Viewpoints is a movement-based pedagogical and artistic practice that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body. Rooted in the domains of postmodern theatre and dance composition, the Viewpoints operate as a medium for thinking about and acting upon movement, gesture, and the creative use of space.
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👉 Viewpoints in the context of Theatre practitioner
A theatre practitioner is someone who creates theatrical performances and/or produces a theoretical discourse that informs their practical work. A theatre practitioner may be a director, dramatist, actor, designer or a combination of these traditionally separate roles. Theatre practice describes the collective work that various theatre practitioners do.
The term was not ordinarily applied to theatre-makers before the rise of modernism in the theatre. Instead, theatre praxis from Konstantin Stanislavski's development of his system is described through Vsevolod Meyerhold's biomechanics, Antonin Artaud's Theatre of cruelty, Bertolt Brecht's epic, and Jerzy Grotowski's poor theatre. Contemporary theatre practitioners include Augusto Boal with his Theatre of the Oppressed, Dario Fo's popular theatre, Eugenio Barba's theatre anthropology, and Anne Bogart's viewpoints.
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Viewpoints in the context of Anne Bogart
Anne Bogart (born September 25, 1951) is an American theatre and opera director. She was one of the artistic directors of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992, until the company disbanded in 2022. She is a professor at Columbia University where she runs the Graduate Directing Concentration and is the author of four books of essays on theatre making: A Director Prepares; And Then, You Act; What's the Story; and The Art of Resonance. She is a co-author, with Tina Landau of The Viewpoints Book, a "practical guide" to Viewpoints training and devising techniques. Conversations with Anne, a collection of interviews she has conducted with various notable artists was published in March 2012.
Bogart's influence is felt throughout the contemporary theatre: through the widespread adoption of SITI's training methods of Viewpoints and Suzuki, her oeuvre of groundbreaking productions, and her guidance at SITI and including at Columbia University of such diverse talents as Pavol Liska, Diane Paulus, James Dacre, Kim Weild, Jay Scheib, Sophie Hunter, Shura Baryshnikov, Darko Tresnjak, Robert O'Hara, Rachel Chavkin, Brian Swibel, and many others.