Videotape in the context of Camcorders

Video production is the process of producing video content. It is the equivalent of filmmaking, but with video recorded either as analog signals on videotape, digitally in video tape or as computer files stored on optical discs, hard drives, SSDs, magnetic tape or memory cards instead of film stock. There are three main stages of video production, pre-production, production and post-production.

A slipcase is a five-sided box, usually made of high-quality cardboard, into which binders, books or book sets are slipped for protection, leaving the spine exposed. Special editions of books are often slipcased for a stylish appearance when placed on a bookshelf. A few publishers, such as the Folio Society, publish nearly all their books in slipcases.

Protective slipcases have been issued for records, cassettes, 8-track tapes, film, video cassettes, compact discs, DVDs and even toys instead of or in addition to the more common jewel cases or keep case, and may be chosen for aesthetic or economic reasons. Larger slipcases that are designed to house one or more items are often used in packaging for special edition releases or box sets.

A camcorder is a self-contained portable electronic device with video and recording as its primary function. It is typically equipped with an articulating screen mounted on the left side, a belt to facilitate holding on the right side, hot-swappable battery facing towards the user, hot-swappable recording media, and an internally contained quiet optical zoom lens.

The earliest camcorders were tape-based, recording analog signals onto videotape cassettes. In the 2000s, digital recording became the norm, and additionally tape was replaced by storage media such as mini-HDD, MiniDVD, internal flash memory and SD cards.

An entertainment center (or centre), also known as an entertainment complex or a home entertainment center, is a piece of furniture designed to house consumer electronic appliances and components. It is sometimes a large cabinet with an exterior styled to appear like upscale furniture and an interior dedicated to electronic gear, such as home audio, television sets and video game equipment.

Antique or modern reproduction armoires or standing cabinets are used for entertainment centers, as are shelves and shelving systems. Part of the purpose of an entertainment center is to neatly house the many wires and cables that are associated with audio and video components, and they often contain dedicated areas (either drawers or other spaces) for storage of records, videotapes, CDs and/or DVDs.

A video camera is an optical instrument that captures videos, as opposed to a movie camera, which records images on film. Video cameras were initially developed for the television industry but have since become widely used for a variety of other purposes.

Video cameras are used primarily in two modes. The first, characteristic of much early broadcasting, is live television, where the camera feeds real time images directly to a screen for immediate observation. A few cameras still serve live television production, but most live connections are for security, military/tactical, and industrial operations where surreptitious or remote viewing is required. In the second mode the images are recorded to a storage device for archiving or further processing; for many years, videotape was the primary format used for this purpose, but was gradually supplanted by optical disc, hard disk, and then flash memory. Recorded video is used in television production, and more often surveillance and monitoring tasks in which unattended recording of a situation is required for later analysis.

Videography involves capturing moving images on electronic media (such as: videotape, direct to disk recording, or solid state storage), and can include streaming media. It encompasses both video production and post-production methods. Historically videography was considered the video counterpart to cinematography, which involved recording moving images on film stock. However, with the advent of digital video recording in the late 20th century, the distinction between the two has become less clear as both use similar intermediary mechanisms. Today, any video work can be referred to as videography, while commercial motion picture production is typically termed cinematography.

A videographer works in the field of videography and video production. News broadcasting heavily relies on live television, where videographers are involved in electronic news gathering (ENG) of local news stories.

Betamax (also known as Beta, and stylized as the Greek letter β in its logo) is a discontinued consumer analog videocassette recording format developed by Sony. It was one of the main competitors in the videotape format war against its primary rival, VHS. Betamax was introduced in Japan on May 10, 1975, and launched in the United States later that year.

Betamax was widely regarded, in part due to Sony's marketing, as offering superior picture quality compared to VHS. Its initial β1 speed provided 250 horizontal lines of resolution, compared to VHS's 240 lines, but early Beta tapes were limited to 60 minutes of recording time, making them impractical for recording movies or sporting events. To address this, Sony introduced the β2 speed, which doubled recording time to two hours but reduced resolution, negating its technical advantage.

A home movie is a short amateur film or video typically made just to preserve a visual record of family activities, a vacation, or a special event, and intended for viewing at home by family and friends. Originally, home movies were made on photographic film in formats that usually limited the movie-maker to about three minutes per roll of costly camera film. The vast majority of amateur film formats lacked audio, shooting silent film.

The 1970s saw the advent of consumer camcorders that could record an hour or two of video on one relatively inexpensive videocassette which also had audio and did not need to be developed the way film did. This was followed by digital video cameras that recorded to flash memory, and most recently smartphones with video recording capability, made the creation of home movies easier and much more affordable to the average person.

What's My Line? is a panel game show that originally ran in the United States, between 1950 and 1967, on CBS, originally in black and white and later in color, with subsequent American revivals. The game uses celebrity panelists to question contestants in order to determine their occupation. The majority of the contestants were from the general public, but there was one weekly celebrity "mystery guest" for whom the panelists were blindfolded. It is on the list of longest-running American primetime network television game-shows. Originally moderated by John Charles Daly and most frequently with regular panelists Dorothy Kilgallen, Arlene Francis, and Bennett Cerf, What's My Line? won three Emmy Awards for Best Quiz or Audience Participation Show in 1952, 1953, and 1958 and the Golden Globe for Best TV Show in 1962.

More than 700 episodes exist as kinescope recordings, filmed in 16mm, which was the only way moving pictures and sound from spontaneous, unscripted television shows could be preserved on a long-term basis prior to the emergence and subsequent widespread use of videotape. Many early episodes were lost because of economic decisions made by CBS executives between 1950 and 1952. All episodes from July 1952 to September 1967 were preserved in the archives of producers Mark Goodson and Bill Todman, but by 1975, some of the episodes had been lost.

Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product, such as a book (often on a dust jacket), magazine, newspaper (tabloid), comic book, video game (box art), music album (album art), CD, videotape, DVD, or podcast. Cover art can include various things such as logos, symbols, images, colors, or anything that represents what is being sold or advertised. The art has a commercial function (i.e., to promote the product it is displayed on), but can also have an aesthetic function, and may be artistically connected to the product (such as with art by, or commissioned by, the creator of the product).

1-inch Type C Helical Scan or SMPTE C is a professional reel-to-reel analog recording helical scan videotape format co-developed by Ampex and Sony in 1976. The format uses 1-inch-wide (25 mm) tape and became the replacement in the professional video and broadcast television industries for the then-incumbent 2-inch-wide (51 mm) quadruplex videotape open-reel format. Additionally, it replaced the unsuccessful type A format, also developed by Ampex, and primarily in mainland Europe, it supplemented the type B format, developed by the Fernseh division of Bosch.

Master control is the technical hub of a broadcast operation common among most over-the-air television stations and television networks. It is distinct from a production control room (PCR) in television studios where the activities such as switching from camera to camera are coordinated. A transmission control room (TCR) is usually smaller in size and is a scaled down version of centralcasting.

Master control is the final point before a signal is transmitted over-the-air for terrestrial television or cablecast, satellite provider for broadcast, or sent on to a cable television operator. Television master control rooms include banks of video monitors, satellite receivers, videotape machines, video servers, transmission equipment, and, more recently, computer broadcast automation equipment for recording and playback of television programming.

Copy protection, also known as content protection, copy prevention and copy restriction, is any measure to enforce copyright by preventing the reproduction of software, films, music, and other media.

Copy protection is most commonly found on videotapes, DVDs, Blu-ray discs, HD-DVDs, computer software discs, video game discs and cartridges, audio CDs and some VCDs. It also may be incorporated into digitally distributed versions of media and software.