Vibrato systems for guitar in the context of "Bigsby vibrato tailpiece"

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⭐ Core Definition: Vibrato systems for guitar

A vibrato system on a guitar is a mechanical device used to temporarily change the pitch of the strings. It adds vibrato to the sound by changing the tension of the strings, typically at the bridge or tailpiece of an electric guitar using a controlling lever, which is alternately referred to as a whammy bar, vibrato bar, or tremolo arm. The lever enables the player to quickly and temporarily vary the tension and sometimes length of the strings, changing the pitch to create a vibrato, portamento, or pitch bend effect. Instruments without a vibrato have other bridge and tailpiece systems.

The pitch-bending effects have become an important part of many styles, allowing creation of sounds that could not be played without the device, such as the 1980s-era shred guitar "dive bomb" effect.

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👉 Vibrato systems for guitar in the context of Bigsby vibrato tailpiece

The Bigsby vibrato tailpiece (or Bigsby for short) is a type of mechanical vibrato device for electric guitar designed by Paul Bigsby and produced by the Bigsby Electric Guitar Company (currently an independently operated subsidiary of Fender Musical Instruments Corporation). The device allows musicians to bend the pitch of notes or entire chords with their pick hand for various effects.

Bigsby was inspired to create a new vibrato system after being tasked by Merle Travis to repair the Kauffman Vibrola on his Gibson L-10. The Bigsby system would debut in 1951, with the first example going to Travis. By the mid-1950s, Bigsby had ceased production of his own guitars and began only producing a range of vibrato tailpieces.

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Vibrato systems for guitar in the context of Fender Stratocaster

The Fender Stratocaster, colloquially known as the Strat, is a model of double-cutaway electric guitar designed between 1952 and 1954 by Leo Fender, Bill Carson, George Fullerton, and Freddie Tavares. The Fender Musical Instruments Corporation has continuously manufactured the Stratocaster since 1954.

The guitar's distinctive body shape was revolutionary when introduced in the mid-1950s. The double cutaway, elongated horns, and heavily contoured back were all designed for better balance and comfort to play while standing up and slung off the shoulder with a strap. The three-pickup design was a step up from earlier one- and two-pickup guitars, and a responsive and simplified vibrato arm integrated into the bridge plate, which marked a significant design improvement over other vibrato systems, such as those manufactured by Bigsby. However, Stratocasters without the vibrato system ("hardtails") were added to the portfolio in March 1955. The modular nature of the guitar, with its easily removable components, enabled players and luthiers to perform numerous modifications to their own guitars, changing out pickups or necks to fit the needs of the player. All of these design elements were popularized and later became industry standards due to the success of the Stratocaster.

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