward, there has been interest in the artistic use of such cameras or recreation of this style, both with cameras originally designed for children, and others originally intended as mass-market consumer cameras.
Many professional photographers have used toy cameras and exploited the vignetting, blur, light leaks, and other distortionsof their inexpensive lenses for artistic effect to take award-winning pictures.Toy camera photography has been widely exhibited at many popular art shows, such as the annual "Krappy Kamera" show at the Soho Photo Gallery in the Tribeca neighborhood of New York City. Various publications such as Popular Photography magazine have extolled the virtues of the Diana camera in its own right as an "art" producing image maker. Several books have also featured the work of toy cameras such as The Friends of Photography's The Diana Show, Iowa by Nancy Rexroth, and Angels at the Arno by Eric Lindbloom.