Videocassette in the context of "Videotape format war"

A video tape recorder (VTR) is a tape recorder designed to record and playback video and audio material from magnetic tape. The early VTRs were open-reel devices that record on individual reels of 2-inch-wide (5.08 cm) tape. They were used in television studios, serving as a replacement for motion picture film stock and making recording for television applications cheaper and quicker. Beginning in 1963, videotape machines made instant replay during televised sporting events possible. Improved formats, in which the tape was contained inside a videocassette, were introduced around 1969; the machines which play them are called videocassette recorders.

An agreement by Japanese manufacturers on a common standard recording format, which allowed cassettes recorded on one manufacturer's machine to play on another's, made a consumer market possible; and the first consumer videocassette recorder, which used the U-matic format, was introduced by Sony in 1971.

VHS (Video Home System) is a discontinued standard for consumer-level analog video recording on tape cassettes, introduced in 1976 by JVC. It was the dominant home video format throughout the tape media period of the 1980s and 1990s.

Magnetic tape video recording was adopted by the television industry in the 1950s in the form of the first commercialized video tape recorders (VTRs), but the devices were expensive and used only in professional environments. In the 1970s, videotape technology became affordable for home use, and widespread adoption of videocassette recorders (VCRs) began; the VHS became the most popular media format for VCRs as it would win the "format war" against Betamax (backed by Sony) and a number of other competing tape standards.

3⁄4-inch Type E Helical Scan or SMPTE E is an analog recording videocassette format marketed by Sony Electronics Corporation, Matsushita Electric Industrial Co. (Panasonic) and Victor Co. of Japan (JVC). It was initially developed by Sony and shown as a prototype in October 1969, refined and standardized among the three manufacturers in March 1970, and introduced commercially in September 1971 by Sony. The format was branded U-matic by Sony, U-Vision by Panasonic and U-VCR by JVC, referring to the U-shaped tape path as it threads around the video drum.

The format was among the earliest video formats to house videotape inside a cassette, replacing the reel-to-reel systems common at the time. The format uses 3⁄4-inch-wide (19 mm) tape, earning it the nickname "three-quarter-inch" or simply "three-quarter," in contrast to larger open-reel formats like 1 in (25 mm) Type C videotape and 2 in (51 mm) quadruplex videotape.

Digital Audio Tape (DAT or R-DAT) is a discontinued digital recording and playback medium developed by Sony and introduced in 1987. In appearance it is similar to a Compact Cassette, using 3.81 mm / 0.15" (commonly referred to as 4 mm) magnetic tape enclosed in a protective shell, but is roughly half the size at 73 mm × 54 mm × 10.5 mm. The recording is digital rather than analog. DAT can record at sampling rates equal to, as well as higher and lower than a CD (44.1, 48, or 32 kHz sampling rate respectively) at 16 bits quantization. If a comparable digital source is copied without returning to the analogue domain, then the DAT will produce an exact clone, unlike other digital media such as Digital Compact Cassette or non-Hi-MD MiniDisc, both of which use a lossy data-reduction system.

Similar to most formats of videocassette, a DAT cassette may only be recorded and played in one direction, unlike an analog compact audio cassette. Many DAT recorders had the capability to embed program numbers and IDs into the recording which can be used to select an individual track like on a CD player.

The filmstrip is a form of still image instructional media, once widely used by educators in primary and secondary schools (K–12) and for corporate presentations (e.g., sales training and new product introductions). It was largely made obsolete by the late 1980s by newer and increasingly lower-cost full-motion videocassettes and later on by DVDs. From the 1920s to the 1980s, filmstrips provided an easy and less expensive alternative to full motion educational films, requiring little storage space and being very quick to rewind for the next use. Filmstrips were durable and rarely needed splicing. They are still used in some areas.